AGNES BALTSA - Aspri méra ke ya mas

Agnes Baltsa, Music Stavros Xarhakos, Words Nikos Gatsos, Recording Athen, nov 1985.
Agnes Baltsa Aspri méra ke ya mas Stavros Xarhakos Cyrano Agency

Agnes Baltsa, Music Stavros Xarhakos, Words Nikos Gatsos, Recording Athen, nov 1985.
Agnes Baltsa Aspri méra ke ya mas Stavros Xarhakos Cyrano Agency

Mozart Recitative and Aria for bass & orchestra K. 432 (K. 421a), 1783 Recorded in 1956, Radio Italiana di Napoli Orchestra Sinfonica di Napoli della RAI Massimo Pradella, conductor This stunning concert aria, written to the Metastasio libretto "Temistocle, " is one of Mozart's most exciting compositions. The recitative alone is as dramatic as many arias, and the aria itself makes huge demands on the singer's vocal abilities as well. The recitative starts furiously, as Sebaste reproaches the woman who has betrayed him, and then sinks into bitterly remorseful reflections on his own treachery. The aria has a pounding, driving energy as Sebaste is tormented by the remorse that he had not felt before. The vocal line moves in huge leaps, and the orchestral lines are almost frenzied. The aria ends not with a bang but with a groan, as the voice and orchestra seem to sink back in despair. The bass or bass-baritone who can manage the entire range and dramatic expression can make this scene unforgettable. "Thus you have betrayed me, unfaithful princess! Ah, madness, and I dared to accuse her. A traitor complains of being betrayed. I deserved it. Flee, Sebaste, flee. Ah, where, where will I flee from myself. Ah, I carry in my own heart my executioner. Wherever I go, terror and horror will follow in my tracks. My guilt will always be before my eyes." Aria: "Bitter, atrocious remorse, the offspring of my crime, why so late, o God, do you tear my heart? Why, terrible voices, that now <b>...</b>

Demo of the new Aspri Reverb for nylon guitars (classical or flamenco). aspriacoustic.com For a 10% discount on the suggested purchase price mention this promo-code ASP201 when ordering! :o) My Facebook page - www.facebook.com
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JUSTINO DIAZ SINGS "COSI DUNQUE TRADISCI...ASPRI RIMORSI ATROCI", RECITATIVE AND ARIA FOR BASS AND ORCHESTRA, K.432 (K.421a)BY MOZART JUSTINO DIAZcame to international prominence at the age of 23 when he made his debut at Carnegie Hall opposite Dame Joan Sutherland in a concert performance of I Puritani. A few months later he made his Metropolitan Opera debut and became the youngest bass ever to sing there. That same year he also made impressive debuts with the London Symphony Orchestra, chosen by Lorin Maazel, Bernstein and the New York Philharmonic, and the Cleveland Orchestra under George Szell. Three years later, at the age of 26, he inaugurated the new Met in Lincoln Center opposite Leontyne Price in the world premiere of Samuel Barber's opera Antony and Cleopatra. By the time he was 35 he had sung in all the world's great musical centers. Although he has sung all over the world perhaps his natural operatic home has been the Metropolitan Opera where he has sung 398 performances of 39 roles in 23 seasons including eight new productions and six opening nights. Some of the many other roles he has sung there include Don Giovanni, Figaro, Macbeth, Iago, Scarpia, Mephistopheles, Escamillo, Padre Guardiano in La Forza del Destino, Alvise in La Gioconda, Basilio in The Barber of Seville, Maometto II in The Siege of Corinth, Prince Gremin in Eugene Onegin, Count Rodolfo in La Sonnambula, as well as Raimondo, Ramphis, Colline, Sparafucile and the Grand Inquisitor. With the New <b>...</b>

Stand by me with corrected bass line, except in the beginning I hit the low E instead of A ...Man!!! I kept this take because of the beautiful birds singing! If you would like to make a donation, pdf tabs are available. Aspri Reverb available @aspriacoustic.com Aspri Reverb for nylon guitars (classical or flamenco). For a 10% discount on the suggested purchase price mention this promo-code ASP201 when ordering! :o)
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My version of Ashokan Farewell by Jay Ungar. Just arranged it this morning. Here's the site to purchase the new Aspri Reverb. The new Aspri Reverb for nylon guitars (classical or flamenco). aspriacoustic.com For a 10% discount on the suggested purchase price mention this promo-code ASP201 when ordering! :o)
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"Aspri mera ke ya mas" sung by Agnes Baltsa, from Korean film "Cyrano Agency" Ασπρη μέρα και για μας (White day for us) (There will be better days even for us) Composer: Stavros Xarhakos Lyrics: Nikos Gatsos Θα ποτίσω μ' ένα δάκρυ μου ακριβό τον καιρό πικρά καλοκαίρια έμαθα κοντά σου να περνώ νεκρά περιστέρια γέμισε η αυγή τον ουρανό Θα γυρίσω λυπημένη Παναγιά, έχε γειά μην κλαίς, το μαράζι μάθε φυλαχτό να μην κρεμάς να λες, δεν πειράζει θα 'ρθει άσπρη μέρα και για μας 내 소중한 눈물로 시간을 씻어내겠어요, 힘들었던 여름 한 철, 당신 곁에서 보내야했던 시간을. 새벽 여명이 죽은 비둘기로 가득찬 하늘을 채우네요. 나는 슬픈 성모에게 돌아가요, 안녕, 울지 말아요. 고통이 펜던트처럼 목에 걸려있지 않도록 자신을 깨우치세요. 신경쓰지 말라고 말하세요. 결국에는 우리에게 좋은 날이 밝아올 거예요. 좋은 날이 밝아올 거예요. (번역 100% 확인된 거 아님...; 영어로 번역된 것 번역한 것. 정확하게 아는 분은 코멘트 달아주삼.)

