Brahms - Symphony No.3 - Poco Allegretto
The third movement of the Symphony No.3 by Brahms, in a recording by the Berlin Philharmonic under the legendary conductor Wilhelm Furtwangler. This movement contains one of Brahms's most delectable melodies, tender, wistful, rich in poignancy. I have tried to select photos that will fit well with the overall mood of the piece. I hope you enjoy it. The recording is a live one, so there is some (very minor) audience noise. It's hardly distracting. If you have any comments or suggestions please contact me...
Johannes Brahms Symphony No.3 Furtwangler Berlin Philharmonic Poco Allegretto Mimameior
Brahms, Piano Quartet in C minor, opus 60, third movement (animated score)
The third movement of Johannes Brahms' Piano Quartet in C minor, opus 60, accompanied by an animated score. FAQ Q: Where can I download the MP3 of this piece? A: Either on iTunes ... itunes.apple.com ... or on Amazon ... www.amazon.com Q: Who is performing? A: This recording is by the Charmillon Piano Quartet; its members are Etienne Abelin, violin, Michael Schwendimann, viola, Matthias Kuhn, violoncello, and Eva-Maria Zimmermann, piano. Q: Where can I hear more music by that group? A: Here: www.thesixtyone.com Q: You already posted this video; why are you posting it again? A: Etienne Abelin gave me permission to use this recording in a video, and it was a better performance than the one I'd been using before. Also, I thought it was a good piece to submit to the "YouTube Play" program, and I wanted to give it my best shot. Wish us luck! Q: Is there a way I could make this kind of animationmyself? A: The Music Animation Machine MIDI file player will generate this kind of display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: Please read this: www.musanim.com .
romantic strings violin viola cello violoncello beautiful emotional moving exquisite smalin
Brahms - Ein Deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen (Part I)
There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's unjustly forgotten these days, he was by far the most important champion of contemporary music in the communist German Democratic Republic, not always an easy role given the politics at the time. He was frequently plagued by depression and reputably not an easy person to work with - a perfectionist who molded the Leipzig Radio Choir into the best German-speaking choir at the time, one of the best choirs in the world. Brahms' Requiem is primarily a choral piece (the orchestra's prime purpose is to comment and back the choir, one of its anachronistic qualities) it profits immensely from the choir's virtuosity, knowledge of the text and native pronunciation. Kegel's interpretation is both analytical and lyrical, he's not afraid to take liberties with the tempo either - you can almost smell the brimstone as the choir sings, no, yells "Der Tod ist verschlungen in den Sieg" at the top of their lungs. But even during the intense fugues each word is intelligible. The orchestra plays beautifully, especially the brass. Siegfried Lorenz with his clean, almost tenor-like timbre sings the baritone solos beautifully, his unpretentious, yet clear diction is a marvel in itself, far too many <b>...</b>
herbert kegel brahms requiem siegfried lorenz mari anne häggander leipzig radio symphony orchestra choir Nachtmarchen
Rubinstein - Brahms, Piano Concerto No.1 - I Maestoso (1/3)
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining movements were discarded and two new ones were <b>...</b>
artur johanness live Bernard Haitink orchestra amsterdam op 15 opus re minor minore Stravinskij
Brahms Plays His Hungarian Dance No.1 (Excerpt), 1889
One of the most appraised historical recording of all time; Johannes Brahms plays an excerpt from one of his most famous piece, Hungarian Dance No.1. Recorded on December 2nd, 1889, on a Edison wax cylinder. (Update : 11/05/03) There is a very well written article about the history of this cylinder by German collector Stephan Puille, now available on Norman Bruderhofer's The Cylinder Archive (www.cylinder.de) website. Check it out!
