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Here is a version of the Bumble Boogie that will knock your socks off! Download the track on Matthew's 2011 "Rainmaker" CD @ AMAZON.com & Itunes worldwide. Matthew Now offers lessons online through SKYPE! See www.boogiewoogiekid.com for details And now you can join the Boogie Woogie Kid Fan Page on Facebook! Share it. Thanks!

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Josh Vietti channels Michael Jackson's Billie Jean, one of the most successful hit singles in the world. With its distinctive bass line, the catchy tune will have your feet tapping and your hands clapping. Some of the people in the audience can't help themselves. I especially like the love birds dancing in the background. Pure gold. "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. Following the successful chart performances of the single "The Girl Is Mine" and the album Thriller, "Billie Jean" was released on January 2, 1983, as the collection's second single. It became a worldwide commercial and critical success; "Billie Jean" was one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. In other countries, "Billie Jean" topped the charts of Spain and Switzerland, reached the top ten in Austria, Italy, New Zealand, Norway and Sweden, and peaked at number 45 in France. "Billie Jean" was certified platinum by the Recording Industry Association <b>...</b>

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Great song by a great band with a very distinctive bass line.

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Michael Jackson - Billie Jean (Live 1996) "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Cited as one of the most revolutionary songs in history, "Billie Jean" was certified platinum in 1989. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, and an Emmy-nominated performance on <b>...</b>

MICHAEL JACKSON BILLIE JEAN LIVE 1996 OFF THE WALL THRILLER BAD DANGEROUS HISTORY INVINCIBLE TOUR KING OF POP MOONWALKER BEST

"Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized.

Michael Jackson Billie Jean Live Victory Tour 1984

Sungha Jung 2nd Album 'Irony' now availble at www.sunghajung.com Sungha http played 'Billie Jean' arranged by Adam Rafferty. "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. The song was also promoted through Jackson's Pepsi commercials; during the filming of one commercial, Jackson's scalp was severely burned. Covered by modern artists, "Billie Jean" sealed Jackson's status as an international pop icon.

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Michael Jackson - Billie Jean (Motown 25th Anniversary Yesterday Today And Forever) His 1st Moonwalk Performance "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Cited as one of the most revolutionary songs in history, "Billie Jean" was certified platinum in 1989. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in <b>...</b>

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Sungha Jung 2nd Album 'Irony' now availble at www.sunghajung.com http Trace Bundy and Sungha Jung playing Bil*lie Jean by Mic*hael Jack*son, during Sungha's first US tour. Filmed January 27th, 2010 at the Triple Door in Seattle. Filmed and edited by Joseph Jang. Trace Bundy's version arranged by himself. Sungha Jung's version arranged by Adam Rafferty. www.tracebundy.com http Posted using Trace's and Sungha's permission. "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. Following the successful chart performances of the single "The Girl Is Mine" and the album Thriller, "Billie Jean" was released on January 2, 1983, as the collection's second single. It became a worldwide commercial and critical success; "Billie Jean" was one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. In other countries, "Billie Jean" topped the charts of Spain and Switzerland, reached the top ten in Austria, Italy, New Zealand, Norway and Sweden, and peaked at number <b>...</b>

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Michael Jackson History Tour Live in Manila Philippines (1996) "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. There are contradictory claims to what the song's lyrics refer to. One suggests that they are derived from a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. Jackson himself, however, stated that "Billie Jean" was based on groupies he had encountered. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before it was finalized.

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"Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Cited as one of the most revolutionary songs in history, "Billie Jean" was certified platinum in 1989. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, and an Emmy-nominated performance on Motown 25: Yesterday, Today, Forever, in <b>...</b>

MICHAEL JACKSON BILLIE JEAN THRILLER 1982 OFF THE WALL BAD DANGEROUS HISTORY INVINCIBLE TOUR KING OF POP MOONWALKER BEST LIVE MOONWALK

BILLIE JEAN DANGEROUS WORLD TOUR MUNICH Links by 97smoothcriminal.Dont forget to subscribe him. LOOKING MORE NATURAL VIDEO UPSCALED TO 1280 x 720 AUDIO IMPROVED (c)Sony Music Entertainment and MJJ Productions 1992/1993 "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. Following the successful chart performances of the single "The Girl Is Mine" and the album Thriller, "Billie Jean" was released on January 2, 1983, as the collection's second single. It became a worldwide commercial and critical success; "Billie Jean" was one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. In other countries, "Billie Jean" topped the charts of Spain and Switzerland, reached the top ten in Austria, Italy, New Zealand, Norway and Sweden, and peaked at number 45 in France. "Billie Jean" was certified platinum by the Recording Industry Association of America (RIAA) in 1989. Awarded numerous honors—including two Grammy Awards, one American Music Award and an <b>...</b>

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"Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had a disagreement. The song's lyrics refer to a real-life experience, in which a mentally insane female fan claimed that Jackson fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Chris Cornell covered the song live several times. By the way, it's my all-time-fav MJ cover ever.

