Message - Chelovek
Music video by "Message", a song called "Person" www.messageband.com www.facebook.com/messageband
Message Messageband russian music videо человек russian pop music russian christian music Band TV
Valeriya-chelovek dozhdya instrumetal version
Valeriya-chelovek dozhdya (rain men) instrumental version created by me (ENCA)
Valeriya-chelovek dozhdyainstrumental onetruemedia Enca Savicheva
Grazhdanskaya Oborona (Гражданская Оборона) - Chelovek cheloveku volk
This is "Chelovek cheloveku volk" of the Vsyo idyot po planu (Everything Goes According To Plan) album by Grazhdanskaya Oborona or Civil Defence, first released on cassette in 1988. Although not the first, Grazhdanskaya Oborona was undoubtedly one of the most famous punk bands from Russia. The band played noisy punk rock with folk influences, although later incarinations of the band had more of a psychedelic sound. Frontman, Yegor Letov, was a controversial figure until his death in 2008. While he critizised the Soviet system and militarism in general in his earlier days, he founded the National Bolshevik Party in the 1990s, a somewhat nostalgic nationalist communist party, despite his statements in the past. Yegor Letov also started side-projects such as Kommunizm and Egor i Opizdenevshije, experimenting with industrial and psychedelia. He also collabrated with Russian folk-punk legend Yanka Dyagileva whom he had a relationship to in the late 1980s. This is a part of my series on underground rock in the Soviet Union. I'm uploading a lot of music from this period so please keep watching!
grazhdanskaya oborona Гражданская Оборона civil defence grob russian underground punk rock siberian foreign yanka dyagileva yegor letov soviet siberia noise capitalistagenda
1/5- Man with a Movie Camera (Chelovek's Kino-Apparatom) 1929
'Man with a Movie Camera (Russian: Человек с киноаппаратом, Chelovek s kino-apparatom; Ukrainian: Людина з кіноапаратом, Liudyna z kinoaparatom), sometimes called The Man with the Movie Camera, The Man with a Camera, The Man With the Kinocamera, or Living Russia is an experimental 1929 silent documentary film, with no story and no actors, by Russian director Dziga Vertov, edited by his wife Elizaveta Svilova. Vertov's feature film, produced by the Ukrainian film studio VUFKU, presents urban life in Odessa and other Soviet cities. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters," they are the cameramen of the title and the modern Soviet Union he discovers and presents in the film. This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style (at one point it features a split screen tracking shot; the sides have opposite Dutch angles).' (Text from Wikipedia) Read more about this film on: en.wikipedia.org
Dziga Vertov experimental russian cinema silent movies soviet union double exposure slow motion animations tracking shots Art Films Animation
Bring To Zion - Chelovek Vishego Sorta official video
BRING TO ZION ANGRY METAL MUSIC VIDEO bringtozion@gmail.com www.myspace.com vkontakte.ru
btz Bring to zion groove metal angry-metal dxc mxc deathcore metalcore alternative music video rock nsk Novosibirsk Chimaira Despised Icon Akado angry nu-metal Tleshx
Chelovek Xamelion.mpg
music & text by Lilit Ter-Vardanyan ashxatanqayin tarberak
lilit ter-vardanyan ysu solist superstar lilit hexinakayin erg 1985 luluk
5/5- Man with a Movie Camera (Chelovek's Kino-Apparatom) 1929
'Man with a Movie Camera (Russian: Человек с киноаппаратом, Chelovek s kino-apparatom; Ukrainian: Людина з кіноапаратом, Liudyna z kinoaparatom), sometimes called The Man with the Movie Camera, The Man with a Camera, The Man With the Kinocamera, or Living Russia is an experimental 1929 silent documentary film, with no story and no actors, by Russian director Dziga Vertov, edited by his wife Elizaveta Svilova. Vertov's feature film, produced by the Ukrainian film studio VUFKU, presents urban life in Odessa and other Soviet cities. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters," they are the cameramen of the title and the modern Soviet Union he discovers and presents in the film. This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style (at one point it features a split screen tracking shot; the sides have opposite Dutch angles).' (Text from Wikipedia) Read more about this film on: en.wikipedia.org
Dziga Vertov experimental russian cinema silent movies soviet union double exposure slow motion animations tracking shots Art Films Animation
Chelovek iz chelovekov
"Again about sad things. Is it okay that I speak about sad things all the time? Or not about sad things, but about what there is. And there are sad things. There is a wonderful phrase by Kalinauskas, which his admirers repeat all the time. The phrase is "a man is made of people", establishing a fact. (pause, smiling) Certainly yes. When you begin to learn yourself, when your natural values become obvious, when you see, that they are natural, light and good... they are not your values. They are yours, as a man. But not yours as "you". They are yours as a man, but not yours as you, And illusions begin crashing. Illusions about yourself. Illusions about the thing, that the eternal and the good concerns you in some way. Generally speaking, you are leaving the mankind. You are leaving the mankind, learning the human in you. I don't know if I'm easy to understand. (pause) But with the understanding of ... not with the understanding, but with the seeing of everything, that you knew, valued, everything that was so warm, comfortable, cool.. well... it's all bullshit. People who fail to reach the end in this place... they are prevented by some eternal values, like I heard in a discussion. Because there is nothing to live for. It turns out, that you have lived a life of... a human life. And this all- it is not you. You don't know yet who you are, but you know that this is not you. Well, you can't turn away from the obvious. And brains, these fucking brains, " if there's nothing to <b>...</b>
2/5- Man with a Movie Camera (Chelovek's Kino-Apparatom) 1929
'Man with a Movie Camera (Russian: Человек с киноаппаратом, Chelovek s kino-apparatom; Ukrainian: Людина з кіноапаратом, Liudyna z kinoaparatom), sometimes called The Man with the Movie Camera, The Man with a Camera, The Man With the Kinocamera, or Living Russia is an experimental 1929 silent documentary film, with no story and no actors, by Russian director Dziga Vertov, edited by his wife Elizaveta Svilova. Vertov's feature film, produced by the Ukrainian film studio VUFKU, presents urban life in Odessa and other Soviet cities. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters," they are the cameramen of the title and the modern Soviet Union he discovers and presents in the film. This film is famous for the range of cinematic techniques Vertov invents, deploys or develops, such as double exposure, fast motion, slow motion, freeze frames, jump cuts, split screens, Dutch angles, extreme close-ups, tracking shots, footage played backwards, stop motion animations and a self-reflexive style (at one point it features a split screen tracking shot; the sides have opposite Dutch angles).' (Text from Wikipedia) Read more about this film on: en.wikipedia.org
Dziga Vertov experimental russian cinema silent movies soviet union double exposure slow motion animations tracking shots Art Films Animation
