Guitar World presents an exclusive tour of the Marshall Amplification factory in England. For more videos, gear reviews or guitar lessons visit guitarworld.com.
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Marshall Class 5 Amp only £299 at Andertons!! Click here to get one now: bit.ly Marshall Class 5 JVM210. I was invited down to Marshall to check out some of there new amps! I was blown away by the fantastic new gear and liked them so much that I am officially now a Marshall artist ;-) It's great to be working with a company that is positive, friendly and professional. And lastly I can now confirm that I will be shooting my next DVD with Marshall: Shred-ucation Lead guitar concepts & techniques With Rob Chappers from Monkey Lord Featuring Eddie Kramer How to record electric guitar This will feature loads of new Marshall Amps, the Eddie Kramer section will be shot in LA while I am at the NAMM show. Take it easy dudes Chappers
Monkey Lord visits Marshall Amps Class Haze JVM Rob Chappers Chapman
Slayer's Kerry King demos his signature Marshall 2203KK amp head and cabinet.
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Exclusive preview of the new Marshall Amps See this video (and much more!) in High resolution on en.audiofanzine.com
Guitar World gear editor Paul Riario stops by the Marshall booth at NAMM 2011 to chat with Nick Bowcott and check out the new signature Marshall amps from Slash and Yngwie J. Malmsteen!
Guitar World Gear Editor Paul Riario Gear Review NAMM 2011 Nick Bowcott Slash Yngwie J. Malmsteen guitarworld
High Quality: www.youtube.com Watch part 2 for just playing Part 1 is just info about the amp If you swear in your comments, I will delete them. Laziness in spelling will not be tolerated. DSL 100 amp demo(I am not Rob Math) To see the full video in a higher resolution, go to: www.gearwire.com I do not own these videos in any way. I only endorse the visiting of their website on my own free will.
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I thought it might be a good ide to see how all my current Marshall amps sounded recorded exactly the same way. I used my Gibson Les Pauls Custom Slash and recorded everything in my basement as at fairly high volume as to make sure the output tubes got a good workout. The amp settings are pretty basic. All eqs at 5. The Gain was set to medium plus on most amps meaning around 6-7 out of 10.
High Quality: www.youtube.com Watch Part 1 for info about the amp If you swear in your comments, I will delete them. Laziness in spelling will not be tolerated. Marshall DSL 100 amp Demo (I am not Rob Math) To see the full video in a higher resolution, go to: gearwire.com I do not own these videos in any way. I only endorse the visiting of their website on my own free will.
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www.marshallamps.com The Class V marshall amp. Tiny low watt tube monster. Demoed with humbuckers on a Gibson Les Paul Historic R9
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www.nstuffmusic.com Introducing the AFD100 head A dual mode, all-valve 100 watt head, that revisits the legendary tones of one of, if not the most important, rock albums of the last three decades - G'n'R's Appetite For Destruction. Months of intensive research and development, involving circuit examination and close scrutiny of the original recordings, have insured that every tonal nuance and characteristic of the fabled AFD Marshall amplifier have been perfectly replicated. The twin modes - #34 and AFD are based on two of Slash's legendary tones. The first is taken from Slash's 'modded' JCM800 2203 (complete with stenciled 34 on the side) that he has used siince the late'80's. The second provides an additional gain stage and is based on the infamous 'Appetite Amp', widely believed to be a modified 1959 Tremolo from the mid '70's. Both modes provide a unique, harmonically rich, natural valve-driven tone, ideal for thick crunchy rhythm and wild soaring solos alike. As well as reproducing what is regarded by many as the "Ultimate Rock Sound", the AFD100 also contains some truly awesome features, the first being Marshall's new electronic power attenuation. By adjusting the HT power and various internal parameters, this incredible feature allows guitarist to precisely adjust the percentage output of the amplifier (between 100% and 0.1%) without losing any of that sought-after AFD tone. No limited wattage choices to click between and no compromising on sound, just smooth and <b>...</b>
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www.nevadamusic.co.uk Chris George goes through the features and sounds of the 50 watt Marshall AS50D acoustic amp. Ideal for small gigs, band acoustic backline amp, home practice and recording. 2 Channels means you can plug in your guitar plus another mic/ line in / iPod / 2nd guitar. For more volume and channels check out the Marshall AS100D combo. The 50 watt combo has 2 x 8 speakers and a new polydome tweeter running between two channels. Channel 1 is a high impedance acoustic guitar input with volume bass and treble controls, whereas channel 2 has an XLR phantom-powered mic input, phone inputs for CD, tape or iPod, plus a jack input for drum machines, keyboards or guitars as well a bass and treble controls. Digital chorus can be assigned to either or both channels and has its own speed and depth controls. Digital reverb can also be shared between one or both channels and has its own level control. To help reduce unwanted feedback, the AS50D has a phase switch and a notch filter. Just turn the notch filter control and it sweeps through different frequencies until the feedback is reduced. There is a XLR DI output and jack line output on the rear panel to connect to other amps or the PA system. Both carry the same sound but at different levels and both are placed before the amps master volume so the overall level of the amp wont affect the DI/line out level, clever stuff. FX send and return sockets are provided to patch other effects in.
