Świetne-filmy.com

This Brazilian pop music legend has been influencing the music scene for over ten years now. He has organized several groundbreaking musical collectives including the most recognized "Brotherhood of Free Music." Pedro is also the first Brazilian musician to ever have a CD released by an Indian label. bamm.tv http

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All The Songs 12 Soul de Verão 11 One Last Cry 10 Can U Hear Me 09 Give It To Me 08 It's Over 07 Scandal 06 Shaking (Party People) 05 Dreams 04 Boa Sorte (Good Luck) 03 Sticky Dough 02 Locomotion Batucada 01 Easy

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If you like this song, I'm really think you'll like the "2. Brazilian Music (Famous songs in Brazil) - Acoustic" Here it is: www.youtube.com . I'm uploading videos of some famous songs in Brazil... Not Samba... . Artist - Song Kid Abelha - Lagrimas e Chuva . For more songs, check my videos(or menssage me)... I hope you Enjoy =] . Comment please...

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Chill baby, chill... now chill some more...

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Whatever, Whatever Rodrigo Moratto Whatever, Whatever (Rodrigo Moratto/Riztocrat) Every time I see you Everything around me stops And every time I'm with you Body heat goes to the top Baby what you're doing to me This is too insane Is this happening to me when I don't even know your name Am I going crazy-y? I can picture you and I Together foreve-er Not even a day apart Am I just too delusional? Or should I simply say hello Love, are you still available... or should I just let you go? CHORUS: Whatever, whatever, Can this be real love? Whatever, whatever, Can this be passion? I feel it in my heart, it dominates my soul It's coming to my head, its coming Way out of control (Repeat) Now its time for action Should I go and ask your name? And have some interaction I don't want to play your game You deserve what I can give you Here, now, anytime Need to touch you, need to have you Need to hold you in my arms I'm already dizzy-y Got to have you day and night You are so adicti-ive And I'm craving you tonight Now it's my turn to make a move. I see you're looking at me now Don't want to be misunderstood. I got to get to you somehow CHORUS Whatever, whatever, Can this be real love? Whatever, whatever, Can this be passion? I feel it in my heart, it dominates my soul It's coming to my head, its coming Way out of control Ibo badjuda n'tene un kusa ki n'misti pa bu sibi N'ka sibi kil ki ta akonteci oki bu sta pertu di mi Okay já vi que não entendeu en-então vou traduzir Hey girl you <b>...</b>

그대가 이세상에 있는것 만으로도 歌詞 日本音楽 소녀시대 태연 티파니 서현 제시카 윤아 수영 少女時代 에스엠엔터테인먼 에스엠엔터테인먼트 에스엠 Сергей Лазарев зачем лазербой ATC 曽根由希江 J-POP スーパーアニメリ rodrigomoratto

"Samba is a Brazilian dance and musical genre originating in African roots. It is recognized around the world as a symbol of Brazil and the Brazilian Carnival. Considered one of the most popular Brazilian cultural expressions, the samba has become an icon of Brazilian national identity. The Bahian samba de roda (dance circle), which became a UNESCO Heritage of Humanity in 2005, is the main root of the samba carioca, the samba that is played and danced in Rio de Janeiro. The modern samba that emerged from the beginning of the century rate is basically 2/4 tempo and varied, with conscious use of the possibilities of chorus sung to the sound of palms and batucada rhythm, and which would add one or more parts, or offices of declamatory verses. Traditionally, the samba is played by strings (cavaquinho and various types of guitar) and various percussion instruments such as tamborim. By influence of American orchestras in vogue since the Second World War and the cultural impact of US music post-war, began to be used also as instruments trombones and trumpets, and the influence choro, flute and clarinet." (Wikipedia)

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Kinath is a Brazilian project nowadays formed by the musicians Solange Kei and Mauricio Pierro. The song is "Come on Over" from the first EP "Fly Away". Directed by the film director Flavio Colombini, it was filmed in São Paulo, the biggest and most important city in Brazil.