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Michael Jackson - Billie Jean (Live Bucharest Dangerous Tour 1992) "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Cited as one of the most revolutionary songs in history, "Billie Jean" was certified platinum in 1989. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, and an Emmy <b>...</b>

MICHAEL JACKSON BILLIE JEAN LIVE BUCHAREST DANGEROUS TOUR 1992 OFF THE WALL THRILLER BAD HISTORY INVINCIBLE KING OF POP MOONWALKER BEST

Beatport: bit.ly www.facebook.com www.facebook.com www.physical-music.com The "Club Mix Version" of "Sense" partners faraway melodies with James Teej's breathy vocals that get up close and personal. A deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. Piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the track's distinctive bass line recall its retro pedigree.

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"Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983,[1] and topped both the US and UK charts simultaneously. Cited as one of the most revolutionary songs in history,[2] "Billie Jean" was certified platinum in 1989. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel,[3][4][dubious discuss] and an Emmy-nominated performance on Motown 25 <b>...</b>

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"Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written, composed, and co-produced by Jackson, and produced by Quincy Jones from the singer's second solo Epic album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. *Audio Contents Owner: SME*

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RIP MICHAEL I WILL NEVER FORGET YOU......BILLIE JEAN IS IN THE BACKGROUND! feel free to comment on your thoughts about his death....... no copyright infrigment needed.... "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had a disagreement. The song's lyrics refer to a real-life experience, in which a mentally insane female fan claimed that Jackson fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Honoured numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be aired by the channel, and an Emmy-nominated performance on Motown 25: Yesterday, Today, Forever, in which Jackson premiered "the moonwalk." The song was also promoted through Jackson's Pepsi commercials; during the filming of one commercial, Jackson's scalp was severely burned. Covered and sampled by modern artists, including Chris Cornell, "Billie Jean" sealed <b>...</b>

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Johann Sebastian Bach Sonata for Solo Flute in C major BWV 1033 III. Adagio baroque flute, Janet See The C-major Sonata (BWV 1033) presents many problems. The attribution to "Joh. Seb. Bach" is in the handwriting of CPE Bach (1714- 1788) in the only surviving manuscript, dating from about 1731. It is therefore of great authority since at that point the 17-year-old Carl Philipp Emanuel was still living in the parental home. Most musicians, however, find it hard to believe that the bass line came from the hand writing of the father, limited as it is almost exclusively to root-position chords (especially in the first movement), and lacking any of the distinctive features so characteristic of Bach's own bass lines. Robert Marshall's solution is as brilliant as it is attractive: "Almost all the problems of this composition disappear, as soon as one entertains the possibility that the piece may in fact have been written by JS Bach, but as a composition for unaccompanied flute... The original -- unaccompanied -- sonata itself may have been composed around the same time as the unaccompanied Partita in A minor, and conceived perhaps as a counterpart to it." If this is correct, CPE Bach would have copied it out, adding his own bass line -- as a harmony exercise? -- which would explain why it is in his hand, why he says it is by JS Bach, but why the bass line seems impossible. --- Davitt Moroney

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This very brief segment right here comes right before the band soundchecks "Reckoner" at Praça da Apoteose in Rio de Janeiro (March 20th, 2009). I haven't been able to identify if this belongs to a song by someone else or if it actually is a fragment of a potential new song from Radiohead. Starts off with Thom doodling a figure on his guitar but then the rest of the band follows, distinguishing clearly some Rhodes action from Jonny while Phil drums along. There was also a very distinctive bass line here but you can't tell from the recording (mind you, it's just a Panasonic Lumix pocket camera!). Just felt like sharing this openly after extensive listening. The whole soundcheck was recorded (except "15 Step" as it was time for me to get back in line) and there's only regular songs, in case you were wondering. There was something similar to "MK1" right after "Videotape" but the street noise next to me made the recording completely useless to distinguish that particular bit.

