Jacek Kaczmarski - 1788
27. listopada 1788 roku przypłynęło do Port Jackson w Australii (obecnie Sydney) 11 statków więziennych z brytyjskimi skazańcami, którzy mieli zostać pierwszymi osadnikami Południowego Lądu. W 1995 roku osiedlił się w Australii Jacek Kaczmarski razem z rodziną. Oba te wydarzenia genialny poeta połączył w utworze "1788". Ta pierwsza morska podróż do Australii! Łotry przy burtach, prostytutki w kojach - Wszyscy się bali, łkali i rzygali W drodze do raju. Przewrotności Twoja Panie, coś w jeszcze nam nieznanych planach Miał czarne diabły strzegące wybrzeży Edenu, który przeznaczyłeś dla nas, A w który nikt, prawdę mówiąc, nie wierzył! Czym żeśmy, marni, zasłużyli na to? Ten, co zawisnąć miał za kradzież płaszcza - Płakał nad swoją niechybną zatratą; Nie widział Ciebie w robaczywych masztach Statku, co tylko był więzieniem nowym; Tej co kupczyła ciałami swych dziatek - Ani przez mgnienie nie przyszło do głowy, Że to nadziei - nie rozpaczy statek. Niejeden żołnierz z ponurej eskorty (Bo czym się ich los od naszego różnił?) Wiedział, że nigdy już nie ujrzy portu, Gdzie go podejmą karczmarze usłużni I płatne dziewki; że zabraknie rumu Zanim do celu przygnasz okręt szparki. Z marynarzami pili więc na umór I - wbrew zakazom - grali o więźniarki. Prawda, nie wszyscy próby Twe przetrwali, Ale też ciężkoś nas doświadczał, Panie: Nie oszczędzałeś nam wysokiej fali, Za którą mnogim przyszło w oceanie Zakończyć żywot; innym dziąsła zgniły, Wypadły zęby, rozgorzały wrzody... Więc znaczą <b>...</b>
Arthur Schopenhauer (1788-1860)
www.philosophybites.com Arthur Schopenhauer has been dubbed the artist's philosopher on account of the inspiration his aesthetics has provided to artists of all stripes. He is also known as the philosopher of pessimism, as he articulated a worldview that challenges the value of existence. His elegant and muscular prose earn him a reputation as one the greatest German stylists. Although he never achieved the fame of such post-Kantian philosophers as Johann Gottlieb Fichte and GWF Hegel in his lifetime, his thought informed the work of such luminaries as Sigmund Freud, Ludwig Wittgenstein and, most famously, Friedrich Nietzsche. He is also known as the first German philosopher to incorporate Eastern thought into his writings. Schopenhauer's thought is iconoclastic for a number of reasons. Although he considered himself Kant's only true philosophical heir, he argued that the world was essentially irrational. Writing in the era of German Romanticism, he developed an aesthetics that was classicist in its emphasis on the eternal. When German philosophers were entrenched in the universities and immersed in the theological concerns of the time, Schopenhauer was an atheist who stayed outside the academic profession. Schopenhauer's lack of recognition during most of his lifetime may have been due to the iconoclasm of his thought, but it was probably also partly due to his irascible and stubborn temperament. The diatribes against Hegel and Fichte peppered throughout his works <b>...</b>
schopenhauer philosophy yt:stretch=16:9 Nietzsche art truth pangeaprogressredux
CPE Bach (1714-1788) Flute Concerto in D Minor (1/3)
1. Allegro Eckart Haupt, flute Hartmut Haenchen, conductor ____________________________________________________________ Carl Philipp Emanuel Bach (8 March 1714 -- 14 December 1788) was a German Classical period (music) musician and composer, the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders of the Classical style, composing in the Rococo and Classical periods. His second name was given in honor of Georg Philipp Telemann, a friend of Emanuel's father and his godfather. en.wikipedia.org
Bach 1714 1788 Flute Concerto in Minor From Baroquewith Love
CPE Bach (1714-1788) Flute Concerto in A major