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This week we review U-Kiss "Shut Up." Witness the birth of Mordney, one of the greatest characters we ever made. For more, go to: www.eatyourkimchi.com --The Showdown-- U Kiss Shut Up - www.youtube.com 2PM Heartbeat - www.youtube.com --Last Week-- B2ST - Soom: www.youtube.com Miss A - Breathe: www.youtube.com --Translated by-- [닉쑤] Enjoy Your Happy Life~*: nixmin82.tistory.com --Gear-- Shot on a Canon 550d and Tokina 11-16mm. Edited in Final Cut Pro and Motion

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Original Song by Claudinho e Buchecha

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Hit, Brasilien, WM 2006, TV, Latin-Pop, Party, Disco, Samba, Rock, HipHop, Soul, Radio, Interview, Presse, Renato Pantera... Renato Pantera is born in Rio de Janeiro, a real "Carioca". Since 1994 Pantera's base is Germany. He sung and played all over Brazil, where he met all kinds of artist of all cultures. Now of course his music fascinates the audiences throughout Europe and Germany. His big experience and rich repertoire spans over samba-pop, samba-rock, rap, samba-funk, afro-pop and traditional brazilian music of course, which altogether melts down in Pantera's modern brazilian pop-music. Renato is composer, singer, guitarist and percussionist. in numerous concerts and shows he introduced his compositions, now recently recorded inGermany. His songs touch the essential elements of live. they tell storys of love, nature, peace, politics and many facets of human interests. Renatos humble and open appearance makes everybody instantly happy, no matter if he plays with group or alone.

13/09/06 loverdrems

'Brazil' from bellini is one of the most popular music hits of Brazil and a very nice party song! Please subscribe me

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It's hard to come by data for world popularity, so of course this isn't completely accurate. Here is the methodology though (note, this does not belong to me - check link for more info): THE MOST POPULAR TRACKS ACCORDING TO PAID DOWNLOADS, SINGLE-SALES AND AIRPLAY SALES (70%) SINGLE-SALES...

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Ahmed Soultan - Yallah - 2009 -

Ahmed Soultan Yallah 2009 maroc morocco marokko song new satfat الحب الرومانسية الفراق العشق أحبك love arabic amour amor latino mtv naida nayda casablanca pop hits remix dj top dance mix club turkish turk brazil espane spanish mozika muzika muzica Music Taylor Swift country Romance video Movie TV Film drama Fearless fairy tales young Twilight bella swan pikasos

Pérola de Angola e Fernando Pereira interpretan a música da brasileira Ana Carolina, "É isso aI" A letra portuguesa e uma tradução inglesa ão incluídas. Este é um outro vídeo musical de Scott LaFramenta. http//www.laframenta.com Pérola from Angola and Fernando Pereira sing Ana Carolina's Brazilian composition "É isso aí". This is another music video from Scott LaFramenta. http//www,laframenta.com

Pérola Fernando Pereira Ana Carolina É isso aí Scott laframenta Angola Portugual Brazil mpb música popular brasileira Brazilian popular music mpp Portuguese popular music música popular portuguesa mpa música popular angolana Angola popular music Angolan popular music letra portuguesa tradução inglesa English translation Portuguese lyrics swlafra

Here is a song (from 1959) performed magnificently in the fashion of Yma Sumac by the great and beautiful Brazilian singer Ângela Maria. Born Abelim Maria da Cunha in 1928 in Conceição de Macabu, district of Macaé, Rio de Janeiro, Brazil, Ângela Maria is a lot more than a popular singer, she is a myth within the Brazilian popular music. She was a regular at talent shows before turning 20, performing under the name Ângela Maria so that her parents would not find out that she was pursuing a career in music. In 1948, she decided to go for it and moved in with her sister. After a brief period as a crooner in a nightclub, she began peforming on the radio. In 1952, a year after her debut album came out, her recording of "Não tenho você" became a best-seller. She was the most popular singer in Brazil in the 1950's, being regarded as the Radio Queen by her many fans. She specializes in samba-tunes, although she has recorded boleros, tangos and ballads. Ângela has recorded about 50 LPs, countless singles and 78s. From the 1960's on, she recorded less hit tracks. Ten years later, she returned to the spotlight with the beautiful "Tango para Teresa". Between 1978 and 1983, she recorded a more sophisticated repertoire and in 1981, she recorded with soul mate Cauby Peixoto for the first time. They matched so well as a duo that they put out the album "Ângela & Cauby" the next year. She released the album "Amigos" in 1996, selling more than 500 thousand copies. "Nem eu", "Orgulho <b>...</b>

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This DVD is loaded with Brazilian smooth sound and packed into 32 construction kits. The library explores the huge influence that Brazlian sound made to popular music . From classic Jobim, to modern Nuspirit Helsinki or Kyoto Jazz Massive, from Sergio Mendes to Suba, from Astrud and Joao to Bebel Gilberto and further, to modern chillout bar lounge. Apart from 32 construction kits, there are dozens of guitar and separte drum and percussion loops. www.zero-g.co.uk

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An exemple of joyfulness, drum beating and tradition of africa origin, Jongo is one of the greatest relics of Brazilian popular music and also considered one of the ancestors fo Samba. This film is about the Jongo da Serrinha Group, created in 2000 in order to preserve the Jongo traditions.