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Over the Top - Are You Gonna Do Me Right? RED - Stand Sit Move (Fierce City Remix) I Love Disco Vol.5 - D2 Kidro_-_The_Last_Days_of_Disco_(Original_Mix)_[topinweb_com] Dizko Loco -Secret Love Calembour - Still Believe In Romance Joey Chicago - Stop Crying DJamSinclar Aka Prince of Disco - Oh Yeah, Pure Delight Dj funsko - disco universe Mike Gillenwater - When You Love Me (Short Edit) Kool and the Gang - Celebration 2011 (Jerem A Club Mix) FederFunk Feat Daniele Milvatti - I Want your Love FAcebook fan page : www.facebook.com Official Web Site : www.federfunk.altervista.org Soundcloud 1 : soundcloud.com Soundcloud 2 [ New Official ] : soundcloud.com other tags : Disco House is a sub-genre of electronic dance music. It is classified as the combination of modern house music with elements of classic disco, whether through samples or thematic similarities. It uses technology (such as samplers and synthesizers) to convert the simple dance music bass lines and rhythmic pulsations constant four-four beats. This dance genre characterized by a slow and low prevalence of his compositions. Sometimes incorporates voices and / or sung melodies. Built on pre-recorded sounds, distorted and altered electronically, house music gathered the elements of disco dancing. As with the techno-pop music quickly created around various subgenres. The New York local Garage reintroduced soul vocal melodies and some piano styles protruding roots in disco house. It uses synthesized sounds and modifies <b>...</b>

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Download on iTunes: tinyurl.com More info: www.facebook.com A unique bassline is whirring through Germany. It's coming straight from the studio of DJ and producer Klass Gerling. Best known for his rework of 'Infinity', the radio-hit that travelled the globe for months in a row, the German talent has caused quite a stir with his thumping electro house tracks and daring remixes. He's secured a top 10 position for almost every track he released, so the expectations for his new club-cracker are high. On Klaas' latest production, 'Our Own Way', the Cologne-based DJ and producer present a house masterpiece of pure energy and of course, with his distinctive bassline. A pure feel-good vocal line rides on top, giving you a clear message: 'Life is ours and we live it our own way!'. Next to the tight original version of 'Our Own Way', the 'Klaas Flow Mix' comes along with a warm and more housy feel to it. It's obvious, Klaas is going his own way, to grand success.

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OUT NOW!!! Download: Whatpeopleplay: bit.ly Beatport: bit.ly Tracklisting: 01 Stand For Something 02 Reality Maybe 03 You Info: In the last years, Gavin Herlihy has come around quite a bit. The Irish-born had moved from London to Berlin, he was the voice of a well-known podcast radio in Ibiza and now lives in Leeds. Obviously, his residences in London and Berlin have impressed him musically. After his 12" debut "Machine Ate My Homework" on Sasse Lindblad's label Moodmusic in 2006 has come down like a bomb not only in Europe but also in Japan, he attracted attention over the years with releases on Cadenza and Buzzin' Fly and, last not least, he was responsible for the very first Cocoon-10" ("Collect"). So it was time for him to deliver a more comprehensive musical business card on Cocoon. "Reality Maybe" presents Herlihy unfamiliarly housy with compressed percussive funk and an extremely distinctive bass line so that the subwoofer membranes will have a hard job to do. With its organ hook line and the programmatic vocals, "Stand for Something" adds exactly those elements that form a veritable club hit to that perfected modern House sound of the previous track. This is definitely already one of the absolute highlight-tracks on Cocoon this year. Also "You" shows not a trace of weakness, with its plucked bass and the melancholy Jazz elements, and thus meets Herlihy's high quality standards in between futurism and tradition. Cocoon Recordings on the web: www.twitter.com www <b>...</b>

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In memory of the King of Pop, Michael Jackson! Me dancing to "Billie Jean" from the MTV awards in 1995. Enjoy! Rate! Comment! Subscribe! :) It's all for love... LOVE By request! "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written, composed, and co-produced by Jackson, and produced by Quincy Jones from the singer's second solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix.

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"Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. There are contradictory claims to what the song's lyrics refer to. Some people believe that they are derived from a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. Others believed that the song was about tennis great Billie Jean King. Jackson was an avid tennis fan. Jackson himself, however, stated that "Billie Jean" was based on groupies he had encountered. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix.