2. Largo con sordini, mesto Eckart Haupt, flute Hartmut Haenchen, conductor Edition Bach, Carl Philipp Emanuel copyright 2004, 49367 ____________________________________________________________ Carl Philipp Emanuel Bach (8 March 1714 -- 14 December 1788) was a German Classical period (music) musician and composer, the second of three sons of Johann Sebastian Bach and Maria Barbara Bach. He was a crucial composer in the transition between the Baroque and Classical periods, and one of the founders of the Classical style, composing in the Rococo and Classical periods. His second name was given in honor of Georg Philipp Telemann, a friend of Emanuel's father and his godfather. en.wikipedia.org
38 CPE Bach 1714 1788 Flute Concerto in A major 2 From Baroquewith Love
Carl Philipp Emanuel Bach (1714-1788): Magnificat in D Major
1.Magnificat 2.Quia respexit 3.Quia fecit mihi magna 4.Et misericordia 5.Fecit potentiam 6.Deposuit potentes 7.Suscepit Israel 8.Gloria Patri 9.Sicut erat in principio Arleen Auger - Soprano Helen Watts - Alto Kurt Equiluz - Tenor Wolfgang Schöne - Bass Gächinger Kantorei Stuttgart Bach-Collegium Stuttgart Helmut Rilling
The Hollies - he ain't heavy he's my brother (Spanish)
Canción escrita por Bobby Scott y Bob Russell para los Hollies ...un auténtico himno a todos los hermanos. The Hollies' recording, which featured Elton John on piano, was released in the UK on 1 September 1969 and on 1 December in the US. --Origin of the title-- The first editor of Kiwanis Magazine, Roe Fulkerson, published a column in September 1924 carrying the title "He Ain't Heavy, He's My Brother". The phrase is also associated with Father Edward J. Flanagan, the founder of Boys Town. Flanagan came across a line drawing of a young boy carrying his brother in the Christmas 1941 edition of the Louis Allis Messenger. The caption read "He ain't heavy Mister — he's m' brother!" It was created by Mr. Van B. Hooper who later became the editor of Ideals magazine. The drawing was reprinted in the first issue of Ideals in December 1944. Flanagan felt that the drawing illustrated the work done at Boys Town and received permission from the company in August 1943 to recreate the drawing in color with the caption "He ain't heavy, Father . . . he's m' brother." The phrase became the motto of Boys Town.
The Hollies he ain't heavy he's my brother British pop rock Darth PPLU
Jim Malcolm : Auld Lang Syne
From his album, "Acquaintance", this is Scotland's Jim Malcolm rendering the beautiful Robert Burns song, 'Auld Lang Syne'. Known the world over as the song we join in singing to welcome in a new year, the song is worthy of being heard on any day of the calendar. Jim Malcolm has released many fine albums, on his own and with the Old Blind Dogs. Please visit his website at www.jimmalcolm.com Note If anyone objects to this not-for-profit video due to copyright concerns, please make contact and it will be removed.
Jim Malcolm Auld Lang Syne Robert Burns Traditional Folk New Year paganmaestro
1788 et demi (épisode 1 - 2)
Cette nouvelle série, originale et dotée d'un sens créatif jubilatoire, met en scène les aventures d'une famille de la noblesse française, à quelques mois de la révolution de 1789, victime d'un double complot, celui de la vieille noblesse et de la nouvelle bourgeoisie, avide de puissance. Entièrement voués à l'insouciance, fantaisistes et épris d'une liberté absolue, le comte François de Saint-Azur (Sam Karmann) et ses trois filles vivent ainsi au mépris de toutes les convenances.
1788 1788 et demi france 3 Olivier Guignard Sam Karmann Nelly Alard Serge Riaboukine Bruno Debrandt et Demi
1788 et demi (épisode 3 - 3)
Cette nouvelle série, originale et dotée d'un sens créatif jubilatoire, met en scène les aventures d'une famille de la noblesse française, à quelques mois de la révolution de 1789, victime d'un double complot, celui de la vieille noblesse et de la nouvelle bourgeoisie, avide de puissance. Entièrement voués à l'insouciance, fantaisistes et épris d'une liberté absolue, le comte François de Saint-Azur (Sam Karmann) et ses trois filles vivent ainsi au mépris de toutes les convenances.
