Animal Collective "Grass" Fatcat Records

Director: Superhate Date: September 2005 This great video for Animal Collective's 'Grass' single was shot by the band's friend, Superhate and edited in Paris in August - September 2005. Making use of negative super 8mm film, the video is composed of some beautifully coloured footage taken at a number of live shows throughout Europe between 2004 - 2005, and interspersed with some of Avey Tare's ink drawings.
Animal Collective Fatcat Records Grass Superhate Fatcatrecords
GREEN GRASS OFFICIAL VIDEO - CIBELLE

twitter.com/cibellecibelle myspace.com/cibelleblackbird DIR. GUS GUIMARAES and ADAMS CARVALHO to be found here: uk.youtube.com rotoscope video, traced frame by frame. www.myspace.com/cibelleblackbird answering some questions: it's filmed, edited and then adams drew on each frame. album : The Shine of Dried Electric Leaves song by tom waits, vocals, production and percussion by cibelle, harp by serafina steer, male vocals by spleen
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Tom Waits - Green Grass

Green Grass by Tom Waits Lyrics: Lay your head where my heart used to be Hold the earth above me Lay down in the green grass Remember when you loved me Come closer don't be shy Stand beneath a rainy sky The moon is over the rise Think of me as a train goes by Clear the thistles and brambles Whistle 'Didn't He Ramble' Now there's a bubble of me And it's floating in thee Stand in the shade of me Things are now made of me The weather vane will say... It smells like rain today God took the stars and he tossed 'em Can't tell the birds from the blossoms You'll never be free of me He'll make a tree from me Don't say good bye to me Describe the sky to me And if the sky falls, mark my words We'll catch mocking birds Lay your head where my heart used to be Hold the earth above me Lay down in the green grass Remember when you loved me _ Lyrics, official homepage: www.tomwaits.com Tom Waits on iTunes: itunes.apple.com
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Splendor in the Grass trailer (1961)

Cinematic trailer for the 1961 film Splendor in the Grass starring Natalie Wood and Warren Beatty. Written by William Inge, and directed by Elia Kazan. Won Oscar for Best Writing, Story and Screenplay - Written Directly for the Screen in 1962.
Natalie Wood Warren Beatty Elia Kazan William Inge 1961 Splendor in the Grass dyran
Tom Jones - Green,Green grass Of Home

Tom Jones The old home town looks the same, As I step down from the train, And there to greet me are my mamma and my poppa; Down the road I look, and there runs Mary, Hair of gold, lips like cherries, It's good to touch the green, green grass of home. CHORUS: Yes, they'll all come to meet me, Arms a-reachin', smilin' sweetly, It's good to touch the green, green grass of home, The old house is still standin, 'Though the paint is cracked and dry, And there's that old oak tree, That I used to play in. Down the lane I'll walk with my sweet Mary, Hair of gold and lips like cherries, It's good to touch the green, green grass of home. Then I awake and look around me, At the four gray walls that surround me, And I realize that I was only dreaming, For there's a guard and a sad old padre, Arm in arm we'll walk at daybreak, And at last I'll touch the green green grass of home.
Bill Monroe & his Blue Grass Boys - Roanoke

Bill Monroe & his Blue Grass Boys - Roanoke (From "The Country Show: with Stars of the Grand Ole Opry" 1955). Bill Monroe: mandolin; Carlos Brock: guitar; Bobby Hicks, Charlie Cline: fiddles; Jackie Phelps: banjo; Ernie Newton: bass.
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THE MOVE - I Can Hear The Grass Grow

The Move PLEASE NOTE: This is posted as a tribute to the artists. If there is a copyright issue, please notify me and it will be promptly deleted.
Waka Flocka Flame- "Snakes In The Grass" OFFICIAL VIDEO

LIKE YScRoll On FaceBook www.facebook.com Waka Flocka Flame- "Snakes In The Grass" OFFICIAL VIDEO Waka Flocka Flame- "Snakes In The Grass" OFFICIAL VIDEO Waka Flocka Flame- "Snakes In The Grass" OFFICIAL VIDEO Waka Flocka Flame- "Snakes In The Grass" OFFICIAL VIDEO
Waka Flocka Flame- Snakes In The Grass OFFICIAL VIDEO ysc Roll
Splendor In The Grass: final scenes (Natalie Wood/Warren Beatty)