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www.mhznetworks.org Show 2004 - Washington, DC - USA The New York Times - By Jon Pareles - January 29, 1999. "Um Segundo" (Velas, Brazilian import). This young Brazilian singer brings a warm, guileless voice to immaculately graceful pop. The album's dozen pop songs touch on Brazilian styles like bossa nova, forro and pagode samba, and bring a Brazilian subtlety to borrowings from reggae, salsa, funk and nuevo flamenco. The arrangements maintain a light touch while Ms. Velloso caresses the melodies, making the songs seem to come straight from the heart." The New York Times - By Jon Pareles - February 4, 1999. "Elis Regina, who died in 1982 of a drug overdose, was Brazil's Billie Holiday, Sarah Vaughan and Linda Ronstadt rolled into one. She discovered and encouraged the finest songwriters in Brazilian popular music, and she taught the next generations of singers the combination of lightness and sensuality, supple rhythms and melting emotion, that has shaped singers like Gal Costa, Marisa Monte and Belo Velloso." The New York Times - By Jon Pareles - October 14, 2004. "Belo Velloso, the niece of the Brazilian songwriter Caetano Veloso, has a supple, airy voice that can caress a melody even when it rides a swaggering sambareggae beat. Many of her songs were about the state where she grew up, Bahia, and as her voice paid tender tribute to landmarks and cultural legacies, she also danced and shimmied the samba, despite her high heels." The New York Times - By Choire Sicha <b>...</b>

Samba bossa-nova Brazilian singer Belô Veloso bmgv

The multi instrumentalist Renato Martins, born in Rio brought up in Sao Paulo, started to play percussion and piano when he was just four years old. His musical education started at six with maestro Silvio Tancredi, progressing on to study drums and piano concentrating on Brazilian popular music at Zimbo Trio's School, The CLAM. He also studied classical piano with Professor Leda Maria Chacur Alves, as well as harmony, composition and conducting at Santa Marcelina Arts University. Renato was self-taught in a majority of his percussion techniques and created new techniques (melodically) for traditional instruments, for example, the moringa (clay pot). He is also known to have applied kitchen utensils as percussion instruments and has been considered a renewer of the Brazilian percussion by the specialized media.

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Antonio Carlos Jobim and his ensemble interpret "A Felicidade." Jobim's place in the annals of popular music was secured by a single hit song, "The Girl from Ipanema" (1964), which he co-wrote with lyricist Vinícius de Moraes. Antonio Carlos Brasileiro de Almeida Jobim, often known by the nickname Tom, was born in Rio de Janeiro on January 25, 1927. The film Orfeu Negro became an international success, and Jobim's score, featuring guitarist Luiz Bonfá, kicked off a new musical craze that quickly spread beyond Brazil. It was based in samba rhythms, but it featured subtle harmonic shadings drawn from jazz. The new style was given the name bossa nova, meaning "new wave," and the 1958 single "Chega de Saudade" (No More Blues), with music by Jobim, words by Moraes, and guitar by future Brazilian pop star João Gilberto, was the style's first major hit. Both "Chega de Saudade" and the flip side of the original single, Jobim's composition "Desafinado" (Out of Tune), have remained jazz standards. Jobim died suddenly of heart failure at New York's Mount Sinai Hospital on December 8, 1994. Jobim's body was returned to Brazil, he was buried in a tomb near that of Vinícius de Moraes, who had died in 1980. The pair had created two of the icons of twentieth-century culture, Black Orpheus and "The Girl from Ipanema," and the music that came from Jobim's pen lent the music of much of the centuries second half a distinct Brazilian tinge.