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www.gearmanndude.com The Lutherdrive sent into a dirty Marshall amplifier with a mighty Les Paul. Set it bright, because that's how I dig it...cuts through the mix...especially with a loud-ass bass player in the band.
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Disclaimer: I did not create this video. It's a Marshall Amps promo for the JCM900 amp (it goes up to "20") featuring Nigel Tufnel. This is part one of a two part video. Circa 1990.
Hi there, Woodie here, I'm reviewing the features and tone of the new Marshall JVM410h. If you have any questions just comment on my videos and i'll reply within 1 day usually. check it out in action at www.myspace.com/firstgearmusic Thank you!
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www.dolphinstreet.com - playing the Marshall 5 CRANKED all the way! The guitar is a Hagstrom Viking. No effects used, just guitar - cable - amp. Played by Robert Renman.
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www.ProGuitarShop.com - The Marshall Vintage Modern 2266 50-watt head is an all-valve single channel amplifier with a choice of 2 "dynamic ranges" selectable by a footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls, and the Marshall Vintage Modern 2266 experience translates into a truly expressive and organic performance. The Marshall Vintage Modern 2266 Head features Two "frequency selective" pre-amp volumes (gains) -- Body and Detail -- facilitate greater flexibility of tonal shaping for individual guitars and styles, while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with 4 x KT66 output valves yielding that substantial fat, smooth tone. A Mid Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. Vintage and Modern These are 2 words that don't normally sit comfortably together unless you're talking about the Marshall Vintage Modern 2266 head. The Vintage aspect of course, the tone -fat, smooth, and dynamic. The Modern aspect is the feature-set included to enable ease of use and flexibility -- master volume, series FX loop <b>...</b>
Marshall Vintage Modern 2266 Head Amp Amplifier Pro Guitar Shop Demos
Dudes!!! SLASH SIGNATURE MARSHALL AMP LIVE!! Blown away with the tone of this really really authentic to the AFD record. Chris George demos the AFD100 live here for the first time ever!!! First ever live performance of the amp!! Its a brilliant amp and Chris is a badass player check out marshalls website for more! Ben
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www.premierguitar.com PG's Chris Kies is On Location at the 2011 NAMM Show where he visits the Marshall Amplification booth. In this segment, we get the lowdown on the forthcoming YJM100 Yngwie Malmsteen Signature Head. For more NAMM '11 videos, or to view guitar-related news, reivews, updates, videos, demo, rig rundowns, interviews, and more, be sure to visit http
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Gary Moore playing the blues with Pete Rees and Brian Downey. Released on Marshall's 2007 catalogue DVD. Previous YouTube versions had to be edited to fit into 10 minute limit. Finally we can have Moore ;) enjoy the full performance, also nicely cropped to maximize the picture.
High Quality: www.youtube.com If you swear in your comments, I will delete them. Laziness in spelling will not be tolerated. MG100DFX amp Demo (I am not Rob Math) To see the full video in a higher resolution, go to: www.gearwire.com I do not own these videos in any way. I only endorse the visiting of their website on my own free will.