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I tried something a little different this time. I was jamming out to Billie Jean in my apartment today and I decided to see if I could record a piano solo with the Original Billie Jean vocals to accompany it. As always, if you enjoy the video please feel free to subscribe...I would really appreciate it. Song Description: "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Jackson and Quincy Jones from the singer's second solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. (Wikipedia)

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Download this track : soundcloud.com FAcebook fan page : www.facebook.com Official Web Site : www.federfunk.altervista.org Soundcloud 1 : soundcloud.com Soundcloud 2 [ New Official ] : soundcloud.com other tags : Disco House is a sub-genre of electronic dance music. It is classified as the combination of modern house music with elements of classic disco, whether through samples or thematic similarities. It uses technology (such as samplers and synthesizers) to convert the simple dance music bass lines and rhythmic pulsations constant four-four beats. This dance genre characterized by a slow and low prevalence of his compositions. Sometimes incorporates voices and / or sung melodies. Built on pre-recorded sounds, distorted and altered electronically, house music gathered the elements of disco dancing. As with the techno-pop music quickly created around various subgenres. The New York local Garage reintroduced soul vocal melodies and some piano styles protruding roots in disco house. It uses synthesized sounds and modifies the human voice to give more interest. and with its distinctive bass sound With a steadfast dedication to provide listeners with the absolute highest quality music and an emphasis on introducing lesser-known talents. with its distinctive bass sound. Enjoy latest new wave disco house tracks. "If you are an artist and find any author's right violation, please, send me a message and the material will immediately be removed. RESPECT THE ARTISTS !!! jens8 <b>...</b>

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'Billie Jean' arranged by Adam Rafferty. SUBSCRIBE :) Follow me on Twitter :) Twitter : twitter.com "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. The song was also promoted through Jackson's Pepsi commercials; during the filming of one commercial, Jackson's scalp was severely burned. Covered by modern artists, "Billie Jean" sealed Jackson's status as an international pop icon.

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aka Barack Obama バラクオバマ dancing and having fun to the tune of Michael Jackson's Billie Jean. Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Following the successful chart performance of "The Girl Is Mine", "Billie Jean" was released on January 2, 1983, as the album's second single. "Billie Jean" was a worldwide commercial and critical success; it became one of the best-selling singles of 1983, and topped both the US and UK charts simultaneously. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, [dubious discuss] and an Emmy-nominated performance on Motown 25: Yesterday, Today <b>...</b>

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Buy from Beatport: bit.ly ____________________ Hanski joins us for his second outing on InfraProgressive, hot off the heels of his last release which picked up support from the likes of Above & Beyond. Treating us to another three part EP, the uber talented producer drops some of the finest progressive beats we have heard in some time. Placebo heads the package with its distinctive bass pattern, clever percussion arrangements and big guitar lead all fusing together to great effect, while Hanski serves up something slightly different in Acapulco and The Ambush respectfully. If house style lead sounds are your thing, then Acapulco is the one for you, while The Ambush provides a perfect filler with its throbbing bassline and sweet synth line.

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Download this track Soundcloud: soundcloud.com zyppyshare : " Ciao Ragazzi ! Beh...Manca poco alla fine di questo 2011 ! Volevo dire che sono orgogliosissimo di aver raggiunto questa piccola popolarità producendo e mixando musica Disco-Funky House ! Ringrazio tutti voi, n particolare DjamSinclar che ha aiutato la mia ispirazione, MikeleDisco che mi ha aiutato con gli ascolti ..e infine il mio Amico Dj e Produttore Daniele Milvatti che...beh come potete vedere mi aiuta sempre nelle produzioni ! MA SOPRATUTTO ! GRAZIE A TUTTI VOII ! FELICE ANNO NUOVO FANS ! a tutto DiscOoO con il remix di "He's the greates dancer" brano delle Sister Sledge Remixato da Noi...FederFunk & Daniele Mivlatti ! Buon Ascolto a tutti ! FAcebook fan page : www.facebook.com Official Web Site : www.federfunk.altervista.org Soundcloud 1 : soundcloud.com Soundcloud 2 [ New Official ] : soundcloud.com other tags : Disco House is a sub-genre of electronic dance music. It is classified as the combination of modern house music with elements of classic disco, whether through samples or thematic similarities. It uses technology (such as samplers and synthesizers) to convert the simple dance music bass lines and rhythmic pulsations constant four-four beats. This dance genre characterized by a slow and low prevalence of his compositions. Sometimes incorporates voices and / or sung melodies. Built on pre-recorded sounds, distorted and altered electronically, house music gathered the elements of disco dancing. As <b>...</b>

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New Year's Day" is a song by rock band U2. It is on their 1983 album War and it was released as the album's lead single in January 1983. New Year's Day" is driven by Adam Clayton's distinctive bassline and The Edge's keyboard playing.

