Two fantastic guitars in one video. The 6 string Taylor baritone guitar and the new Dave Matthews Signature edition Taylor guitar!
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www.haloguitars.com New for 2012, the Halo MORBUS 6-String Baritone Left Handed Guitar. The MORBUS is a handcrafted, neck-through-body design featuring premium tone woods, hardware and electronics. The instrument offers amazing sound with a sweet spot for low tuning. This left handed baritone electric guitar is set up for BEADF#B tuning and is factory equipped with active Halo Humbucker pickups. Music by Hedras Ramos Song: Extenuation
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www.faziosmusic.com Bryan Rankins of Fazio's Frets and Friends doing a quick demo of the 2012 Taylor Guitars Spring Limited 416ce Baritone. A truly unique and incredible guitar with thundering, rich lows and depth not attainable in a standard-tuned guitar. This guitar carries that Low B to B tuning without the muddiness that occurs in many other brands out there. Stop by and give it a test drive of your very own just remember that this is a "limited" model so don't wait too long.
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Taylor baritone guitars are designed for playing in a lower register with normal string tension, thanks to a longer 27-inch scale length. Tuned to B (BEADF# B), the deeper acoustic tone is voiced with the GS body shape and a wood combination of Indian rosewood with Sitka spruce. A great choice for singers with a lower vocal range or players who favor a detuned sound, the baritone is offered as either a 6-string or an 8-string with two added octave strings that expand the tonal range.
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More info: bit.ly Listen to Taylor's lineup of baritone acoustic guitars. In this Sweetwater Minute episode, Mitch Gallagher gives a demo and overview of both the 6-string and 8-string versions.
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This is a quick demo of my new steel, the Baritone! Again this thing sounds amazing.
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ask me anything www.formspring.me This is actually me playing a small part of one of my songs. If you're intersted in friendship or something - here is my facebook page www.facebook.com
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Dream Guitars Veillette Baritone 6 -string played by Al Petteway
John Sebastian playing "Nervous" on a Veillette Baritone 6-string guitar. Recorded at the October 2011 Woodstock Luthiers Invitational in Bearsville, NY.
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Sneak Peek of the all new Halo XSI 6-String Bass Guitar. The XSI a handcrafted, neck-through-body design featuring premium tone woods, hardware and electronics. The instrument offers huge sound with a wide variety of tonal options through the EMG BQC System and Active EMG 45DC pickups.
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www.ProGuitarShop.com - The brain trust at Schecter has done it again with the Hellcat VI six string. Not a guitar, bass or even a baritone in today's terms, the Hellcat VI is designed to be an improvement of the 6-string bass instrument of the early 1960s used for those tick tack bass sounds made famous in Nashville studios. The 30 scale of the Hellcat VI is standard tuned, but one octave below a normal guitar. String gauges will range from .025 to .095 Built for the player whose is seeking a different voice but does not necessarily want to learn a new instrument, the Schecter Hellcat VI has a tone that will cut through any mix. The 3 Duncan MH-102 mini-humbuckers are designed to give more brightness than a regular humbucker and more fatness than a single coil. If you are a guitar player who likes to hang out in the bass range, this may be the perfect choice.
Jackson DK2 I belive it is. It's my brothers and it's got the Dimarzio X2N Pickup that Micheal Romeo uses from Symphony X. I'm not used to a 6 string seeing that I've been playing a 7 string 27" scale baritone guitar lately so I mess up.