Raisin Brahms Comedy PSA Arts Education starring Tom Konkle as Brahms
www.americansforthearts.org Tom Konkle of daveandtom who plays classical composer Brahms in this moving final great work by Brahms Directed by Marcus McCollum. Get this Brahms FREE ringtone here www.daveandtom.com and here www.myxer.com Tom Konkle plays Brahms in this PSA to encourage kids to get involved in doing arts, learning about artists and develop artistic skills. Directed by Marcus McCollum Gunten Tag FREE ringtone by the actor here www.daveandtom.com or here www.myxer.com
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Brahms, Capriccio, opus 76 no 2, piano solo
Johannes Brahms, Capriccio in B minor, opus 76 #2,accompanied by a scrolling bar-graph score. FAQ Q: Where can I get free sheet music for this piece? A: Here: www.musanim.com Q: Who is performing this piece? A: This rendition was made by Stephen Malinowski (smalin on YouTube), using his version of the conductor program: www.musanim.com www.musanim.com Q: Who is this Brahms person? A: You can read about him here en.wikipedia.org Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: First, check my "to do" list: www.musanim.com ... If the piece isn't listed, read the "Could you please do a MAM video of ______?" item on my main FAQ: www.musanim.com ... and if you think I'd consider doing it, email me (stephen at musanim dot com). Q: What do the colors in the bar-graph score mean? A: The colors indicate the "pitch class" of the notes; that is, every B is a certain color (blue), every E is a certain color (violet), etc. The choice of colors is based on the "circle of fifths," which you can read about here: en.wikipedia.org This method of coloring notes is described more here: www.musanim.com .
Gracia - Brahms Fantasy/ Brahms-Hollo-Molnar
Gracia violintrio - Three classical trained violinplayer girl from the academy of music and two keyboardist-composer-arranger from the pop-rock scene. Classical hits in modern arrangement, from Hungary. www.graciamusic.hu , http www.monalisazene.hu
violin trio hungarian dance crossover gracia pop Graciamusic
Sergey Khachatryan - Brahms violin sonata No.3 4mov
Sergey Khachatryan plays violin sonata No.3 4mov by Johannes Brahms.
Hungarian Dance No. 5 from "The Great Dictator" Charlie Chaplin
Hungarian Dance No.5 (Johannes Brahms) from famous film by Charlie Chaplin ^^
funny Chaplin Brahms Hungarian Dance The Great Dictator Charlie Chaplin qubitvn
Jerusalem Quartet Johannes Brahms String Quartet Op 51 n 2 I Allegro non troppo
Jerusalem Quartet Alexander Pavlovsky - 1st violin Sergei Bresler - 2nd violin Amichai Grosz - viola Kyril Zlotnikov - cello Johannes Brahms (1833-1897) String Quartet a-minor, Op.51/2 Schubertiade Hohenems 2009 Marcus-Sittikus-Saal 31. Mai 2009 www.jerusalemstringquartet.com
Rubinstein - Brahms, Piano Concerto No.1 - III Rondo (2/2)
Director : Bernard Haitink. Concertgebouworkest Amsterdam. Rondo: Allegro non troppo (D minor → D major) Johannes Brahms's Piano Concerto No. 1 in D minor (Op. 15) is one of Brahms' most famous and frequently performed pieces. A concerto on nearly every major pianist's repertoire, it presents considerable technical challenges to the performer. Brahms worked on the composition for some years, as was the case with many of his works. After a prolonged gestation period, it was first performed on January 22, 1859, in Hanover, Germany, when Brahms was just 25 years old. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto, while critics savaged it, labelling it "perfectly unorthodox, banal and horrid". In a letter to his close personal friend, the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way", adding sadly, "all the same, the hissing was rather too much!" Brahms originally conceived the work as a sonata for two pianos. Seeking a grander and fuller sound, Brahms later orchestrated the work in an attempt to transform it into a four-movement symphony. However, he also found that unsatisfactory. Brahms ultimately decided that he had not sufficiently mastered the nuances of orchestral color to sustain a symphony, and instead relied on his skills as a pianist and composer for the piano to complete the work as a concerto. Brahms only retained the original material from the work's first movement; the remaining <b>...</b>
artur johanness live Bernard Haitink orchestra amsterdam op 15 opus re minor minore Stravinskij
wine glass music-glass harp Hungarian dance No. 5-Brahms
Hungarian dance No. 5 by Johannes Brahms played on glass harp by Robert Tiso. Orchestral accompaniment by Flavio Gargano New Album "CRYSTAL SOUND" is now available. For info visit www.cdbaby.com グラスハープ