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Hello. In this video I do a little blues improvisation with a friends Marshall amp. It's a Marshall JCM 800 combo, mod. 4210. I think this little amp rocks, but It would have been nice if the amp had a little more distortion in it. But you can always use a distortion/overdrive pedal to get that extra gain. Anyway, I'm playing over a backing track called "Live With Me BT" or something... I used a condenser microphone this time - MXL 990. The guitar is a Gibson Les Paul Standard Desert Burst -05 with Seymour Duncans. I have only one master volume and one master tone control, the other two works as spin-a-splits, which splits the humbuckers, which you can hear if you listen carefully. Still don't know if this is the amp for me, but I like the sound and feel it gives. Hope you'll enjoy it! So long! / Fredric
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www.nevadamusic.co.uk The New range of valve amps from Marshall featuring the 40 watt HAZE combo with digital Fx and clever channel switching options. Chris George from Marshall takes us through what will surely be another classic must have combo. Another one to add to the gear wish list............ The Marshall MHZ-40C is a 40W, all valve combo fitted with a 1x12 Celestion Marquee speaker. Developed and engineered in the UK, this two channel amplifier features three ECC83 pre-amp valves and two 6V6 power tubes, producing classic vintage Marshall tones from a compact combo. A first for a Marshall valve amp, the Haze MHZ40 features onboard digital effects, providing a choice of either classic echo, vibe or chorus with settings being saved to each channel for instant recall. Alongside the effects is a reverb, adding depth and warmth. Both the reverb and effects are routed in parallel to the direct signal so that no degradation of the direct signal occurs. It is also possible to bypass the effects loop on the MHZ-40C so that the effect section is true bypassed, mechanically removing the circuit from the amplifier...subsequently leaving the Marshall Haze with an all-valve signal path. Finished in high grade vinyl with protective corners, the cabinet is constructed to Marshall's usual high standards. The vintage style baffle is covered in a hand stretched, acoustically transparent fret cloth and finished with white piping to ensure your amp looks fantastic. Included with the <b>...</b>
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www.dolphinstreet.com A demo of both the guitar and the amp - a Michael Kelly Patriot Shadow and a Marshall JVM410H. No pedals used, only a bit of bit amp reverb. The guitar is an inexpensive LP style guitar with Rockfield pickups. I only got to the OD1 on Orange Mode before I ran out of time. Speaker cabinet - Avatar 2x12 with Eminence Wizards.
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www.nextlevelguitar.comClick link to get a killer brand new Blues lesson not on YouTube and a Blues scales and lead guitar Ebook, all for free from NextLevelGuitar.com In this lesson we discuss guitar tube amp power needs and the role of the transformer in tube amplifier tone. Many more video lessons at the full on video instructional website at: www.nextlevelguitar.com
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In the second part of this interview Gary talks about his collection of Marshall amps, his new record and how he helped Ozzy form a band.
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Marshall Micro Stack Metal - By Rob Chappers of Monkey Lord \m/ Post your MS2 Micro Stack videos as a response! Many thanks to the Marshall family for allowing me in and being so awesome. The only amp used in this demo/thing was the MS2 (Limited edition Spinal Tap). Also thanks for all the support from my Youtube family, you guys are the best! \m/ the intro and outro song is "Una Furtiva Lagrima" from the album Ascolta by Izzy www.themonkeylord.com Rob Chapman is endorsed by Marshall Amplifiers, Faith Guitars, Shadow Electronics, D'Addario Strings & Planet Waves.
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Assorted bits of ZZ TOP ("Just Got Paid" "Nasty Dogs & Funky Kings"), THE WHO ("The Seeker" "The Punk Meets The Godfather"), FREE ("Mr. Big"), RUSH ("Bastille Day") and whatever else. Les Paul plugged into input 1 (normal voiced channel), then out of the amp into a 16ohm THD Hotplate set to -8db, then into a 4x12 loaded with 25 watt Greenback reissues. The amp volume is on 10. And no, I didn't plan on wearing a red shirt for this, it's purely accidental lameness. You can see, hear & know some more at www.reverbnation.com
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Here is another tone demo using a Marshall Valvestate VS100. Besides fixing the amp, I replaced the stock (and dead) Marshall 12AX7 with a new JJ Electronic 12AX7/ECC833. My Band: www.facebook.com www.myspace.com The guitar is a custom strat-style guitar with a very cheap and light body (unknown wood), a floyd rose, mighty mite neck, and a GFS VEH bridge humbucker. I repair amps in my area, so I get in a big variety of things to repair. Before I return the amp, I always put it through a full play test to make sure everything is working perfectly. I've decided to video tape those play tests and upload them to youtube so hopefully people can get a feel for the these amps if they are considering buying them, but are not able to play them in person. Also, please excuse my sloppy playing -- the point of these videos is only to demo the tone... I do them in 1 take, I just play whatever comes to mind to make sure the amp is working, and then I edit them down to size for youtube. All copyrighted songs covered belong entirely to their respective owners, I am using them in this video for EDUCATIONAL PURPOSES ONLY. All original material played is Copyright 2009, Michael R. Johnson
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Do you want to own this very amp? I'm selling it now at this link :) newyork.craigslist.org Nice deal if you ask me! My review of the low-budget Marshall amp. A solid-state amp that gets a lot of hate but is decently solid for the price. However for the money spent you can get something a lot more solid and versatile, especially if you go used. Watch the vid for further info and the actual voicing of the amp. If you have any additional questions of anything I might not have covered feel free to ask! UPDATE: Almost 9k views, thanks people :)
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The new Marshall Class5 all-valve, UK made combo was launched by Joe Bonamassa at world famous Jazz club Ronnie Scott's in Soho on Tuesday 28th July 2009. The song in this video is 'Just Got Paid'.
