We strapped the new 5Dmk2 onto our electric helicopter to see how the footage looks. Very cool possibilities to use fisheye and ultra wide lenses for some dramatic never before seen aerial footage.
5dmk2 5D Aerial video RC helicam flying-cam stabilized footage HVX EX1 RED Scarlet copterworks steadicam flycam cineflex aerialpan
this short was a test run to check out the capabilities of mk2. and to my big surprise, the raw footage is absolutely stunning and i'll shoot future shorts with this camera rather than SONY EX3. sound is temp. shot over several hours with various zeiss/canon lenses. cut with FCP, color adjusted with MAGIC BULLET LOOKS. converted to 24p with cinema tools and compressor. the budget for this project was 200 bucks. sorry, no subtitle yet. but the premise is about a guy who's waiting for his girlfriend to come down from work so they can go have a picnic. but when he's forced to wait longer than expected, he plays a prank on her by telling her to get into a "friend's car" parked outside the building. based on a real prank pulled by a colleague.
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I went to Okinawa in a long vacation. At that time, I recorded a Jinbei-shark by a movie with 5DMK2. When a Jinbei-shark went along the very front, the spectator raised a voice of the delight. This shark had the length more than 7.5M, and the figure which swam was very elegant. As for me, the fish swimming in beautiful blue water of the huge water tank are not forgotten, but 5DMKII reproduces it wonderfully. CANON 5DMKII EF24-70mm f2.8L USM
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A side by side comparison between the Canon 5D Mk II and the Sony PMW-EX1 cameras. The Sony is set to fully automatic, and the canon is fully manual, so keep that in mind while you watch. This footage is not colour corrected, it's mainly to show depth of field and dynamic range, as well as focal sharpness.
How to properly set up the Canon 5D Mark II with a field mixer and Magic Lantern firmware.
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How to Compress Canon 5DMK2 and Canon 7D movies for editing in Final Cut Pro. Special Bonus feature of MPEG Streamclip that is not intuitively obvious to the casual observer. (Sam Brown) Chris Fenwick chrisfenwick.squarespace.com
Final Cut Pro Canon 5DMK2 Canon 7D DSLR Converting Transcoding chrisfenwick
An experiment using a vintage Sankor 16mm anamorphic attachment with a very old Albinar 80-200mm f/3.9 lens. 30p slowed and converted to 24p. The anamorphic lens flare and bokeh it produces it quite beautiful. Music performed by John Robertson. Check out my other vids at youtube.com
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Shot over a couple of nights, taking the 5dmk2 out on the streets and getting shots of the inhabitants and visitors. No lighting, no grading. This is what came out of the camera image wise. All handheld and helped by using the Z-Finder from Zacuto to give the camera a proper viewfinder and improve stability. All shot using one lens. A Nikon mount Zeiss ZF 50mm f1.4 Music is by Stacey Kent: You can't take that away from me. Converted to 25p in Compressor. 3 shots use smoothcam in FCP to give an interesting look. Thanks to Dennis Lennie and Teodor Stoyanov.
BIKE TRIP 2011 with my mates. CAMERAS : CANON 5D MK2 + GO PRO HD SOFTWARE : Final Cut Pro X (Mac) Music : "The killing Road" - MEGADETH Bikes : - MV AGUSTA 1000 F4 (2010) - DUCATI 1100 STREETFIGHTER S (2010) X 2 :-) - DUCATI MONSTER 796 (2010) - KTM 990 SMT (2010) - TRIUMPH SPRINT (2010)
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This is something I have been working on for a couple of years. DIY Realtime telecine directly captured to the Canon 5Dmk2 sensor (with out a lens on the camera). Projector: Eumig Mark 501 Camera: Canon 5DMKII See video description for method. www.vimeo.com Vimeo film: 20950590 Results: Videos I have transfered using this method: www.vimeo.com Vimeo film: 20900718 www.vimeo.com Vimeo film: 20871186 www.vimeo.com Vimeo film: 21086292
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Jay Shaffer demonstrates balancing the Jaybilizer HDSLR camera stabilizer with a Canon 5Dmk2 with a 16-35mm EF lens. The Jaybilizer HDSLR is a Merlin-type camera stabilizer specifically designed to work with the Canon 5dmk2 and the 7D. More info at: jaybilizer.com
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Part two of a new ongoing videoblog (see part one here: bit.ly/99MEXO) An informational video by Dave Armstrong, Writer/Director of upcoming short film 'Ghostgirl', about using the Zacuto 'Sniper' rig for handheld shots. 'Ghostgirl' has been filmed entirely on a Canon Eos 5D Mk2, with assorted lenses and kit. Film is in post production at the moment, due for completion & release before end April. Piano theme by Rob Cross (myspace.com/robertmichaelcross) For more info: ghostgirl.wordpress.com
Zacuto Canon Eos 5D Canon Eos 5D ghostgirl Dave Armstrong short film isle of man guacamolee
This is the music video for the song "Gravel" by Ember Fx. Filmed entirely on the Canon 5D Mark II camera at 30fps then slowed down to 24fps. Lead singer Michael Berns had to sing to a version of the song that was sped up by 125% during filming. Then, when the footage was slowed down in post production to 24fps in Final Cut Pro, it matched the original speed of the album version of "Gravel"and Michael appears to move in slow motion. Visit EmberFx.com, join the mailing list. Cinematography was by Mark Richard Berns Additional notes on filming... Gravel was shot using 4 prime lenses only-Canon Ef Lens 85mm f/1.2L, Ef 200mm f/2L, Ef 24mm f/1.4L II, Canon Ef 135mm f/2.0 -The slow motion technique whereby the song is filmed at a faster speed then slowed down in post production gained popularity as effect after Coldplay used the technique in their music video for the song "Yellow." But Coldplay shot "Yellow" at 50fps and slowed it down to 25fps, which created a much more noticeable slow motion effect than the 30fps to 24fps change seen in Gravel. This camera system is the same system that was used on the FOX show House MD Recording notes - Michael recorded this song in a recording studio where the main microphone used was a Neumann u87ai through Neve 1272 preamps, to Apogee AD-8000 special edition converters. Shure sm57 microphones were used on background vocals with a Presonus pre. For playback on the set during filming, the song was actually playing off of Michael's iPhone in <b>...</b>
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千葉の海で撮影してきました。 このあたりはとても淋しい風景が拡がっていて、とても気にいっています。 英語のキャプションではタルコフスキーの名前だけ出していますが、実際には千葉・大原出身のつげ義春のことも思い出しながら撮影していました。 As a respect for Andrei Tarkovsky. I shot this short movie at sea shore of Chiba Prefecture, which is located on the other side of Tokyo Bay. It only takes 15 minutes if you use the big bridge, and youll find this peaceful and charming dry beach.