Bass Bass-Cover Bass-Guitar U2 Infusion26 Lakland

Money" is the sixth track from English progressive rock band Pink Floyd's 1973 album The Dark Side of the Moon. Written by bassist Roger Waters, Money" is particularly notable for its unusual 7/4--4/4 time signature, its distinctive bassline

Bass Bass-Guitar Bass-Cover Pink-Floyd Infusion26 Lakland

ONLY A LITTLE COVER !!! "Billie Jean" is a dance-pop/R&B song by American recording artist Michael Jackson. It was written and composed by Jackson and produced by Quincy Jones (and co-produced by Jackson) for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had disagreements regarding it. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by audio engineer Bruce Swedien before he finalized the song with the second mix. The song was also promoted through Jackson's Pepsi commercials; during the filming of one commercial, Jackson's scalp was severely burned. Covered by modern artists, "Billie Jean" sealed Jackson's status as an international pop icon.

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Download this track : soundcloud.com FAcebook fan page : www.facebook.com Official Web Site : www.federfunk.altervista.org Soundcloud 1 : soundcloud.com Soundcloud 2 [ New Official ] : soundcloud.com other tags : Disco House is a sub-genre of electronic dance music. It is classified as the combination of modern house music with elements of classic disco, whether through samples or thematic similarities. It uses technology (such as samplers and synthesizers) to convert the simple dance music bass lines and rhythmic pulsations constant four-four beats. This dance genre characterized by a slow and low prevalence of his compositions. Sometimes incorporates voices and / or sung melodies. Built on pre-recorded sounds, distorted and altered electronically, house music gathered the elements of disco dancing. As with the techno-pop music quickly created around various subgenres. The New York local Garage reintroduced soul vocal melodies and some piano styles protruding roots in disco house. It uses synthesized sounds and modifies the human voice to give more interest. and with its distinctive bass sound With a steadfast dedication to provide listeners with the absolute highest quality music and an emphasis on introducing lesser-known talents. with its distinctive bass sound. Enjoy latest new wave disco house tracks. "If you are an artist and find any author's right violation, please, send me a message and the material will immediately be removed. RESPECT THE ARTISTS !!! jens8 <b>...</b>

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Unlikely maybe, but there is something of a "hidden gem" about "A Venture". It's a song written by Jon Anderson from The Yes Album that hasn't been played live like all the other songs on that record. The bassline begins very self-contained on the neck pickup, and then begins to come out of the shell until it bursts on a very cool and distinctive blues/pentatonic solo. For that, I assumed the bridge pick-up was used and also thought maybe Chris played it behind the horseshoe. NOTE - for the time being this may be the last clip I upload until YouTube removes this awful audio compression scheme that many of you may have noticed. I searched around for days trying to fix the problem, but sadly this version was the best I could manage, mixing a sine wave of 10Hz. You still hear some noises on both ends of the video and still some YouTube dumb compression that I am not responsible for, aside deciding to upload the video. My apologies to all and still hoping you will enjoy my work. Thank You.

Chris Squire YES Miguel Falcao Falcão bass bassline cover sansamp driver DI Rickenbacker 4001 4001CS The Album Venture

Buy from Beatport: bit.ly ____________________ Hanski joins us for his second outing on InfraProgressive, hot off the heels of his last release which picked up support from the likes of Above & Beyond. Treating us to another three part EP, the uber talented producer drops some of the finest progressive beats we have heard in some time. Placebo heads the package with its distinctive bass pattern, clever percussion arrangements and big guitar lead all fusing together to great effect, while Hanski serves up something slightly different in Acapulco and The Ambush respectfully. If house style lead sounds are your thing, then Acapulco is the one for you, while The Ambush provides a perfect filler with its throbbing bassline and sweet synth line.

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A great song from U2. It is on their 1983 album War and it was released as the album's lead single in January 1983. The most memorable parts of the song were Adam Clayton's distinctive bassline and The Edge's haunting piano melody. I did my best to make this cover sound as good as possible. I have the sheet music and I made some minor changes to make it sound more interesting. Singing melody is added to chorus but in verses I play the piano line that can be heard in the original recording. So, I guess you can call this somekind of singalong version. :) But anyway, enjoy the video and tell me what you think of it.

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"Eric B. Is President" is the debut single released by hip-hop duo Eric B. & Rakim. The single has become one of the most memorable songs in hip hop, and Rakim's opening salvo of "I came in the door/I said it before" is one of rap's most oft-quoted lines. The distinctive bassline samples Fonda Rae's "Over Like A Fat Rat" Paid In Full(1987) Writer-Rakim Allah Producer-Marley Marl Co-Produced by Eric B.