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星文昭 Taylor Baritone 6-Strings Nikon COOLPIX P300 Taylor Expression System Taylor Guitars フィンガーピッキング fingerpicking スライドバー slide guitar ボトルネックギター ソロギター sologuitar
www.facebook.com www.keithmerrow.com This is like the "Nyancat" of guitar videos. Haha, sorry for the repetition. I'm just trying to give the most solid comparison that I can. Using the same guitar, same amp tone, same mix and eq, and same riffs, are the only way to do this accurately, IMO. All of these pickups would most likely sound great if I were to dial in the amp, according to how the pickup reacts to the guitar. But, for the sake of consistency, the amp settings are exactly the same on every clip so you can hear the tonal variations between them IN THIS GUITAR. Keep in mind- These pickups are all going to sound different depending on the guitar and amp you're using. A pickup that sounds good (or not good) in this guitar, might sound completely different in yours. The guitar used in this video has an extremely prominent midrange tone (almost to a fault). The baritone used here was rather picky! The result a couple of the models clearly aren't a good choice for this guitar. However, a few of them compliment the tone, nicely . Which ones are your favorites? Pickups- Seymour Duncan www.seymourduncan.com Full mix- Distortion 0 - 1:02 Full Shred 1:03 - 1:59 Invader 1:59 - 2:55 JB 2:56 - 3:53 Alternative 8 3:54 - 4:49 59/Custom Hybrid 4:52 - 5:46 Custom 5:46 - 6:42 Dimebucker 6:42 - 7:39 EMTY Blackout 7:40 - 8:36 Blackout Metal 8:36 - 9:33 Blackout Standard 9:33 - 10:30 Gus G 10:30 - 11:27 Guitar only (2 tracks L/R) Distortion 11:27 Full Shred 11:38 Invader 11:49 JB 12:00 <b>...</b>
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www.premierguitar.com PG's Charles Saufley is On Location in Anaheim, CA, at the 2012 NAMM Show where he visits the Lakland booth. In this segment, we get to see and hear a demo of Lakland's prototype 60-11 6-String Prototype Bass. For more NAMM '12 video demos or to watch one of Premier Guitar's 1500 other videos online for free, be sure to visit http
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John playing a Veillette Grand 16" acoustic baritone 6-string
John Sebastian Veillette Grand 16 acoustic baritone guitar 6-string guitar Joe Veillette;
This is the only correct way to play this song, you need a six string bass tuned like a guitar an octave lower. Perry used a Fender Bass VI, I'm using the Gretsch G5265 Baritone Dou Jet. This song is one of the great Bass VI songs, without a doubt. Perry was at his creative best when he came up with these riffs. I really had a zen problem focusing on this song, I guess I should have practiced before recording. There are many mistakes here, and near the end I have no idea what's going on. Still, I'm making this video public for now, I'll probably take it down latter.
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Slide bottleneck country blues improvisation on a Danelectro type baritone guitar through an old fender deluxe reverb tube amp and Ibanez TS9 Tube Screamer distortion/overdrive converted to the TS808 (TS-808 resistor mod) for more overdrive and warmth. Open E tuning for an A tuned 6-string baritone. The vibrato tremelo is a voodoo lab pedal.
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Here's my rendition of that old classic gospel song by Charles W. Fry. Fry wrote the lyrics in Lincoln, England while working with the Salvation Army there. It first appeared in the Salvation Army's "War Cry" of December 29, 1881. The tune was adapted by Fry from a melody by William S. Hays. I have found a friend in Jesus, He's everything to me, He's the fairest of ten thousand to my soul; The Lily of the Valley, in Him alone I see All I need to cleanse and make me fully whole. In sorrow He's my comfort, in trouble He's my stay; He tells me every care on Him to roll. Refrain He's the Lily of the Valley, the Bright and Morning Star, He's the fairest of ten thousand to my soul. He all my grief has taken, and all my sorrows borne; In temptation He's my strong and mighty tower; I have all for Him forsaken, and all my idols torn From my heart and now He keeps me by His power. Though all the world forsake me, and Satan tempt me sore, Through Jesus I shall safely reach the goal. Refrain He will never, never leave me, nor yet forsake me here, While I live by faith and do His blessèd will; A wall of fire about me, I've nothing now to fear, From His manna He my hungry soul shall fill. Then sweeping up to glory to see His blessèd face, Where the rivers of delight shall ever roll. Refrain
A tune of mine from 15 years ago played here on a baritone guitar (made by Tony Karol in Ontario) instead of a standard 6-string guitar. Enjoy!