1788 1788 et demi france 3 Olivier Guignard Sam Karmann Nelly Alard Serge Riaboukine Bruno Debrandt et Demi
Paul McNulty fortepianos. Part 2/4 (Stein ca.1788)
V. Sofronitsky and R. Brautigam fortepiano, fortepiano by Paul McNulty after Johann Andreas Stein (1728-1792), who was one of the most important fortepiano makers of Mozart's time. He was born in Heidelsheim in the family of organ builder. He apprenticed near Stuttgart with JA Silbermann and established his own workshop in Augsburg in 1751 where in 41 years he built around 700 fortepianos. By 1770 he was well known as an organist and organ and fortepiano builder. When Mozart paused in Augsburg in 1777, he befriended Stein. Mozart used Stein's fortepianos in a public performance of the triple concerto given on October 22, the three soloists being Mozart, cathedral organist Demmler and Stein. Mozart was most impressed with Stein's instruments quality and wrote to his father: "...But now I much prefer Stein's instruments, for they damp ever so much better than Spath's instruments. When I strike hard, I can keep my finger on the note or raise it, but the sound ceases the moment I have produced it. In whatever way I touch the keys the tone is always even. It never jars, it is never stronger or weaker or entirely absent: in a word, it is always even. ...they have this special advantage over others that they are made with escape action. Only one maker in a hundred bothers with this. But without an escapement it is impossible to avoid jangling and vibration after the note is struck. When you touch the keys the hammers fall back again the moment after they have struck the strings <b>...</b>
V.Sofronitsky Viviana Sofronitzki Ronald Brautigam fortepiano piano Paul mcnulty Johann Andreas Stein pianoforte hammerklavier Wolfgang Amadeus Mozart CPE Bach Ludwig van Beethoven grafpleyel
Jacek Kaczmarski 1788 (inna wersja)
Ta pierwsza morska podróż do Australii! Łotry przy burtach, prostytutki w kojach - Wszyscy się bali, łkali i rzygali W drodze do raju. Przewrotności Twoja Panie, coś w jeszcze nam nieznanych planach Miał czarne diabły strzegące wybrzeży Edenu, który przeznaczyłeś dla nas, A w który nikt, prawdę mówiąc, nie wierzył! Czym żeśmy, marni, zasłużyli na to? Ten, co zawisnąć miał za kradzież płaszcza - Płakał nad swoją niechybną zatratą; Nie widział Ciebie w robaczywych masztach Statku, co tylko był więzieniem nowym; Tej, co kupczyła ciałami swych dziatek - Ani przez mgnienie nie przyszło do głowy, Że to nadziei - nie rozpaczy statek. Niejeden żołnierz z ponurej eskorty (Bo czym się los ich od naszego różnił?) Wiedział, że nigdy już nie ujrzy portu, Gdzie go podejmą karczmarze usłużni I płatne dziewki; że zabraknie rumu Zanim do celu przygnasz okręt szparki. Z marynarzami pili więc na umór I - wbrew zakazom - grali o więźniarki. Prawda, nie wszyscy próby Twe przetrwali, Ale też ciężkoś nas doświadczał, Panie: Nie oszczędzałeś nam wysokiej fali, Za którą mnogim przyszło w oceanie Zakończyć żywot; innym dziąsła zgniły, Wypadły zęby, rozgorzały wrzody... Więc znaczą nasz zielony szlak mogiły Szkorbutu, szału, francuskiej choroby. Nikt nie odnajdzie w ruchomych otchłaniach Ciał nieszczęśników - oprócz Ciebie, Boże. Ich żywot grzeszny epitafiów wzbrania, Lecz - ukarani. Więc wystarczy może, Żeś się posłużył straszliwym przykładem: Oni naprawdę dotarli do piekieł, A umierając nie <b>...</b>
GAINSBOROUGH {1727-1788}
'Pinacoteca de los Genios'. Cuados. 'Música para los Reales Fuegos Artificiales' de Haendel
Palacio Real de Madrid, Ilustración y Liberalismo 1788-1814
La exposición parte de la Ilustración, cuyo apogeo en España se alcanza entre 1788 y 1808... Muestra la realidad española en el tránsito del siglo XVIII al XIX...Comentada por Emilio La Parra, comisario de la exposición junto a Carlos Sambricio y José Luis Sancho. Más información: www.RevistaDeArte.com LOGOPRESS
arte exposición Palacio Real de Madrid La Parra José Luis Sáncho Carlos Sambricio SECC Fundación Rafael del Pino Revista Logopress
1788 et demi (bonus)
Cette nouvelle série, originale et dotée d'un sens créatif jubilatoire, met en scène les aventures d'une famille de la noblesse française, à quelques mois de la révolution de 1789, victime d'un double complot, celui de la vieille noblesse et de la nouvelle bourgeoisie, avide de puissance. Entièrement voués à l'insouciance, fantaisistes et épris d'une liberté absolue, le comte François de Saint-Azur (Sam Karmann) et ses trois filles vivent ainsi au mépris de toutes les convenances.