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Michael Jackson - Royal Concert In Brunei 1996 - ''Billie Jean'' [Enhanced - FULL HD High Definition (1080p)] Royal concert in Brunei Prior to the tour, Jackson performed a free concert at the Jerudong Park Amphitheatre in Bandar Seri Begawan, Brunei on 16 July, 1996, attended by 60000 throughout the park. The concert was in celebration of the fiftieth birthday of Hassanal Bolkiah, the Sultan of Brunei and was attended by the Brunei royal family. Much of the concert resembled Jackson's Dangerous World Tour, including his outfit and the set list, keeping the details of the upcoming HIStory Tour a close secret. The concert also marked the debut live performance of "You Are Not Alone" and "Earth Song" as well as the last performances of "Jam", "Human Nature", "I Just Can't Stop Loving You" and "She's out of My Life" at a Jackson concert. This concert also marked the last performances of "Billie Jean" and "Beat It" being sung fully live; subsequent performances have been partially lip-synched. A high quality soundboard bootleg recording of the concert was leaked on the Internet. However it has been edited and is a different sound dub. A poor quality VHS copy has also been leaked. Set list: Royal Concert Brunei 1."Carmina Burana" introduction 2."Jam" 3."Wanna Be Startin' Somethin'" 4."Human Nature" 5."Smooth Criminal" 6."I Just Can't Stop Loving You" with Marva Hicks 7."She's out of My Life" 8.Jackson 5 Medley: "I Want You Back" "The Love You Save" "I'll Be There" 9."Thriller <b>...</b>

Michael Jackson Royal Concert In Brunei 1996 Billie-Jean Enhanced FULL HD High Definition 1080p Dangerous World Tour 1992 1993 history World-Tour 1997 Jam Wanna-Be-Startin'-Somethin' Human-Nature Smooth-Criminal I-Just-Can't-Stop-Loving-You She's-Out-Of-My-Life Jackson-5 Medley I-Want-You-Back The-Love-You-Save I'll-Be-There Thriller The-Way-You-Make-Me-Feel Beat-It You-Are-Not-Alone Black-Or-White Man-In-The-Mirror Earth-Song mjloveforeverdgm mjjloveforeverdgm mjjloveforeverdgmrcb

Barry Eugene White was an American record producer and singer-songwriter. A five-time Grammy Award-winner known for his distinctive bass voice and romantic image, White's greatest success came in the 1970s as a solo singer and with the Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits, "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe".

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Song: Billie Jean.Sung & Performed by: Michael Jackson. Song written by: Michael Jackson. Album: "Thriller" November 30, 1982. Music video produced by: Quincy Jones. Music video directed by: Steve Barron. Song Record Label: Epic Records. Niceties by: www.youtube.com Synopsis! "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, and an Emmy-nominated performance on Motown 25: Yesterday, Today, Forever, in which Jackson premiered "the moonwalk." The song was also promoted through Jackson's Pepsi commercials; during the filming of one <b>...</b>

Billie-Jean Thriller 1982 1983 Epic-Records Michael-Jackson Steve-Barron Quincy-Jones Bruce-Swedien R&B Dance Dance-Pop Pop Rock Funk Hiccups The-Worlds-Biggest Selling-Album All-Time No.-1-Song Hits Favorites Most-Controversial-Song Mentally-Ill-Female Fan-Claimed Fathered Twins Distinctive-Bass-Line Honoured-Numerous-Times Awarded-Song Spying Jackson-Disappears Jheri-Curled-Hair Surgically-Sculpted-Nose Black-Leather-Suit Pink-Shirt Bow-Tie Lyrics

Song: Billie Jean.Sung & Performed by: Michael Jackson. Song written by: Michael Jackson. Album: "Thriller" November 30, 1982. Music video produced by: Quincy Jones. Music video directed by: Steve Barron. Song Record Label: Epic Records. Niceties by: www.youtube.com Synopsis! "Billie Jean" is a dance-pop R&B song by American recording artist Michael Jackson. It was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller (1982). Originally disliked by Jones, the track was almost removed from the album after he and Jackson had numerous disagreements. The song's lyrics refer to a real-life experience, in which a mentally ill female fan claimed that Jackson had fathered one of her twins. The song is well known for its distinctive bass line and Jackson's vocal hiccups. The song was mixed 91 times by Bruce Swedien before it was finalized. Honored numerous times—including two Grammy Awards, one American Music Award and an induction into the Music Video Producers Hall of Fame—the song and corresponding music video propelled Thriller into the best-selling album of all time. The song was promoted with a short film that broke down MTV's racial barrier as the first video by a black artist to be played in heavy rotation by the channel, and an Emmy-nominated performance on Motown 25: Yesterday, Today, Forever, in which Jackson premiered "the moonwalk." About Video! "Motown 25: Yesterday, Today, Forever" was a 1983 television special produced by <b>...</b>