The great Elia Kazan directed the classic drama "Splendor In The Grass" (1961). The story by playwright William Inge is set in the Kansas of the late 1920's, early 1930's. Rich Bud Stamper (a fantastic debut for Warren Beatty) and butcher's daughter Wilma Dean (Deanie) Loomis are the couple envied by all the students at the local high school. But both have to deal with overbearing parents: Mrs. Loomis (Audrey Christie) who wants Deanie to be a "good girl" and Ace Stamper (Pat Hingle), a self made oil millionaire, who wants his son to follow into his footsteps even if Bud really wants to become a farmer. His son is Ace's only hope, since his daughter Ginny (Barbara Loden) is a stereotypical "bad girl": a Paris Hilton of her day, a rich girl who just wants to party. Here the legendary final scenes from "Splendor In The Grass". Deanie Loomis (Natalie Wood) and Bud Stamper (Warren Beatty) meet again for the first time in years.
Splendor In The Grass Warren Beatty Natalie Wood Elia Kazan William Inge Pat Hingle Barbara Loden Zora Lampert Kansas 1928 oil stock market crash high school football 001
outlaws green grass & high tides 1981 part1

outlaws "green grass and high tides" live 1981 part 1
Corgi Puppys on the grass

A herd of Corgi's gets their first taste of grass under their feet after being inside on tiles, blankets and papers since their birth. Some have tails and some don't, as their mum is a natural bob. See if you can pick them. :)
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Muddi Gras 2010 Monster truck MuddFreak Muddi Gras POV ATV Mud Bog Mud Trucks Trailer Video

MuddFreak.com Went to Muddi Gras Mud Bog Event to film some monster trucks playin in the mud. Here is a small sample of what we found our fellow muddfreaks doing on memorial day weekend. Visit muddfreak.com to see more of muddi gras in florida 2010. PLUS MUCH MORE!!!
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N°97 - SUPER! Verbleit - Gestrecktes Gras im Umlauf - Exzessiv

Du wunderst Dich, dass Deine 2g Tüte so wenig hergibt? Vermutlich hälst Du gerade gestrecktes Gras in Deiner Hand - vielleicht sogar mit Bleipartikeln verseucht... Wir geben Dir ein paar Tips, was in einem solchen Fall zu tun ist und wo Du Dich umfassend informieren kannst.
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BOB DOWNE'S RETRO GRAS! feat. Shauna Jensen

Here's another RETRO-GRAS clip from Bob Downe's 2009 Mardi Gras Festival cabaret/dance season in Sydney: the amazing SHAUNA JENSEN, duetting 'You Don't Bring Me Flowers' with an old flame... Filmed by MARK CHISOLM at the Supper Club,Taylor Sq., Sydney, 19 Feb 2009.
Brahms - Ein Deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras (Part I)

There is something deeply unsettling and restless about this performance, I can't put my finger on it though. It's lyrical (just listen to that soft, yet snappy brass!), transparent but there's something very evanescent and fragile about Kegel's take on the work, I find it deeply moving. Kegel's unjustly forgotten these days, he was by far the most important champion of contemporary music in the communist German Democratic Republic, not always an easy role given the politics at the time. He was frequently plagued by depression and reputably not an easy person to work with - a perfectionist who molded the Leipzig Radio Choir into the best German-speaking choir at the time, one of the best choirs in the world. Brahms' Requiem is primarily a choral piece (the orchestra's prime purpose is to comment and back the choir, one of its anachronistic qualities) it profits immensely from the choir's virtuosity, knowledge of the text and native pronunciation. Kegel's interpretation is both analytical and lyrical, he's not afraid to take liberties with the tempo either - you can almost smell the brimstone as the choir sings, no, yells "Der Tod ist verschlungen in den Sieg" at the top of their lungs. But even during the intense fugues each word is intelligible. The orchestra plays beautifully, especially the brass. Siegfried Lorenz with his clean, almost tenor-like timbre sings the baritone solos beautifully, his unpretentious, yet clear diction is a marvel in itself, far too many <b>...</b>
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Gerhard Gundermann (Gras)

Wer Gundermann noch nicht kennt, sollte sich diese Gelegenheit nicht entgehen lassen! Dieser oft als „Baggerfahrer und Rockpoet bezeichnete Rockmusiker und Liedermacher war musikalisch ein Tausendsassa. Von oft leicht melancholischen Balladen, oft leicht melancholisch, über handwerklich gut gemachten Folkrock bis zum Hardrockstück beherrschte er sein Handwerk. Und alles mit Texten, die wahrlich Tiefgang haben und das Zeitgeschehen mal bitter mal ironisch, aber immer treffend spiegelten. Die Arrangements unterstützt durch namhafte Musiker, wie Haßbecker und Barton von Silly -sind handwerklich überzeugend und wirklich gut gemacht. Jemand hat ihn mal als „Springsteen des Ostens bezeichnet. Ich weiß nicht, ob das wirklich paßt. Aber, abgesehen davon, daß Springsteen sein großes Vorbild war, sind sich auch ihre Musikstile und ihr Arbeitspensum auf der Bühne recht ähnlich. 1998 starb er, gerade mal 43-jährig, völlig unerwartet und viel zu früh. „Die Besten sterben jung ist kein rechter Trost.
Volker Pispers - Gras - Haschisch - Dope

www.youtube.com www.youtube.com www.youtube.com www.youtube.com Information Sehenswert www.youtube.com www.youtube.com Ernährung Sehenswert www.youtube.com
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Ralf Poelman - Groningen, Het gras van het noorderplantsoen