1788 1788 et demi france 3 Olivier Guignard Sam Karmann Nelly Alard Serge Riaboukine Bruno Debrandt et Demi
chansons historiques de France 117 : Considérations politiques ... 1788 ou 89
"Considérations politiques de MM les Notables de la Halle au pain " chanson anonyme du tout début de la révolution de 89 (avant les états généraux !) , sur l'air de "Catiau dans son galetas ". chanson "poissarde" (faisant parler le petit peuple) contre les riches, clergé et noblesse accusés de contrarier les désirs de réforme du roi Louis XVI en faveur du tiers état. ... interprétation : enregistrement d'une émission TV des années 80 animée par JF Kahn avec divers chansonniers ; les notables ont fini comm ils zont fait les capables leurs sacrés brouillamini nous rendraient ben pu misérable mais leur complot est foutu ils s'en retournent la pelle au cul (bis) Y n'voulaient pas d'tiers état parcequ'il est l'soutien du trône leurs fallait d'zaristocrates et qu'le Roi leur r'mit sa couronne mais leur complot est foutu ils s'en retournent la pelle au cul (bis ) les grands n'voulaient rien payer pacequ'y z'ont ruiné la France faut ben suer et nous tuer pour engraisser leurs excellences pour eux j'fsons venir du pain et pour nous y font v'nir la faim (bis) nos seigneurs les calotins aux curés laissiont l'service ce n'est que chez leurs catins qu'ces beaux messieurs font bien l'office j'nosons trouver ça mauvais d'peur d'être damné à jamais (bis) c'te noblesse et ce clergé ça n'fait qu'un , ça tire ensemble mais c'est si ben arrangé que ça fait deux quand bon leu semble ça leur double les moyens on sait qu'deux corps ont quatre mains (bis) pour nos seigneux les robins leurs <b>...</b>
CPE Bach - Harpsichord Concerto in C minor, H. 448 / Wq 37 (Ludger Rémy & Les Amis de Philippe)
Carl Philipp Emanuel Bach (1714 ~1788) Konzert für cembalo, 2 hörner, streicher und basso continuo c-moll, Wq. 37 (written by 1762, Berlin, Germany) I. Allegro assai - 00:00 II. Andante ed arioso - 08:09 III. Presto - 13:44 Ludger Rémy (harpsichord) Les Amis de Philippe Ludger Rémy (conductor)
유선빈 Carl Philipp Emanuel Bach CPEBach Concerto for Keyboard Harpsichord two horns Strings and Basso Continuo in c minor c-minor Cembalo Clavecin Cembalo Konzert Konzert fur Tasteninstrumente Tastatur Klaviatur Clavier H448 Wq37 Ludger Remy 18th Century Early Classical Music Preclassics Preclassic Vorklassik North Germany German Berlin School Berliner Schule School Berliner Liederschule Rococo Empfindsamer Stil Galant Style Historically informed performance On period instruments protestant
1788 et demi (épisode 2 - 2)
Cette nouvelle série, originale et dotée d'un sens créatif jubilatoire, met en scène les aventures d'une famille de la noblesse française, à quelques mois de la révolution de 1789, victime d'un double complot, celui de la vieille noblesse et de la nouvelle bourgeoisie, avide de puissance. Entièrement voués à l'insouciance, fantaisistes et épris d'une liberté absolue, le comte François de Saint-Azur (Sam Karmann) et ses trois filles vivent ainsi au mépris de toutes les convenances.