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www.nstuffmusic.com Taylor baritone guitars are designed for playing in a lower register with normal string tension, thanks to a longer 27-inch scale length. Tuned to B (BEADF# B), the deeper acoustic tone is voiced with the GS body shape and a wood combination of Indian rosewood with Sitka spruce. A great choice for singers with a lower vocal range or players who favor a detuned sound, the baritone is offered as either a 6-string or an 8-string with two added octave strings that expand the tonal range.
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In this video Guitar World's gear editor Paul Riario demonstrates the features of the Taylor Baritone eight-string acoustic guitar. For more gear reviews and videos check out guitarworld.com
Guitar World Gear Review Paul Riario Taylor Baritone Eight-String Acoustic Guitar
Slide Guitar and 12 string guitar, in the Key of E, we just messed around this day and recorded a bunch, as the next day I was going to be traveling for a few months, This is Blues man Trinity of Galveston Island in Texas playing the 12 string guitar an myself on slide guitar, sure was was fun, :-) we played every now and again at the open mics around the island from time to time, just a day from the past that got recorded, enjoy, the 6 string slide guitar is set up in open E and the 12 string is tuned to standard tuning of C# but is played in the 3rd position as if playing in G, which is really a E on that guitar, the 6 string taylor I adapted strings to pair the guitars to be easily played together, so when you would down tune a standard guitar to open G tuning, the same done on my taylor turns it into open E tuning, just some info for the curious.. hope you enjoy some of our Blues at the Moment of creation, has kind of a Muddy waters flavor to this blues style of Acoustic Texas Blues, Leadbelly style tuning on the 12 string, and a leo kottke specially set up for the six string with a custom set of strings on it, made it close to a baritone guitar, and could be dropped down to a baritone tuning if need be, it is what it is... a six string tuned to match a down tuned 12 string, :-) Peace, DSWhite
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Hi Folks, got me a spanking new Jerry Jones 6-string bass, this one is absolutely killer, I'm sooo glad Jerry Jones doesn't stop using modern guitar-technic knowledge like Gibson or Fender (still using outdated details invented 50 years ago), so we have a modern Gotoh bridge here instead of the common fixed bridge, and the trussrod is accsesible at the neckheel. a very modern feel, yet oldschool sound, thats what I'm after. I'm playing to my bands track "Blackwaters Ballad", the 6-track demo is available now, through Myspace / Facebook or at our gigs, check www.deathrope.ch.vu or www.myspace.com/deathropemusic PS: SORRY, my computer and my camera are anything but new, so the clip jumps a bit, and won't be in time, sowhat, enjoy anyway!
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Played on a 6 string guitar tuned down to baritone, this is my take of track #6 of Steve Vai's album Fire Garden.Check my music and colaborations at my oficial Facebook page: www.facebook.com Order my first solo album at: www.cdbaby.com Buy it from iTunes at: itunes.apple.com Also you can get my music in digital format at these following online stores: Amazon.com, Napster, Lala, Tradebit, GreatIndieMusic, Spotify, Didiom ¡¡¡NOTE!!! I don't have guitar tabs for this song. Visit: www.vai.com and http Thank you for watching. Regards. Cesar.
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Slide bottleneck country blues improvisation on a Danelectro type baritone guitar through an old fender deluxe reverb tube amp and Ibanez TS9 Tube Screamer distortion/overdrive converted to the TS808 (TS-808 resistor mod) for more overdrive and warmth. Open E tuning for an A tuned 6-string baritone. The vibrato tremelo is a voodoo lab pedal.
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Played at low volume over a small Peavy Standard PA with treble up and bass down. Not intended as a bass part. This is pretty much as funky as I can be. I've never tried to play this riff I attempt from "Superstitious" by Stevie Wonder, a VERY funky MF. His compouded funky riffs on that song are a sound to behold. I have heard 16 year olds who can play the sh!t outta some funk. I can't, but these videos are to show the versatility of the Hellcat VI or other EE short scale 6 string basses, what you might expect to be able to do for yourself, good or bad for your uses. I have viewed the other videos of the EE baritone guitars, and a few of you guys can pick these things just fine, I am still getting used to it, but it will help my 6 string guitar finger picking for sure.