Billie-Jean Thriller 1982 1983 Epic-Records Motown-25: Yesterday Today Forever Live-Performance Michael-Jackson Bruce-Swedien Suzanne-de-Passe R&B Dance Dance-Pop Pop Rock Funk Hiccups The-Worlds-Biggest Selling-Album All-Time No.-1-Song Hits Favorites Most-Controversial-Song Mentally-Ill-Female Fan-Claimed Fathered Twins Distinctive-Bass-Line Honoured-Numerous-Times Awarded-Song Jheri-Curled-Hair Surgically-Sculpted-Nose Lyrics

The distinctive sound is still there; atmospheric synth stabs, percolating percussion, stinging, minimalist guitar lines, sturdy bass lines. AHC has progressed since the heady days of MY LIFE IN A HOLE IN THE GROUND, though. The dense, dark soundscapes of that era are supplanted here by a more celebratory air and an open, spacious feel. Several cuts feature what sounds like children chanting, and there's a more spiritual tone throughout, even reflected in song titles such as "Hymn," "Healing Ceremony," and "Gospel Train." Fear not, Sherwood and company haven't gone new age. The sonic settings are just as exquisitely textured as ever, they've just been given an added depth. Progressive dub producer Adrian Sherwood first made his mark in the early '80s as the man behind the boards for groups like African Head Charge, Creation Rebel, and New Age Steppers. His revolutionary combination of dub reggae with a gritty, forward-looking post-punk aesthetic was a breath of fresh air. A decade later, SONGS OF PRAISE finds African Head Charge and Sherwood still fully capable of innovation. African Head Charge includes: Skip MacDonald (guitar, keyboards); Carlton "Bubbles" Ogilvie (piano); Crocodile, Junior Moses, Martin Frederix (bass); Style Scott (drums); Sunny Akpan (percussion); Bonjo Iyabinghi Noah, Prisoner.

African Head Charge Songs of Praise Dervish Chant Dub Adrian Sherwood ON Sound

Hi again. This is my first video with my electric upright bass. The baby bass (as it's also known) has a very distinctive tone and character that can hardly be replicated on the bass guitar (in my opinion). If you want to approximate that kind of tone on your BG, try using flatwound strings and some kind of muting at the bridge, either using the side of your palm or putting something between the strings and the bridge saddles that dampens the vibrations. My apologies for not presenting this new effort in HD quality. When editing the video, I noticed that the HD aspect ratio cropped my plucking hand, and I felt it important to leave it visible (and I wasn't willing to record the whole thing again). BTW, on this instrument I don't pluck the strings with the standard jazz pizzicato technique since each note is preceded by an unpleasant (in this context) "thud" when playing the strings that way. As always, hope you find this new effort both entertaining and useful. Thanks for watching!

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!!!Motown 25: Yesterday, Today, Forever!!! Recorded: "Pasadena Civic Auditorium" Pasadena, California (March 25, 1983) Broadcasted by: "NBC" (May 16, 1983) Produced & Sponsored by: Suzanne de Passe for "Motown Records" Record Label: Motown Records. Niceties by: www.youtube.com Synopsis! "Motown 25: Yesterday, Today, Forever" was a 1983 television special produced by Suzanne de Passe for Motown Records, to commemorate Motown's twenty-fifth year of existence. (Motown was founded in January 1959, meaning that a twenty-fifth anniversary special should have aired in 1984, not 1983. One could argue that Gordy's vision of what would become "Hitsville USA" was conceived in 1958, considering the month of Motown's founding.) The show was also co-written by de Passe along with Ruth Adkins Robinson who would go on to write shows with de Passe for the next 25 years, including the follow up label tributes—through "Motown 40," Buz Kohan was the head writer of the threesome. The program was taped before a live studio audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. Among its highlights were Michael Jackson's iconic performance of "Billie Jean", a Temptations/Four Tops "battle of the bands", Marvin Gaye's inspired speech about black music history and his memorable performance of "What's Going On", a Jackson 5 reunion, and an abbreviated reunion of Diana Ross & the Supremes, who performed their final #1 hit, "Someday We'll <b>...</b>

Motown-25 Yesterday Today Forever Pasadena-Civic-Auditorium California USA Billie-Jean Thriller 1982 1983 Michael-Jackson R&B Dance-Pop Pop Rock Funk Hiccups All-Time No.-1-Song Hits Favorites Most-Controversial-Song Michaels-Real-Life-Experience Mentally-Ill-Female Fan-Claimed Fathered Twins Distinctive-Bass-Line Honoured-Numerous-Times Awarded-Song Jheri-Curled-Hair Surgically-Sculpted-Nose Live-Performance People Infatuation Obsession Fire Bangs Jumps High-Pitched

Buy from Beatport: bit.ly ____________________ Hanski joins us for his second outing on InfraProgressive, hot off the heels of his last release which picked up support from the likes of Above & Beyond. Treating us to another three part EP, the uber talented producer drops some of the finest progressive beats we have heard in some time. Placebo heads the package with its distinctive bass pattern, clever percussion arrangements and big guitar lead all fusing together to great effect, while Hanski serves up something slightly different in Acapulco and The Ambush respectfully. If house style lead sounds are your thing, then Acapulco is the one for you, while The Ambush provides a perfect filler with its throbbing bassline and sweet synth line.