Benefietsingle voor KWF Kankerbestrijding. Groningen. Koop hem bij Van Leest of Selexyz! www.ralfpoelman.nl
More Like Party Gras 2008

Hey man, this was my Mardi Gras experience, I hope you feel like you were there... enjoy your life partnah
Ralf Poelman - Het gras van het noorderplantsoen (+lyrics)

De tickets op tafel, de koffers gepakt De taxi staat klaar in de straat Jij staat al buiten en roept Kom schiet op, straks zijn we net Iets te laat, iets te laat. En slenterend sleur ik de spullen de deur door Gedwee loop ik achter jou aan Jij hebt er zin in, ik zal het nooit zeggen Maar heb eigenlijk geen zin om te gaan Want als ik weg ben dan mis ik de straten Vanaf de Toren tot aan Westerhaven Ik mis de grachten, de mensen Stadjers, studenten Het allermooiste accent Geen Frankrijk, laat staan Kameroen. Doe mij maar het gras, Het gras van het Noorderplantsoen Het begon allemaal maanden geleden Reisgidsen vol met hotels aan de zee Jij vol verwachting, het kon me niet schelen Gewoon uit beleefdheid keek ik met je mee Met je mee En ik weet jij mocht kiezen Ja beloofd is beloofd De volgende keer dan telt mijn stem voor twee Dan hoef ik geen plaatjes van zonnige oorden We blijven dan thuis Nee we gaan nergens heen Want als ik weg ben dan mis ik de straten Vanaf de Toren tot aan Westerhaven Ik mis de grachten, de mensen Stadjers, studenten Het allermooiste accent Geen Frankrijk, laat staan Kameroen. Doe mij maar het gras, Het gras van het Noorderplantsoen Hoog in het Noorden daar ligt een stad Die altijd de sfeer van een dorp heeft gehad Oh als ik weg ben dan mis ik de straten Vanaf de Toren tot aan Westerhaven Ik mis de grachten, de mensen Stadjers, studenten Het allermooiste accent Oh als ik weg ben dan mis ik de straten Vanaf de Toren tot aan Westerhaven Ik mis de grachten <b>...</b>
Recette de foie gras au torchon

Recette en vidéo de L'atelier des Chefs Lobe de foie gras de canard entier, déveiné puis enveloppé d'un torchon et poché dans l'eau. X 6 Personnes 30 Min ingrédients pour foie gras au torchon Lobe(s) de foie gras de canard : 1 pièce(s) Sel fin : 7 gramme(s) Moulin à poivre : 1 gramme(s) Mélange 5 épices : 1 gramme(s) Porto blanc : 3 centilitre(s) Lait 1/2 ecrémé : 1 Litre(s) Eau : 1 Litre(s) Recette : Foie gras au torchon Préparer l'assaisonnement du foie gras en mélangeant le sel, le poivre du moulin et les 5 épices. Sortir le foie gras du réfrigérateur 1 h avant de le travailler et le mettre à dégorger (dans un mélange de lait et d'eau s'il est très sanguin). Séparer les 2 lobes. Pour le plus gros, ouvrir en 2 avec les doigts dans le sens de la longueur en écartant le foie gras sur les bords, enlever le nerf principal en forme de Y en partant de la base du foie. Finir avec le deuxième nerf qui se trouve sous le premier. Pour le-sous lobe, les 2 nerfs sont aussi l'un au-dessus de l'autre, mais en forme de X. Progresser de la même manière que pour le premier lobe. Assaisonner ensuite les lobes de foie avec 16 g d'assaisonnement au kilo, soit environ 8 g par lobe. Dissoudre l'assaisonnement avec le porto blanc, puis laisser le foie mariner au réfrigérateur plus ou moins longtemps selon la force que vous voulez lui donner. Poser le foie sur un torchon propre, l'envelopper tout en serrant. Maintenir les extrémités du torchon avec des ficelles. Faire bouillir un grand volume <b>...</b>
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