ANTONIO CARLOS JOBIM BOSSA NOVA latinosomos

Song: Twins Artist: Arto Lindsay Album: Salt Year: 2004 Label: Righteous Babe

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Words and music: Will Holt (1960) The music of this song is based on the Brazilian popular song "Meu limao meu limoeiro". It's been covered by artists like Peter Paul & Mary, Trini López, Sandie Shaw, Roger Whittaker, etc. The Illustrations of this video come from the great artist Laurel Neustadter: laurelneustadter.blogspot.com Lyrics: When I was just a lad of ten, my father said to me, "Come here and take a lesson from the lovely lemon tree." "Don't put your faith in love, my boy", my father said to me, "I fear you'll find that love is like the lovely lemon tree." Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat. Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat. One day beneath the lemon tree, my love and I did lie A girl so sweet that when she smiled the stars rose in the sky. We passed that summer lost in love beneath the lemon tree the music of her laughter hid my father's words from me: Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat. Lemon tree very pretty and the lemon flower is sweet but the fruit of the poor lemon is impossible to eat. One day she left without a word. She took away the sun. And in the dark she left behind, I knew what she had done. She'd left me for another, it's a common tale but true. A sadder man but wiser now I sing these words to you: Lemon tree very pretty and the lemon <b>...</b>

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After five years without releasing a studio album, the duo's most important of Brazilian country music, bruno & marrone return to record another album unheard, with Marcio Kwen, producer, arranger and guitarraist that produced the ultimate live DVD of double , This DVD has received a nomination for best album in the last edition of the Latin Grammys. This album is being recorded in high resolution and was mixed and mastered in analog, this mix that will be made by the producer Marcio Kwen. This video is part of a making off that is being written to file personal best that he can become part of a bonus DVD. In this video we have the distinguished participation of one of the most competent musicians and arrangers of Brazilian popular music, Jota Resende who has worked with names like; Maria Bethania, Gal Costa, Fabio Junior and others. Soon we will put more videos, we hope you enjoy!

HD Music Video Pianist Nikon D300s HD Video marciokwen

The people from Bahia, are known in Brazil as those who most love parties. Almost every event is reason for a party, which should last as long as possible. Baianos do not deny this fame. The Brazilian carnival had strong influence from the Africans, All the samba schools in Rio must have a block composed only of baianas, women from Bahia. So, it is not a surprise that Salvador has one of the best carnivals in Brazil. According to Guinness, with 2000000 people (including 800000 tourists), Salvador has the largest street carnival in the WORLD. While in Rio most of the carnival happens in ball-rooms and in the Sambadrome (which require people to pay to participate), in Salvador most events happen in the streets and beaches, and are free for all. As a consequence, the carnival in Salvador goes on, non-stop, for nearly ten days. Small groups called "blocos" pop up everywhere in the city, and they are soon followed by locals and tourists. A tradition of the carnival in Salvador are the "trios eletricos" (electric trio). Back in 1950, two persons, Dodo and Osmar (who today are legends of Brazilian carnival), put high power speakers on top of a Ford 1929 and drove around town inviting people to follow the rythm; it was a massive success. In 1951, the electric duo was joined by Temistocles Aragao, and the first Trio Eletrico was formed. Ever since, several trios were formed in Bahia, with much more sound power, on top of much bigger trucks; to follow a trio eletrico, just join the <b>...</b>

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Zindagi Main Kabhi koi Kabhi aye na Rabba- Akanksha -Chohte Ustaad 19th Sep 2010 Join! Chote Ustaad Youtube Group Here www.youtube.com Subscribe Here

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Confira o clipe de "Who You Are" com Laura Rizzoto e arranjos de Eumir Deodato. Twitter: twitter.com Facebook: on.fb.me Site: laurarizzotto.com.br

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Dalva de Oliveira (1917-1972) was a very popular and artistically influential singer of the brazilian radio days. A beautiful mulata with green-blue eyes and a nice soprano voice, she started to sing with her father, received education (sung in operettas) and later, for her career in popular music, received advice by Villa --Lobos, the composer who armoured the brazilian music. Marchinhas, choros, samba, samba-canção baião, bolero, tango composed her repertory. Her life was a popular issue and novel. Press and people used to call her the brazilian nightgale, the queen of the voice or the queen of the radio. In 1957 she recorded in Argentina a record with tangos in brazilian lyrics. Francisco Canaro and his flamboyant orquestra tipica (legends of the genre) accompany her. In this record we find ´´lencinho querido`` (cherished handkerdhief). A tango composed by Juan de Dios Filiberto in 1917. It was instrumental according to the habits but in 1920 Gabino Coria Peñaloza added the lyrics (insipid in my opinion). The same guys gave us Caminito. At that time El pañuelito (handkerchief in spanish) was quite popular. Though, it vanished from the repertory but it found another time of glory with the voice of Dalva who brings it to us today. The brazilian lyrics were invented by Maugeri Neto and have more punch than the argentinian. By the way, the first tango in south America was composed in Brazil in 1871. Argentinian friends remain calm: it used a rythme very close to the <b>...</b>