1788 1788 et demi france 3 Olivier Guignard Sam Karmann Nelly Alard Serge Riaboukine Bruno Debrandt et Demi
Jesus Cristo Vivo está! - Charles Wesley (1707 - 1788) - Jardim da Luz
By www.josemarbessa.com Adoração - Culto - Noite de Domingo - Jardim da Luz
Adoração Louvor Josemar Bessa Jardim da Luz Josemar Bessa Charles Wesley Hino
Maria Sharapova vs. Andrea Petkovic - Roland Garros 2011 QF Highlights (HD)
Maria Sharapova vs. Andrea Petkovic - Roland Garros 2011 Quarter Finals Highlights (HD) Maria Sharapova def. Andrea Petkovic, 6-0, 6-3 to advance in the Semi Finals of Roland Garros 2011. ~ Please avoid duplicating and uploading my Videos that were originally created by me and claiming it as your own, Thank You. ~ Please kindly inform me if someone uploads my videos to YouTube, too. Thank You very much. PLEASE DON'T FORGET TO RATE, COMMENT, AND SUBSCRIBE TO MY CHANNEL, QueenMariaSharapova. MORE TENNIS HIGHLIGHTS TO COME.
maria sharapova vs andrea petkovic roland garros 2011 quarter finals highlights hd Queen
Aria 'T'aggio voluto bene' | Gaetano Latilla (1711 - 1788)
Aria 'T'aggio voluto bene' by Gaetano Latilla (Bari 1711 - Napoli 1788) soprano: Enrica Mari Ensemble Festa Rustica: Giorgio Matteoli, flauto e direzione Silvia Colli e Carlo Lazzaroni, violini Marcello Scandelli e Claudia Poz, violoncelli Giangiacomo Pinardi, tiorba Roberto Bevilacqua, violone Walter Mammarella, clavicembalo Per saperne di più su Gaetano Latilla: www.cannibali.it The title of song of Gaetano Latilla, in Neapolitan language, is 'T ' aggio volute bene ' (= I have loved you) and tells the story of a woman who no longer loves her ex lover, because hi was unfaithful to her. Hi tries again to seduce her, but she refuses, and at the end of the video, in the last 4 frames, you can see why... The woman sings: "I have loved you, my pretty little face, but now it doesnt suit me to give you more love. Get out traitor! Get out traitor, because i do not want to give you any more my little heart... Images: Paintings of XVIII th Century by George Romney Maurice Quentin de La Tour Saverio Della Gatta Jacob Philipp Hackert Rosalba Carriera Gaspare Traversi
Gaetano Latilla Bari Napoli baroque musica barocca aria barocco Festa Rustica Enrica Mari minuicch
1788- J. Kaczmarski by MP
Moje przygotowania do ustnej matury z polskiego... ;D
Kaczmarski Jacek australia piekło niebo polska prostytutki Maciek maciekxxx RABKA
CPEBach Solfeggietto No.2 in C minor, H.220, W.117
Carl Philipp Emanuel Bach (1714 † 1788) Public in Hamburg, 1770 Work: Solfeggio - Solfeggietto No.2 in C minor, H.220, W.117 Movement: Prestissimo Pianist: John Troutman
Carl Philipp Emanuel Bach Solfeggio Solfeggietto No.2 in minor H.220 W.117 Prestissimo John Troutman whomakemefeel
Mozart - Divertimento (String Trio KV 563) 1/6
Wolfgang Amadeus Mozart (1756-1791) Divertimento (String Trio) in E flat, KV 563 (September 27, 1788, Vienna) 1. Allegro Grumiaux Trio Arthur Grumiaux, violin Georges Janzer, viola Eva Czake, cello The Divertimento in E flat, K. 563, is a string trio, written in 1788, the year in which he completed his last three symphonies and his "Coronation" Piano Concerto. The work was completed in Vienna on September 27, 1788, and is dedicated to Michael Puchberg, a fellow Freemason, who lent money to Mozart. The premiere was in Dresden on April 13, 1789 with Anton Teyber taking the violin part, Mozart playing viola and Antonín Kraft playing cello. At the time Mozart was conducting a tour of German cities, on his way to Berlin; see Mozart's Berlin journey.