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In the album version of The Wall, "Another Brick in the Wall (Part 2)" segues from "The Happiest Days of Our Lives", with Roger Waters' signature scream. The song has strong drums, a well-known bass line and distinctive guitar parts in the background with a smooth, yet edgy guitar solo. The song also features a group of school children for lead vocals in the second verse: as the song ends, the sounds of a school yard are heard, along with the teacher (portrayed as a Scotsman) who continues to lord it over the children's lives by shouting such things as "Wrong! Do it again!" which somehow sounds mocking, and "If you don't eat yer meat, you can't have any pudding! How can you have any pudding if you don't eat yer meat?!", and "You! Yes! You behind the bikesheds! Stand still, laddie!", all of it dissolving into the dull drone of a phone ringing and ending with a deep sigh. Lyrics : We don't need no education We dont need no thought control No dark sarcasm in the classroom Teachers leave them kids alone Hey! Teachers! Leave them kids alone! All in all it's just another brick in the wall. All in all you're just another brick in the wall. We don't need no education We dont need no thought control No dark sarcasm in the classroom Teachers leave them kids alone Hey! Teachers! Leave them kids alone! All in all it's just another brick in the wall. All in all you're just another brick in the wall. "Wrong, Do it again!" "If you don't eat yer meat, you can't have any pudding. How can <b>...</b>

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"Let There Be More Light" is the first song on Pink Floyd's second album A Saucerful of Secrets. It was also released in edited form as the fourth US single by the group. A rare US-only single release (Tower 440) contains edited mono versions of this song and 'Remember A Day'. The single did not chart. Pink Floyd performed the song live from 1968--1969, with it often acting as an encore. The song is written by Roger Waters. It begins with an iterative bass line before the vocals start. The first, gentler vocals are performed by Richard Wright with Roger Waters whispering, the following, harder refrain by David Gilmour. The last two minutes feature for the first time a guitar solo from Gilmour in a Pink Floyd album, featuring his distinctive style of playing single notes treated with effects such as distortion and echo. Lyrics : Far, far, far, far a-way, way People heard him say, say I will find a way, way There will come a day, day Something will return Then at last the mighty ship, Descending on a point of flame Made contact with the human race at Mildenhall Now, now, now Is the time, time, time To be be be aware Carter's father saw it there And knew the Rhull revealed to him The living soul of Hereward the wake Oh, my something in my eye eye Something in the sky sky Waiting there for me The outer lock rolled slowly back The servicemen were heard to sigh For there revealed in flowing robes Was Lucy in the sky Oh, oh did you ever know, know? Never ever will they I'll say <b>...</b>

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From 1990 Album: "Let The Rhythm Hit 'Em"..... Rakim's Myspace: www.myspace.com Eric B.'s Myspace: www.myspace.com Get Eric B. & Rakim's Music: www.amazon.com & itunes.apple.com Eric B. & Rakim were a hip-hop duo composed of DJ Eric Barrier and MC Rakim Allah (born William Michael Griffin Jr.). Hailing from Long Island, New York, the pair is generally considered by hip hop enthusiasts to be one of the most influential and innovative groups in the genre. During hip hop's so-called golden age of the mid-1980s to the early 90s, the duo was almost universally regarded as the premier MC/DJ combo in hip hop. The two had a potent chemistry and each represented the height of innovation in their respective roles: Rakim was the master lyricist, an innovative talent who pushed the art of hip hop lyricism to new creative heights with his use of internal rhyme, sophisticated metaphors, and with a methodical-yet-effortless delivery; the duo's beats built on the hard-hitting sound of Run-DMC by adding James Brown samples and Eric B's extensive scratching skills, setting the stage for hip hop's late-1980s/early-1990s infatuation with samples from the Godfather of Soul. Born in 1965, Eric Barrier was born and raised in the Elmhurst area of Queens. Born in 1968 and raised in Wyandanch, Long Island, William Michael Griffin converted to The Nation of Gods and Earths (also known as the 5 Percent Nation) at age 16 and began writing rhymes. Barrier, who had played trumpet and drums throughout <b>...</b>

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