Schecter Hellcat VI Bass VI bass 6 baritone guitar EE tuning 30 inch scale
Slide bottleneck country blues improvisation on a Danelectro type baritone guitar through an old fender deluxe reverb tube amp and Ibanez TS9 Tube Screamer distortion/overdrive converted to the TS808 (TS-808 resistor mod) for more overdrive and warmth. Open E tuning for an A tuned 6-string baritone. The vibrato tremelo is a voodoo lab pedal.
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Just like everyone else, I did spend sometime dreaming about playing like Dominique Di Piazza or Gary Willis. The only difference is that my axe is not the electric bass but a baritone guitar. I would also like to credit my hero, Skuli Sverrisson, as my influence. He really is one of a kind.
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www.facebook.com There are dozens of "art guitars" with multiple necks that can never be played. It's just about the look for some of these creations. So, the NGM decided to go one further and create a guitar with 8 necks--more than any other in the world--that can actually be played. If you're going to make something like that, it should be real. We got 8 guys together to prove it. It wasn't easy, but we got through a few verses of "Crossroads" with every neck in full swing. See for yourself. The guitar was designed by Gerard Huerta (www.gerardhuerta.com) and built by Dan Neafsey (http Hardware was supplied by Mojo Musical Supply (www.mojotone.com) and the instrument was commissioned by The National GUITAR Museum (http The players are as follows: Dan Neafsey: Mandolin Billy Perlman: Ukulele Gerard Huerta: 6 String HP Newquist: Fretless Bass Connor Levinson: Bass Dave Hill: 12 String Glenn Levinson: Baritone Guitar Kent Haehl: 7 String Doug Seirup: Camera & Editing
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My guitar cover of the song "Spleen" by the band Staind from their debut album "Dysfunction." This song was originally written and played on a baritone guitar, but since I do not own a baritone I use my custom Baritone set of strings on my 6 string Dean. A 7-string and a baritone aren't the same, so to get the same thickness my bottom 3 strings are the 3 high strings from a 4-string bass (long scale neck) and the top 3 are from a 7 string (Heavy) pack. It's my favorite support for an ultimate low tuned guitar without having to afford a new guitar plus it stays in tune beautifully. All Ernie Ball.
Ok, so it's not pretty, my playing isn't great right now, but whatev'. Strings are on, everything is working, nothing broke under the tension and I really like the tone. If I wasn't so excited I would play better, but I'm actually shaking. Probably adrenaline. It's not done. It needs to be set up completely and properly. The nut was sanded too narrow, but I continued anyway and the string spacing is too close. I need another nut. I've got some buzzing that I'll deal with later, BUT I'm playing it!
Playing along to "God Only Knows" - The Beach Boys, off of their album "Pet Sounds," which, as far as my tastes are concerned, just kills "Sgt. Pepper." After listening to this through the first time, you realize that this album influenced the feel and sound of pretty much all indie pop (at least in the states) that followed. My timing's a little bad in places, but you get the idea. As for instrumentation in the original, I think they were using a combination of upright and tic-tac bass (ie 6 string baritone guitar) doubling one another, for that really deep percussive sound. You can kind of nick that by palm muting and using a pick, or by using an actual mute under the strings, which is probably a little easier.
Taylor Guitars has expanded the possibilities of guitar voicing in its new model, the Baritone 8-String. The model features a longer-scaled 27-inch neck and Taylor designed baritone bracing. The guitar is tuned from B to B and features additional octave strings paired along with the third and fourth (D and A) strings. This feature gives players an extended range of sounds, without compromising tonal integrity or playability.
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Peter Autschbach and Samira Saygili with Duffy's "Mercy". The Striebel PA Baritone Guitar is tuned ADGCEA with the G and C string tuned one octave up (Nashville tuning). Peter Autschbach is endorsed by guitar maker Johannes "Joe" Striebel from Munich, Germany, who builds "state of the art" handcrafted guitars. Watch his website www.striebelguitars.com http www.samirasaygili.com
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Slide bottleneck country blues improvisation on a Danelectro type baritone guitar through an old fender deluxe reverb tube amp and Ibanez TS9 Tube Screamer distortion/overdrive converted to the TS808 (TS-808 resistor mod) for more overdrive and warmth. Open E tuning for an A tuned 6-string baritone. The vibrato tremelo is a voodoo lab pedal.