Joe Bonamassa Marshall Amplification Ronnie Scott's Class5 combo new insidemarshall
www.nextlevelguitar.comClick link to get a killer brand new Blues lesson not on YouTube and a Blues scales and lead guitar Ebook, all for free from NextLevelGuitar.com In this video we demo and review the Roland Micro Cube guitar amp and all its features. Check out the tones. Many more full on video lessons at the full on instructional website at: www.nextlevelguitar.com Click the link below to go to the sound odyssey website to purchase the micro cube as well as check out tones of other new, pre-owned and vintage gear and instruments. http
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For all you AFD owners (or soon to be AFD owners), our very own International Demonstrator, Chris George, has put together this video giving you an in depth demonstration of how to get the best from your brand new AFD100 head. There will be more updates on the continuing AFD project in the new year, but for the time being, from everyone at Marshall Amplification, we wish you all a very Merry Christmas and a Happy New Year!
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My demo of this rare, classic Marshall amp. Songs are 'Hang On To Yourself' and 'Ziggy Stardust' as a tribute to Mick Ronson, the most famous user of this amp. This was Mick's live amp during the Spiders era. He also used it on some studio recordings including 'Aladdin Sane', 'Pinups', 'Slaughter On 10th Avenue', "Play, Don't Worry', Lou Reed's 'Transformer' plus a Bowie produced single by Lulu... My clips sound very much like the DB 'Santa Monica Civic' show from fall of 1972. I'm using british Celestion-style speakers, the same as Mick during this tour. Mick also used JBL speakers which of course have a very different sound. The JBL sound can be heard on the DB studio LPs mentioned above, as well as on the farewell Ziggy Stardust Hammersmith Odeon sdtk...
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As the title says. 30 seconds each for 14 amps. All songs are Feared songs except the Diezel Einstein clip where I play Nevermore Riverdragon has come, and the Hughes and Kettner Triamp vid where I play Bolt Thrower War. For quick navigation: Mesa Boogie Road King - 0:05 Hughes & Kettner Triamp - 0:36 Engl Savage - 1:05 Mesa Boogie Mark IV - 1:36 Peavey 5150 - 2:05 Mesa Boogie Dual Rectifier - 2:36 Framus Cobra - 3:05 Marshall JVM 410 - 3:35 EVH 5150mk3 - 4:06 Engl Blackmore - 4:35 Fortin Natas - 5:05 Diezel Einstein - 5:36 Elmwood Modena M60 - 6:05 Mesa Boogie Roadster - 6:36 Just to answer if I own all this equipment or not. NO I don't own all these amps. The ones I owned was the Dual Rectifier, Engl Savage and the Engl Blackmore.
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www.premierguitar.com PG's Chris Kies is On Location at the 2011 NAMM Show where he visits the Marshall Amplification booth. In this segment, we get our first taste of the new Slash AFD100 Signature Head. Using the original AFD master recordings, Slash and Marshall painstakingly worked together to replicate his AFD sound. "This is an idea I've had for quite some time," the guitarist reveals. "So many fans have been trying to duplicate that sound. I thought, 'who better than to really perfect it other than Marshall?' We spent a lot of time together developing this amp. We stripped a couple of guitar tracks off the original AFD masters and basically got in there with a fine tooth comb so we could suss out exactly what made that sound the way that it was." After countless hours and several prototypes, the AFD100 was born with two distinct, footswitchable modes labeled #34 and AFD, both offering 100% pure Slash sounds. The first is based on the modified JCM800 2203 he's used since the late '80s and had "34" stenciled on the side, hence the "#34" name. The second is, of course, pure, unadulterated AFD. "We used 'Night Train' as one of the man reference tracks and the amp sounds just like it." Slash concludes. "I think we've been totally successful!" The amp boasts a mixture of both traditional and modern Marshall aesthetics -- a unique blend of Plexi, JCM800 and Silver Jubilee cosmetics. In addition to its dual, footswitchable modes, the AFD100 also has the following features <b>...</b>
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