Glass harp music musical glasses robert tiso armonica wine water hungarian dance brahms musica bicchieri cristallo cristallofono cristallofonia グラスハープ vasos copas agua roberttiso
Brahms - Emil Gilels, Ballade Op.10 No 4 in B major
(Moscow, 27 december 1977) Emil Grigoryevich Gilels (Ukrainian: Емі́ль Григо́рович Гі́лельс, Russian: Эми́ль Григо́рьевич Ги́лельс, Emi'li Grego'rievič Gi'lelis; October 19, 1916 October 14, 1985) was a Soviet pianist, widely considered to be one of the greatest pianists of the 20th century. His last name is sometimes transliterated Hilels. Gilels was born in Odessa (now part of Ukraine). He began studying the piano at the age of five[3] under Yakov Tkach, who was a student of the French pianists Raoul Pugno[4] and Alexander Villoing[3] Thus, through Tkach, Gilels had a pedagogical genealogy stretching back to Chopin, via Pugno, and to Muzio Clementi, via Villoing. Tkach was a stern disciplinarian who emphasized scales and studies. Gilels later credited this strict training for establishing the foundation of his technique.[3] Gilels made his public debut at the age of 12 in June 1929 with a well-received program of Beethoven, Scarlatti, Chopin, and Schumann.[3] In 1930, Gilels entered the Odessa Conservatory where he was coached by Berta Reingbald, whom Gilels credited as a formative influence. After graduating from the Odessa Conservatory (Ukraine) in 1935 , he moved to Moscow where he studied under the famous piano teacher Heinrich Neuhaus until 1937. A year later he was awarded first prize at the 1938 Ysaÿe International Festival in Brussels by a distinguished jury whose members included Arthur Rubinstein, Samuil Feinberg, Emil von Sauer, Ignaz Friedman, Walter <b>...</b>
emil gilels brahms ballata ballade opus 10 numero si maggiore mosca 1977 27 dicembre moscow Stravinskij
Brahms, Piano Quartet in C minor, opus 60, first mvt. (animated score)
The first movement of Johannes Brahms' Piano Quartet in C minor, opus 60, accompanied by an animated score. FAQ Q: Where can I download the MP3 of this piece? A: Either on iTunes ... itunes.apple.com ... or on Amazon ... www.amazon.com Q: Who is performing? A: This recording is by the Charmillon Piano Quartet; its members are Etienne Abelin, violin, Michael Schwendimann, viola, Matthias Kuhn, violoncello, and Eva-Maria Zimmermann, piano. Q: Where can I hear more music by that group? A: Here: www.thesixtyone.com Q: Wherecan I get free sheet music for this piece? A: Here: www.musanim.com Q: Is there a way I could make the bar-graph scores myself? A: The Music Animation Machine MIDI file player will generate this display; you can get the (Windows) software here: www.musanim.com There are lots of places on the web where you can get MIDI files; I usually go to the Classical Archives site first: www.classicalarchives.com Q: Could you please do a MAM video of ______? A: Please read this: www.musanim.com .
Brahms - O Tod, wie bitter bist Du? Fischer-Dieskau
by Johannes Brahms (1833-1897) , from "Vier ernste Gesänge" (Four serious songs),op. 121 no. 3 O Tod, wie bitter bist du? published 1896 'See what violent words these are: 'for that which befalls man, befalls beasts,' and then in the fourth song, 'though I give my body to be burned'!" This was Johannes Brahms' comment, on the occasion of his first performance of his "Four Serious Songs" ("Vier Ernsten Gesänge") (Op. 121), for his Rhineland friends, at the Hager Hof estate in Bad Honnuf, in May 1896, as quoted by Gustav Ophüls in his Memories of Johannes Brahms. It was Pentacost, only a few days after the death of Clara Schumann, who had died on the twentieth of May. "... It was more an intensified recitation of Biblical text in tones, which he gave us in his hoarse voice; and what we heard was entirely different than an art song. Since then, no singer, not even Meschaert himself, has been able to awaken the same mighty impression in me, which the improvised rendition of these songs by their creator made on me at that time. It was actually no different than if the prophet himself had spoken to us." Ophüls mentioned Brahms' shaking while performing the third song: "The third song, 'O death, how bitter thou art,' plainly gripped him so strongly during its delivery, that during the quiet close, 'O death, acceptable is thy sentence,' great tears rolled down his cheeks, and he virtually breathed these last words of the text, with a voice nearly choked with tears. I shall just <b>...</b>
Johannes Brahms Vier ernste gesange o tod wie bitter bist du Dietrich Fischer Dieskau Lied civileso
Carlos Riazuelo conducts Brahms 4, 1st. mov (1)
Brahms 4, 1st. mov (1), Sinfónica Municipal de Caracas