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A comparison between the Rode Videomic and the Zoom H1, probably the two most popular audio solutions for budget DSLR filmaking. Rode Videomic: goo.gl Zoom H1: goo.gl Camera: Canon 60D Lenses: 50mm USM Setting: 24FPS, 1/50", 320-640 ISO, Technicolor Picture Style Music: Soundtrack Pro Editing: Final Cut X
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This was a sound test on the Rode Video mic, SennheiserMKE400 and the Sony UWPV130 Wireless Lav PAC for HDV CH 30 on the Canon 5D. I went to Henry's in Newmarket and asked to try the RODE video mic and test it out. I like the size and clarity of this mic but I'm still undecided between the Sennheiser MKE400 and the RODE Video Mic. Henry's website: www.henrys.ca Ken Domik KBDProductionsTV YouTube - www.youtube.com Twitter - twitter.com FaceBook - www.facebook.com This information was from: www.rodemic.com The RØDE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. The microphone exhibits low noise and an unusually wide bandwidth for its size. It is ultra lightweight, yet rugged due to it's ABS construction. The VideoMic is powered by a standard 9V battery and offers a Low Battery LED status indicator and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output. • Studio recording quality • Condenser microphone • 9V battery powered • Integrated shock mounting • Two step High-Pass Filter - Flat or 80Hz • Three step PAD - 0, -10, -20dB • Rugged reinforced ABS construction • Windshield included • 3.5mm mini-jack output • Integrated cold shoe mount, 1/4" and 3/8" thread Sennheiser MIC: Technical Data <b>...</b>
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The Rode VideoMic Pro Shotgun mic delivers quality sound in a compact size that's a great fit for HDSLR users. Rode VideoMic Pro bit.ly Rode PG1 Pistol Grip bit.ly HDDSLR Cameras bit.ly
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HD Version: www.vimeo.com In this video, I am testing the audio quality difference between the Rode Videomic and the Azden SGM-1X microphones. The camera I am using is the Canon HV30 and to use the Azden's XLR connection on the HV30, I am using a Beachtek DXA-4 adapter. Here is a list of everything used in this video: Canon HV30: www.bhphotovideo.com Azden SGM-1X: www.bhphotovideo.com Rode Videomic: www.bhphotovideo.com Beachtek DXA-4: www.bhphotovideo.com Hosted by Tony Reale A Next Wave Graphics test
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www.twitter.com The Camcorder is a Canon HG21.
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www.dslrfilmnoob.com The rode VideoMic pro has been around for awhile, but I finally came up with a good enough excuse to buy one. Although the audio tests don't show any real difference in audio quality, the higher price of the VideoMic pro gives you a much smaller and lighter package. The new design has better suspension system and the +20db switch gives you a much stronger audio single for cameras with poor or noise amplifiers. Pros: Smaller Size Better shock mount design +20db audio output for stronger mic signals Cons: Flimsy looking audio cable If you need a smaller on camera microphone or a stronger audio signal for your camera, it's worth the extra $50 to $70 for the VideoMic pro. If you don't care about the large size of the original VideoMic and don't have problems with the output volume, you'll probably be just as happy with the original Rode VideoMic. Update: Right after I posted this video I was sent a link from Rode saying the thinner cable was reinforced by some kind of material. Hopefully that is correct. If it is then the thinner cable is probably a good thing. Also there is a mistake at the 4 min mark where I accidentally refer to the original Rode VideoMic as the VideoMic Pro. It's to late to fix that one, sorry guys. You can pick up the Rode VideoMic here: www.amazon.com You can pick up the Rode VideoMic Pro here: www.amazon.com Equipment used in this video: Canon 7d & t2i Canon 35mm f1.4 Canon 24mm f1.4 Sigma 24mm f1.8 Zoom h4n Rode VideoMic Pro Rode <b>...</b>
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www.dvestore.com Hear the quality of this lightweight on-camera mic. Use it to record music, dialogue or just ambient sound. We like to use the RODE SVM on a boom pole. The bottom of the SVM is threaded to accept a standard 3/8" pole mount. An accessory called the RODE VC1 extension cable allows you to move the mic closer to the subject. The RODE Stereo Video mic offers outstanding build quality, superb sound and is a great value - especially with the included FREE wind protection dvcreators.net
Twitter - www.twitter.com/DarrylTv Facebook - www.facebook.com/mitch625 A test based on average consumer use is performed using the RODE VideoMic and the inbuilt microphone found on the Canon 550D.