A romantic and tender performance, enjoy it... Les jours meilleurs (Aspri mera) Tha potiso mena dakri mu armiro Ton kero pikra kalokeria Emaza konda su na perno Nekra peristeria guemise y avgui ton urano Tha guiriso lipi meni panagia Eje gia min kles to marazi Mathe filakto na min kremas Na les den pirasi Tha erthi aspri mera ke giamas Avec une de mes larmes J'inonderai le temps qui va nous séparer Auprès de toi j'ai connu des jours d'été sans soleil Ce matin tu t'en vas Et l'aurore a rempli le ciel de colombes sans vie Je rentrerai seule et triste Comme une Madonne triste Dieu te protège ne pleure pas Apprends à ne pas porter le chagrin Comme une croix pendue à ton cou Tha guiriso lipi meni panagia Eje gia min kles to marazi Mathe filakto na min kremas Na les den pirasi Tha erthi aspri mera ke giamas Na les den pirasi Tha erthi aspri mera ke giamas (Xarchakos / N. Gatsos) Pour quelques centimes (Nickel Song) On sait que je ne suis pas joueuse Pourtant on joue sur mon nom Pour quelques centimes Je leur chante une chanson Lalala... Pour quelques centimes Je leur chante une chanson Oui, c'est comme une boîte à musique Un piano mécanique oui Si le jeu est illégal Dans mon état d'esprit tant pis J'aurais quelques centimes Chaque fois qu'on me fait du mal Je serais plus riche encore Que tout ce qui fait si mal Chacun veut le plus possible En donnant le minimum Oui chacun veut le plus possible En donnant le minimum Oui je ne sais pas beaucoup de choses Mais je suis sûre de dire <b>...</b>

Τίτλος: ΑΣΠΡΗ ΜΕΡΑ ΚΑΙ ΓΙΑ ΜΑΣ Συνθέτης: Σταύρος Ξαρχάκος Στιχουργός: Νίκος Γκάτσος Θα ποτίσω μ' ένα δάκρυ μου ακριβό τον καιρό πικρά καλοκαίρια έμαθα κοντά σου να περνώ νεκρά περιστέρια γέμισε η αυγή τον ουρανό Θα γυρίσω λυπημένη Παναγιά, έχε γειά μην κλαίς, το μαράζι μάθε φυλαχτό να μην κρεμάς να λες, δεν πειράζει θα 'ρθει άσπρη μέρα και για μας
giannis kotsiras ksarxakos stavros stauros nikos gkatsos 3arxakos 3arhakos ksarhakos xarxakos xarhakos aspri mera kai gia emas mas ασπρη μερα και για εμας μας σταυρος ξαρχακοσ γιαννης κοτσιρας live 2010 στιχοι lyrics stixoi stihoi νικος γκατσος

Eric Nelson demonstrating the amazing natural reverb produced by an Aspri Reverb Unit on a nylon string classical guitar. This unit also fits onto acoustic guitars as well.
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Impromptu Tribute "Set" for Neil Pritikin (d. December 14, 2009) by his daughter Karin; recorded at Katarina's in Chicago (Piano: Vasilis Gaitanos) Thank you Vasilis and lovely Katarina for letting me honor my Dad in this way!!! Song: Aspri Mera I would like to close my small tribute to my father with a song that was - in many ways a hymn or a psalm both for him and for me. My father, as you may have intuited, was a complicated man. His life was not easy, not was he. Nor am I. He met the world head on - always intense, often angry - but he was an optimist at heart. A master dialectician, he used his uncanny ear to try and build bridges between people. Our politics were very different, but our intentions could not have been more alike. For we both believe that better days are coming for us all which is the title and the message of this song: Aspri Mera (Better Days) I will water with my teardrops Those bitter times, those sad summers, That I had to spend with you. With lifeless doves (hopes) My skies each dawn were filled. I will return, sad (Virgin Mary) Papa, Farewell, weep not. Do not let your grieving heart get you down. Just say, "Never mind, A brighter day will dawn for us".

Nana Mouskouri - Aspri Méra - Live Zénith Paris 1989 Live Zénith Paris 1989 N.Gatsos / S.Xarchakos Concert Au Zénith de Paris," Fin 1989 au Zénith de Paris, accompagnée d'une centaine de choristes et musiciens, Nana donne cinq spectacles classiques d'une qualité exemplaire .Une fois encore à guichets fermés ! "

Reverb for an acoustic guitar
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Jean-Samuel Vachon testing the "ASPRI REVERB SYSTEM"
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Concerto de 1984 no Teatro Herodes Ático, Atenas. No bouzouki, Mikalis Kefalas.
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