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EPISODE NOV 28: Tom describes his Dan Electro baritone guitar.
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Faith is the third album by British band The Cure, released in April 1981. Faith is generally a brooding, atmospheric, and sombre album, although it has a flash of anger in the form of the song "Doubt", and some edge in the driving single "Primary". It is often seen as the mid-point in a 'Dark Trilogy' that begins with Seventeen Seconds and ends with Pornography. At least two songs on the album, "All Cats are Grey" and "The Drowning Man", are inspired by the Gormenghast novels of Mervyn Peake. It is the first album by The Cure to feature baritone guitar/six-string bass. The front cover, designed by former and future member Porl Thompson, is a picture of Bolton Priory in the village of Bolton Abbey in the fog. "The Holy Hour" -- 00:00 "Primary" -- 04:25 "Other Voices" -- 08:01 "All Cats Are Grey" -- 12:27 "The Funeral Party" -- 17:51 "Doubt" -- 22:05 "The Drowning Man" -- 25:17 "Faith" -- 30:05 Robert Smith - guitar, keyboard, 6-string bass, bass, Vocals Simon Gallup - bass Lol Tolhurst - drums
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www.frettedamericana.com of only 34 guitars made in 1960, this amazingly rare 6 string bass weighs just 8.30 lbs. Single-bound double-cutaway thinline body (a la ES-335) with a one-piece laminated 'birds-eye' maple top, one-piece laminated maple back and sides. One-piece mahogany neck with a nice medium-to-thick profile, a fat nut width of just over 1 11/16 inches and a scale length of 30 1/2 inches. Brazilian rosewood fretboard with 20 jumbo frets and inlaid pearl dot position markers. Headstock with inlaid pearl "Gibson" logo and pearl crown inlay. Two-layer (black on white) plastic truss-rod cover with two screws. Individual Kluson Deluxe 'Single-Line' Tuners with single ring Keystone plastic buttons with "D-169400 / Patent No." stamped on the underside. Orange oval label inside the bass f-hole with the style "EB-6") written in black ink and the serial number "A 33385") printed in black. FON (factory order number) "R4516 31" stamped in black inside the treble f-hole. Single "Double-Black" PAF humbucking pickup with "Patent Applied For" rectangular black label on underside and with black plastic surround. Five-layer (black/white/black/white/black) plastic pickguard. Two controls (one volume, one tone) plus 'push-button' baritone switch, all on lower treble bout. Gold plastic bell-shaped "Bell" knobs. Combination Bar-Bridge "Stud" with two intonation adjustment screws. All hardware nickel-plated. Complete with original Gibson double-folding hang-tag with "EB6" and <b>...</b>
www.nstuffmusic.com Taylor baritone guitars are designed for playing in a lower register with normal string tension, thanks to a longer 27-inch scale length. Tuned to B (BEADF# B), the deeper acoustic tone is voiced with the GS body shape and a wood combination of Indian rosewood with Sitka spruce. A great choice for singers with a lower vocal range or players who favor a detuned sound, the baritone is offered as either a 6-string or an 8-string with two added octave strings that expand the tonal range.
Add &fmt=18 to the end of the webaddress for Hi-Def. The cool thing about this build is that it has a 5-way Strat switching system. I'm using the 2nd (neck/middle) position here for a dry percussive banjo type sound, which I thought was appropriate for the song. Neck and body are USA Custom Guitars, pickups are noiseless Dimarzio Area 58 neck, 61 middle, 67 bridge. Custom 5-way switch by Rick Kelly of Carmine Street Guitars. Lake Placid Blue, mint guard, rest of the plastics are white. Labella strings roundwound tuned to A. Recorded with a Studio Projects C1 Large Diaphragm Mic into an Apogee Duet to the Macbook and Garageband with a bit of reverb. Bass VI is going straight into a Matchless Chieftain 1X12 amp with a bit of reverb.
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