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Just purchased a RØDE VideoMic Pro, and I decided to test it out via an impromptu song. So - here's a song about my new microphone! The mic actually works quite well - I'm pretty excited to start using it. Subscribe! - www.youtube.com Connect with me! my blog - www.davidleeking.com @davidleeking on Twitter - http davidleeking on Facebook - www.facebook.com
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Click To Tweet This Video: clicktotweet.com A simple review of the RØDE VideoMic and stand. Link To My Website: octogfx.com Follow Me On Twitter twitter.com Rode VideoMic: octourl.com Rode VideoMic Stand: octourl.com Audio Sample Of The Mic: www.youtube.com - tsgb.tv
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I review my first thoughts of the Rode VideoMic Pro. Solid, high quality mic, would highly recommend it. Filmed on a Sony HDR CX550v, yes I needed an adapter for the shoe mount. Like I said, if you're using a camcorder you'll most likely have to use an adapter. If you're using a DSLR you probably won't need one. (it all depends on the model of the camera/camcorder). Edited through Final Cut Pro. (in case you were wondering...) Check out my other videos! VideoMic Guitar Audio Comparrison - www.youtube.com TRON: Decrypted (funny as hell!) - www.youtube.com Stalk Me: twitter.com/Reno_Gregory
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www.dvestore.com The RODE Videomic up against mics costing three times the price. Perfect for small DV camcorders with 1/8" miniplug input. Mounts right on top the cold shoe. This is a mono shotgun mic. Record mono to both Left and Right channels. tags: videomic rode mic microphone camcorder camera digital canon ultimate "instructional video" recording
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dslrhd.com - Shot on the Canon T2i, this test shows the sound differences between a Rode VideoMic plugged directly into the T2i and a Sennheiser wireless lav recorded on a Zoom H2. You can hear the sound of both mics from several feet away to right next to the VideoMic. You'll also hear the VideoMic direct to the Zoom and the mics built into the Zoom for comparison. More information on my blog - http
We take a look at 2 Prosumer Shot-Gun Microphones and compare them in a battle of the Fittest! Involving an Unboxing, Testing and Review. links to buy: Rode Videomic tinyurl.com ATR-6550 overclockershq.com E-mail Us @ FilmFXRequests@gmail.com ---------------------------------------- Check out my personal channel @ youtube.com BUY SHIRTS!!! lotsaentertainment.spreadshirt.com ---------------------------------------- I have full permission for all audio, photograph, and video in this video Filming Equipment: Canon Vixia HF200 Canon 7D Canon T2i Panasonic Lumix GH1 Mic.: Samson Go-mic with Network stand and pop filter Rode VideoMic Audio technica ATR-6550 Shotgun Video Mic Recording Software/Editing Software: Sony Vegas Pro 10 64 Bit After Effects CS4
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Here's a little shootout I did between 4 miniature shotguns. The Sennheiser MKE400, RØDE VideoMic Pro, the Que Audio Micro Shotgun, and the RØDE VideoMic. Who sounds best? Who has the best side rejection? Listen and you decide.
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Rode VideoMic Audio Tests - Magic Lantern - 550D/T2i/KissX4 Hey Im Ryan and welcome to this weeks episode of DSLR Lab. This week i take a look at the best way of using the Rode videomic with the Canon 550D. It includes tests with Magic Lantern and without so you can see the benefits of using this firmware in terms of audio performance. Thanks for watching, if you liked this video please thumbs up and or subscribe See you next time. Link to Magic Lantern Install Video www.youtube.com
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Here's the first video I did comparing them www.youtube.com For this test I decided to try what rode advised and set the gain to +20db on the back of the Videomic Pro (VWP) and turn down the levels l in the camera to 4 notches from the bottom. And for the Videomic (VM) I set that to normal settings and adjusted the levels to peak at about 12dB. This does mean, however, that for each test the levels in the camera where different for each mic. But to do a fair test to the VMP it is best to use the suggested settings from the manufacturer with the Canon 5D so you can get the best out of the cameras far from perfect l in-built audio. Listen and let me know what you think. From my own conclusions there is quite a difference. I recommend you turn up the volume up on your computer/tv to compare the two. There is a distinct loudness and hiss to the VP but that has disappeared from the VMP, albeit making the VMP much quieter. I'm still not sure that benefit warrants such a difference in price between the two but for some people it may be the clincher plus it is so small and easier to carry around than the VM. If you want to hear the audio only click on this link www.vimeo.com I hope that has helped and look forward to your comments. Here's my websites www.digitalslrshooter.com http
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twitter.com bilsta57.com - This is my unboxing and quick test of the RODE videomic which I am currently using with my Canon EOS 550D If you enjoyed the vide why not subscribe? SUBSCRIBE TO BRAD youtube.com SUBSCRIBE TO PRODUCTFEEDBACK: youtube.com ALSO SUBSCRIBE TO TIM: www.youtube.com MITCH625'S VIDEO ON THE RODE MIC: www.youtube.com
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Twitter - www.twitter.com/DarrylTv Facebook - www.facebook.com/mitch625 The Rode VideoMic offers superior sound quality when compared to most onboard camera microphones especially the terrible one i am using at the moment. I will be using this camera with the Canon 550D/T2i as i have received complaints about audio quality in my videos so hopefully this should fix the problem :)
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www.learningdslrvideo.com I got the Zoom H1 in for review, I love it's small size. I wanted to compare it to the mic I have been using for the past two year the Rode Videomic. Royalty free music by PremiumBeat.com See my site for links to the products.