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Director-Cinematographer, Glenn Przyborski talks about his experiences testing and evaluating a new optical anti-aliasing filter from Mosaic Engineering, for the Canon 5D Mk2 camera. There's an explanation and examples of aliasing and moiré pattern interference. Glenn also demonstrates how easy the filter is to install and remove from the camera.
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A versatile DIY stabilizer rig for strong enough for the 5Dmk2, but made for the GH2. Like road bike handlebars, it allows multiple grips and shooting positions for flexibility and fatigue resistance. Inspired by the PVC fig rig designed by the Frugal Filmaker (on youtube), the Road Bike Rig will shoot eye-level, shoulder level, and hip level with ease. There are no fewer than 9 gripping points, and up to 5 points of contact when shooting. Compared to the "cross bow" style of DIY PVC rigs out there, this is more rigid, yet far more versatile and comfortable. The first two minutes explain the concept, and rest of the video explains how to build it. This is moderate to difficult: Precision PVC cuts, precise PVC bonding, drilling, and painting are required. Excluding quick release and tools, the cost should be under $40 for pipe, fittings, paint and glue. Pardon the outdoor audio, the neighbor was using a chain-saw and the wind was blowing, too. Add a dead h4n, a dead lapel mic and you've got 7D audio recording at it's worst. A dead cat and a noise suppressor plug in can only do so much. Known limitations: 1) No counterweight - like many DIY rigs, it's still front heavy. Hence, it's best for the GH2, though we were able to mount a 5Dmk2 and 7D for short periods of time. 2) Flex - even bonded, this isn't as rigid as a true metal rod based rig. It's still PVC 3) Flying - this isn't a gimbal style rig 4) Tripods - this won't mount to or dismount from a tripod easily, as many <b>...</b>
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Footage shot in HD with a Canon 5Dmk2 DLSR, using an 85 f/1.8 lens, edited with Sony Vegas 8.0, rendered to a 720 m2t HDV file for upload. When used indoors with limited light, it is very easy to get a nice blurry background with this camera. Outdoors in bright sunlight, it's nearly impossible without tricking the camera using either its own settings, or a neutral density filter.
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camera: Canon 5D mk2 lenses: EF24-105mm 4.0/ EF50mm 1.4/ EF100mm 2.0 edit: Final cut pro7 music: "Solitude" Joe hisaishi Ameyoko (translates as "Candy-Store Street") is one of the liveliest shopping avenues in Tokyo, which becomes so filled with people on weekends that one cannot even walk straight. Also located in this place, is the departure station of the railway destined for Tohoku region, and for this reason the town has been loved for its sense of nostalgia. 上野のアメ横で撮影してきました。 築地市場のほうが規模は大きいのですが、アメ横は夜のほうが活気があるので、また違った味わいがあると思います。この日もネオンや裸電球など、色とりどりの照明が綺麗でした。
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埼玉県の所沢に新しくOPENしたskateparkです。 路面は、海外のparkに匹敵するぐらいツルツルです。。 go ueda/yoshinori otuka/kota ikeda/yohey nishio
Canon ファイルベース業務用ビデオカメラを中心に、HDV の Canon XL-H1A 、SONY NEX-VG10、EOSムービーの 5D MarkⅡ を画像比較してみました。ロケ地は、秋田新幹線の単線区間 大曲ー雫石間（秋田県・岩手県）の６ヶ所を移動して撮影しました。初めのシーンでは、上記カメラを4台並べて同録しています。カメラ設定は、なるべく同録撮影のカメラは、同じになるように設定したいます。基本的に 1/60秒 ゲイン０dB 色温度マニュアル5200K〜7000K です。
秋田新幹線こまち号 Canon XF300 XL-H1A SONY NEX-VG10 EOS 5D Mark2 TN DMK