Dalva de Oliveira brazilian tango lencinho querido el pañuelito Juan Dios Filiberto Gabino Coria Peñaloza Maugeri Neto Francisco Canaro orquestra confeitaria Colombo pslogge

Brasileirinho is a documentary about Choro, the first genuinely Brazilian urban music. It was back in the late 19th century in Rio de Janeiro when Brazilian musicians started to blend European melodies, Afro-Brazilian rhythms and the melancholic interpretation of the Brazilian Indians music to create Choro. Choro is credited as being the first musical expression of Brazils melting pot and had a prominent place in the development of Brazils cultural identity. Choro remained a major popular music style until the 1920s, leading directly into Samba and later to Bossa Nova. After a slight decline in popularity, Choro music has made a remarkable comeback over the past few decades. The film remembers the history but shows, above all, a colourful picture of Choros vitality today. Buy the DVD: shop.dogwoof.com

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EDU HELOU ORIGINAL SONG "QUERER" POP NEW BOSSA NOVA RITMO LOUNGE CHILLOUT SMOOTH JAZZ IPANEMA TOM JOBIM JOAO GILBERTO MARCOS VALLE SERGIO MENDES MPB STYLE MUSIC PORTUGUESE LYRICS ARRANGEMENTS AND PRODUCTION EDU HELOU, VOCAL PIANO AND ELETRIC PIANO EDU HELOU, CO PRODUCTION AND DRUMS MANNY MONTEIRO, ACOUSTIC BASS NEWTÃO, ACOUSTIC GUITAR POLACO, BACKING VOCALS VANESSA CARAN, SAX AND FLUTE PAULO OLIVEIRA, TRUMPET AND FLUGEL FARIA, TROMBONE FRANÇOIS, RECORDED AT CDAUDIO SAO PAULO BRASIL, TECHNICIANS TIAGO, ANDERSON, VIDEO CONCEPT PRODUCTION EDU HELOU, GO PRO SURF CAM VIDEO LOCATION JUPITER AND JUNO BEACH FLORIDA, SURFER EDU HELOU, ESTUDIO IMAGES BY HENRIQUE GALLUCCI, PIANO VIDEO BY OTAVIO FONSECA, LABEL ATLANTICO MUSIC, ASTROLABIO MUSIC, VIKING SURFBOARDS, LORD K SURFBOARDS www.amazon.com www.cdbaby.com www.emusic.com

EDU HELOU QUERER BOSSA NOVA RITMO POP RITHM SMOOTH JAZZ LOUNGE CHILL OUT JOBIM JOAO GILBERTO MPB PORTUGUESE LYRICS STYLE IPANEMA VOCAL PIANO ACOUSTIC GUITAR DRUMS SAX UPRIGHT BASS TRUMPET TROMBONE SURF MOVIE FLORIDA JUNO PIER JUPITER BEACH OCEAN WAVES ONDAS MAR PRAIA SUNSET SUNRISE WATER GREEN BLUE CARIBE SEA GO PRO HERO CAM ESTUDIO ATLANTICO MUSIC VIKING SURFBOARD BRAZIL USA DOWN LOAD AMAZON itunes CD BABY atlanticomusic

original kaoma Lambada is a dance from South America(BRASIL) for couples. The dance became internationally popular in the 1990s, especially in Latin America and Caribbean countries. It has adopted aspects of dances such as forró, salsa, merengue, maxixe and the carimbó. Lambada is generally danced with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear. Origins Carimbó dance From the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carimbó was a loose and very sensual dance which involved many spins by the female dancer, who typically wore a rounded skirt. The music was mainly to the beat of drums made of trunks of wood, thinned by fire. Carimbó involved only side to side movements and many spins and hip movement, and became the basis of the Lambada. The word Lambada After a while, a local radio station from Belém (Pará's capital city) started to call these new type of music "the strong-beated rhythm" and "the rhythms of Lambada" (lambada meaning "strong slap" or "hit" in Portuguese; cf. French and later English <b>...</b>