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This small, lightweight mic mounts to your camera with an integrated shock mount and has a +20dB output for less hiss on in-camera audio. Rode Stereo VideoMic Pro bhpho.to
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I've been trying to find a good mic to use for recording live music with a small handheld camcorder. The Rode VideoMic isn't bad, and can handle loud rock music (using its pad switches). But it's mono and a bit bass heavy, and is kind of fragile. A more rugged stereo version is available, but it's almost twice as heavy: 10 oz vs. 6 oz. The Rode has a high-pass filter that reduces the bass, but it reduces it too much for music, so I never use it. I have an old Sony stereo mic that's okay for moderately loud rock music, but the bass roll-off is too steep and it can sound a bit 'boxy' at times. I recently got a discontinued Audio Technica 822 on sale; it has pretty good specs, and I ran this test to see how it stacks up against the Rode. I think it sounds quite a bit better. The recordings of the fingerstyle competitors in my other YouTubes came out quite well. It has been replaced by the AT 8022, which is heavier (9 oz vs. 6 oz) and more expensive. There are a couple of problems with it, though. The mounting shoe it comes with is horrible - it picks up motor noise from the camera worse than the built-in mic does. I had to buy a separate bracket, which added a lot to the cost and makes the whole assembly rather awkward. It's not something you'd want to use anywhere you'd be getting banged around (like a bar), which is why I haven't been able to try it with any really loud music yet. Also, being a stereo mic and not a shotgun mic, it picks up anybody nearby who's talking <b>...</b>
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AdoramaTV presents The RØDE VideoMic. This week Mark will show us a professional grade shotgun microphone. The microphone is ultra lightweight. The VideoMic is powered by a standard 9V battery and a switchable high pass filter to reduce unwanted low frequency rumble. The VideoMic attaches to any Camcorder that has the standard camera-shoe fitting and utilizes a stereo mini jack for audio output. To buy the RØDE VideoMic and for related articles and videos about HD Video with a DSLR, go here: www.adorama.com Visit www.adorama.com for more photography videos! Send your questions to: AskMark@Adorama.com
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This is about as inclement an indoor test as I could conjure, replete with an iMac blaring a 60s television show in the background and actual kids yelling. This is meant to test the directional capabilities of the stereo version of Røde's mono VideoMic, and to see how it would capture a loud birthday party, subway station, or other cacophonous setting. Comments welcome, especially from 5d outboard microphone specialists.
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Check it out and get it here: tinyurl.com Social Network: ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Forums: www.iPhoneForums.net Facebook on.fb.me Twitter: www.Twitter.com Google+: bit.ly
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Rode VideoMic Pro Unboxing & Audio Test... a great way to improve your DSLR audio. Buy this product here amzn.to Supplied by www.rodemic.com Sponsored by www.youtube.com Sponsored by www.diabloskinz.com Other useful links My Second Channel www.youtube.com Website www.geekanoids.co.uk Twitter http Facebook www.facebook.com
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Decided to do a little test of the three mics I use on nearly all of my jobs. The Rode Videomic is just one stunning mic and has got me out of a few tight spots when I needed decent audio from my 5D. Last week I decided I buy the Videomic Pro because everyone said it was good but I hadn't seen any actual hard evidence that proved it was a lot better than the older Videomic. So I thought a test of both of these would be helpful to others. As I also own the Rode Lavalier mic it would be mad not put that into the mix to see what difference it made. This test was done in my lounge at night which is a quiet environment so decided to turn on the tv and stereo to add some background noise in the later tests in this video. I adjusted to levels on the 5D to get it about -12db but it was tough to get it spot on. For the first recording without any background noise the levels were up a bit high so turned them down a bit for the second test with the tv on in the background. So while that is quieter I think the sound quality is better. Comparing the lavalier was a bit different as well because everytime I used it the levels needed to be adjusted down quite a lot compared to the Videomic because it was coming out very hot. Are there any conclusions? You will have to judge for yourself. I'm no expert but if my opinions count for anything I couldn't tell the difference between the two videomics, but as I said, I'm no sound technician. I will say that I didn't test the high pass filter or <b>...</b>
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This is my second test of the Rode VideoMic. I explain what clipping is, how to avoid it, and what it actually sounds like. I also have a demo of the RVM's 3 attenuator settings. I used the Panasonic GS 500 for these tests.