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SMOOTH JAZZ INSTRUMENTAL BOSSA NOVA POP LATIN WORLD MUSIC MPB BRAZILIAN JAZZ MUSIC SENSUAL JAZZ LOUNGE MUSIC EASY LISTENING, ORIGINAL COMPOSITIONS "YOU CAN HIRE ATLANTICO TO PLAY LIFE" www.eduhelou.com EDU HELOU SONG PIANO ELECTRIC PIANO IVO DE CARVALHO GUITAR AND ACOUSTIC GUITAR SONG MORNING WAVES ALBUM ALWAYS SURF CLIP AT DEERFIELD BEACH FLORIDA BY EDU HELOU You can buy Atlantico songs at: iTunes, CD Baby, Amazon www.cdbaby.com www.amazon.com smoothjazzdaily.wordpress.com www.eduhelou.com HELP SAVE THE WATER AND THE OCEANS

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Carinhoso is one of the most important works of the brazilian popular music. It was composed between 1916 and 1917 by Pixinguinha. The lyrics were created later by João de Barro. Here presented by Marisa Monte and Paulinho da Viola with German subtitles by Oliver, edited by Linda Coelli.

Carinhoso Marisa Monte Paulinho da Viola german subtitles sonjaleser

Antônio Carlos Brasileiro de Almeida Jobim (born January 25, 1927 in Rio de Janeiro, Brazil December 8, 1994 in New York City), also called Tom Jobim, was a Brazilian composer, arranger, singer, pianist and perhaps the greatest legend of bossa nova. Jobims compositions, many performed by João Gilberto, gave birth to the genre in the early 1960s. Jobims roots were planted firmly in the works of Pixinguinha, a legendary musician and composer who, in the 1930s, began the development of modern Brazilian music. He was also influenced by the music of French composer Claude Debussy and by jazz. Jobim found prominence when he teamed up with writer and poet Vinicius de Moraes in providing part of the music for the play Orfeu de Carnaval (1956), that later gained wide recognition in the film Black Orpheus. The lyrics for his most popular songs were written by de Moraes. American jazz singers Ella Fitzgerald and Frank Sinatra prominently featured Jobims songs on their albums Ella Abraca Jobim (1981) and Francis Albert Sinatra & Antonio Carlos Jobim (1967), respectively. Jobim is recognized the world over as one of the most influential composers of the 20th century. His first album, Sinfonia Do Rio De Janeiro, was recorded in 1954, with Billy Blanco. Jobim was buried in the Cemitério São João Batista in Rio de Janeiro. The International Airport of Rio de Janeiro is now named in his honor. Τhe song is from Antonio Carlos Jobim disk "Finest Hour" on this record himself playing piano <b>...</b>

Antonio Carlos Jobim's Bossa nova João Gilberto 1001 younan

Paulo Moura •Birth Name: Paulo Gonçalves de Moura •Genre: Latin •Active: '70s - 2000s •Instruments: Sax (Alto), Clarinet Biography One of Brazil's best proponents and keepers of the gafieira tradition (popular ballrooms historically linked to the Carioca folklore tradition of highly artistic and swinging dancing and playing) and one of the best choro players, Paulo Moura is an internationally awarded musician whose high standards make it easy for him to cross boundaries between classical and popular music, both performing and arranging in small ensembles or large symphonic orchestras. As a conductor, orchestrator, and arranger for famous Brazilian singers, he includes in his resumé works for Elis Regina, Fagner, Taiguara, Milton Nascimento, and Marisa Monte.

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"Manhã de Carnaval" ("Carnival's Morning"), is the title of the most popular song by Brazilian composers Luiz Bonfá and Antonio Maria. It appeared in the 1959 Portuguese-language film Orfeu Negro (Black Orpheus), by French director Marcel Camus and based on a play by Vinícius de Moraes. In the USA, the song is also known as "A Day in the Life of a Fool", "Carnival", "Theme from Black Orpheus", or simply "Black Orpheus". In France, the song is also known as "La Chanson D'Orphée." The song is also known by the Spanish title "Mañana de Carnaval". All versions of foreign texts were written by different people using Bonfá's original music Baden Powell de Aquino (August 6, 1937 - September 26, 2000) usually known simply as Baden Powell, was one of the greatest Brazilian guitarists. He often performed on stage during most of his lifetime, and recorded an extensive discography comprised by LP and CD albums produced in Brazil and Europe, particularly in France and Germany. Wikipedia Manhã de Carnaval Baden Powell de Aquino

Manhã de Carnaval Luiz Bonfá Antonio Maria Orfeu Negro Black Orpheus Marcel Camus Vinícius Moraes Day in the Life of Fool Carnival Theme from La Chanson D'Orphée Mañana Baden Powell Aquino Classic Guitar Brazilian Music MPB Bossa Nova Sophya Again

REINEDES BC Today's Fresh music Intro ! 恋人たちの雨from the album LOVE LOGIC by MINUANO "Minuano" is a pop unit in Japan featuring Ms.Kaori Sakakibara from Lamp as a lead singer. The music is constructed under the influence of Brazilian Popular Music, soft rock, crossover or fusion and so on. New album "Love Logic" is now available at iTunes Store (US/Canada), (EU), (AU/NZ) and iTunes Store (JAPAN). If you prefer the CD format, use amazon.co.jp. Minuanoは、Lampの榊原香保里をボーカルにフィーチャーし、尾方伯郎が作編曲、パーカッション、キーボード、コーラス等を担当したポップユニットです。 2009年3月4日にアルバム"Love Logic"がリリースされました。

恋人たちの雨 LOVE LOGIC MINUANO Lamp Brazilian Popular Music soft rock fusion BOSSA NOVA 尾方伯郎が TAKERO OGATA reinedparis

Click 'watch in HD' for high definition video (720p). Ivan Lins, a major Brazilian songwriter, is a master of harmony with heartfelt songs. Many of his songs have been considered as Brazilian standards. He has become one of Brazil's most recorded composers whose albums are regularly nominated for both Grammy Awards and Latin Grammy Awards. This song came from the album "Cantando Histórias", recorded live in Rio de Janeiro in 2004 to mark a thirty year partnership between Ivan Lins and one of his long-standing lyricists, Vitor Martins. This particular arrangement of the song Iluminados is the most elegant, moving and touching. Kindly listen to his subtle vocal, the depth of emotions, and sensible keyboard playing. Just beautiful. I presented the portuguese lyric, accompanied with the indonesian language lyric. Enjoy and be illuminated by this song. ILLUMINATED O, love that made things That despite God's doubts Already cured undeceived Already healed much wounds O, love that joins pieces As a heart breaks As if it's steel strength As if it's rock hard One that is so healed None says it's been pieced together It was thus made in me It was thus made in us This illuminated love One that is so healed None says it's been pieced together It was thus made in me It was thus made in us This illuminated love

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Este balançado choro de Ernesto Nazareth, é um dos clássicos da música popular brasileira. O clip foi gravado em Santos, no Dia Nacional do Choro (23 de abril -- aniversário do mestre Pixinguinha)pelo grupo balaio de gato, agora com um novo nome, Choro das 3. O figurino do grupo retrata as roupas usadas nos anos 30 -- 40, a Era de Ouro do Rádio e da Música Brasileira! --- This Ernesto Nazareth's choro is one of the brazilian popular music classics. The clip was recorded in Santos -- SP, in Nacional Choro's Day (April 23th -- Pixinguinha's birth). The clothes are from 30 -- 40 decades -- The Golden Radio's Years and Brazilian's Music too!

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Radames Gnattali (1906-1988) was one of the most important brazilian composer. He criated a kind of music that seems to be Jazz, popular music, folcloric music. Maybe Gnattali was so important then Villa-Lobos and Camargo Guarnieri, Mignoni and others. He studied piano with Guilherme Fontainha but didn´t dedicated himself to a pianist career. I noticed that the canadian pianist HAMELIN use to play his works and apreciate his music. The most exquisit and sophisticated interpreter of him is the brazilian excellent pianist Fernanda Chaves Canaud. Because of his dedication to the ¨popular¨music too, he was discriminated and there are some people that asks if his works were Jazz or classical musics (the same hapenned with Gershwin)

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Based on the popular melody, "Mamãe eu quero", Samba of Mashiach, also known as "Ma-ma-mashiach" was composed by Pessach (Paulinho) Rosenbaum, in Hebrew. The lyrics tells us about the coming of Mashiach (the Messiah) to Jerusalem, an Era when all nations will dance, singe and rejoice together. Sound by Robert Arias. More tropicasher songs on www.tropicasher.com.br [Portuguese] and www.jewishbrazil.com [English].

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