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In this episode of Oli White Reviews i take a look at the amazing Video Mic from Rode. Rode Video Mic: www.amazon.co.uk Rode DeadCat: www.amazon.co.uk FOLLOW ME ON TWITTER: twitter.com LIKE MY FACEBOOK: www.facebook.com MAIN CHANNEL: www.youtube.com
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Jonathan Burrows talks through RØDE Microphone's new Stereo VideoMic Pro here at the BVE 2012 Show in Earl's Court, London. The Stereo VideoMic Pro is available now from the following dealers: sourcedistribution.co.uk More info here: www.rodemic.com Video shot with a Canon 550D running Magic Lantern software - initial sound is recorded with a RØDE VideoMic Pro (with +20dB boost enabled), second half is recorded with the Stereo VideoMic Pro (also with +20dB boost enabled).
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This is a very silly, little, unscientific test video on sound recording with the Rode VMP connected to Canon 600D /T3i, and "without" the usage of Magic Lantern Firmware. And as I said before, this is very unscientific and totally unorganized so please DO NOT take this too seriously... The only reason why I wanted to do this video is simply because that I'm pretty curious about the the sound quality of Rode VMP connecting to Canon 600D /T3i, since there are lots of people out there claiming that although 600D / T3i has the manual audio level, but because of the firmware itself isn't as good as the other camera (5D2, 60D, 550D etc.), not to mention after they applied to Magic Lantern firmware... And so basically what I did was, I did a indoor test and an outdoor test, by setting the Rode VMP to High Pass Filter ON / +20db, and the camera audio level lowered to 1 notch (and 4 notches) above the bottom to see how it performs. Oh and, I also tested "with and without" the dead kitten when shooting outdoor scenes. I don't want to bias, and neither am I qualified to do so, therefore I'm not going say too much about the conclusion, I'll let you decide whether it's good or bad. But I really think, as long as you use it right (well prepared, right settings, use with cautious etc.), the audio itself is REALLY GOOD. But again, like I said, I would still like to here how you guys think about it~ So let's KICK IT!! FOLLOW ME ON- FACE BOOK: www.facebook.com TWITTER: twitter.com
A quick comparison of sound quality from three different microphones: the built-in mic on my Canon Vixia HFS-100, a Røde VideoMic boom microphone, and a wireless lapel microphone — the Pro 88W/R from Audio Technica. This video also serves as a tribute to my obsessive tidiness. The hot shoe adapter for Canon camcorders I discuss is available here: www.bhphotovideo.com
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Watson Wu Studios field test recording the Rode Stereo Video Mic connected to a Canon T2i DSLR. Listen to the beautiful sounds of the beach ambience (Gulf of Mexico in Florida), distant fishing boat, and various handguns (Glock, Smith & Wesson, and Colt). Don't shoot videos without this incredible stereo mic from Rode! Please click "Like" and leave a comment. Thank you.
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www.learningdslrvideo.com Sorry it has taken me a bit longer to publish part two of this hack to disable your AGC on your Canon DSLR (7D, T2i 550D). Our family took a trip to Ouray Colorado to visit some friends over the 4th of July weekend where I took hundreds of photos and tons of video clips. I am getting more and more comfortable taking pictures and video with just one camera now. Anyway back to the hack to disable the AGC. If you haven't yet, go back and watch part one of this hack where I demonstrate the differences between the AGC enabled and disabled. Read more at LearningDSLRVideo.com: Audio Adapter to Disable Canon DSLR AGC for the Rode Videomic -- Part 2
Hear the difference between the RØDE NTG-3 and the VideoMic Pro going into a Panasonic Lumix GH2 DSLR camera. Compare the sound of a mini-plug microphone plugging directly into the camera against a professional XLR shotgun going into a Sound Devices 302 mixer and then into the camera. I also compare the sound of these mics with the Audio Technica 4073a professional shotgun microphone. For a full report, please check out my blog post at www.sam-mallery.com
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Check the footage at the end for some super slow motion gymnastics and check the link below for the images dombowerphoto.blogspot.com If you enjoy my videos please post them on your facebook page and let others know about this channel, please subscribe and share on facebook and twitter. Also check out the links below. If you really like my work please feel free to check out or buy a copy of the my photography book: Getting There With Photography: By Dom Bower www.blurb.com Twitter page twitter.com Facebook page www.facebook.com Website www.dombower.com T-shirt page Point and destroy clothing http
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