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Videoclip Fantastique des Denis Drolet

Denis Drolet Fantastique videoclip

Berlioz: Symphonie Fantastique 5th movement:Songe d'une Nuit de Sabbat NHK Symphony Orchestra, Tokyo Conducted by Pinchas Steinberg

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To watch this performance, click here: 1.Rêveries - Passions (Daydreams - Passions) : www.youtube.com 2.Un bal (A ball) : www.youtube.com 3.Scène aux champs (Scene in the country) : first part of 3td mvmt: www.youtube.com and 2nd part of 3 td mvmt: www.youtube.com 4.Marche au supplice (March to the scaffold) : www.youtube.com 5.Songe d'une nuit de sabbat (Dream of a witches' Sabbath) : www.youtube.com Prima parte din prima miscare First movement: "Rêveries - Passions" In Berlioz's own program notes from 1845, he writes:[1] The author imagines that a young vibrant musician, afflicted by the sickness of spirit which a famous writer[2] has called the wave of passions [la vague des passions], sees for the first time a woman who unites all the charms of the ideal person his imagination was dreaming of, and falls desperately in love with her. By a strange anomaly, the beloved image never presents itself to the artists mind without being associated with a musical idea, in which he recognises a certain quality of passion, but endowed with the nobility and shyness which he credits to the object of his love. This melodic image and its model keep haunting him ceaselessly like a double idée fixe. This explains the constant recurrence in all the movements of the symphony of the melody which launches the first allegro. The transitions from this state of dreamy melancholy, interrupted by occasional upsurges of aimless joy, to delirious passion, with its outbursts of fury and jealousy <b>...</b>

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This is perhaps the MOST unplayable piece of music I ever encountered! La Campanella , or Feux Follets ( both are clearly hinted here) are walk in a park in comparison....Early Liszt, from the period when he honestly thought that piano being a percussive instrument there is no point of making any attempt at legato,and one might as well enjoy frolicking in most head-spinning skips and repeated notes :-) The piece (which is based on Manuel Garcia's popular song) was titled in the first edition as "Op.5 #2". Funny , I think that was the last piece Liszt gave an opus number, anticipating how many works he is going to write :) Liszt intended this piece as a bravura finale for his recitals - but according to many reports , he failed utterly . Too difficult???? LOL A friend of mine who used to present great Soviet artists on their tours in Italy told me that the only person who played it LIVE was Pletnev. But even then Pletnev told him that he quit on this piece , calling it "unplayable". You can check for yourself - the music is available freely here: tinyurl.com Let me know how far you progress, OK ? It makes for an easy sight-reading. But do pay attention to indicated tempo marks. They are truly insane :-) For some fun go to middle of page 22 or page 28 and tell me how you like it :-) A hint... it would make for a hilarious video. Hitting those notes is a gamble no matter how many days spent practicing. La Campanella infamous skips are two octaves shorter .... Liszt recording <b>...</b>

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Berlioz: Symphonie fantastique 4th movement:March au Supplice NHK Symphony Orchestra, Tokyo Conducted by Pinchas Steinberg

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Berlioz - Symphonie Fantastique - March To The Scaffold

Berlioz Symphonie Fantastique March To The Scaffold classical music

From a concert given in Carnegie Music Hall (Pittsburgh) on September 21, 2011, by the Carnegie Mellon Philharmonic Orchestra, conducted by Ronald Zollman.

Hector Berlioz Symphonie Fantastique

Track 2 from the album: www.discogs.com Enjoy!

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Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Josef Suk (January 4, 1874 -- May 29, 1935) was a Czech composer and violinist. Suk was born in Křečovice. He studied at Prague Conservatory from 1885 to 1892, where he was a pupil of Antonín Dvořák. In 1898, he married Dvořák's eldest daughter, Otilie Dvořáková (1878--1905), affectionately known as Otilka. He formed the Czech Quartet with three of his fellow students — Suk played second violin with them for most of his life. From 1922 he taught at the Prague Conservatory where his pupils included Bohuslav Martinů and Rudolf Firkušný. He died in Benešov. From the evidence of the Fantastic Scherzo, Opus 25, Josef Suk would seem to have been destined to follow an artistic path much like that of his father-in-law and teacher, Antonín Dvorák. It is a 15-minute work, brilliantly scored for full Romantic orchestra. Its style is not that close to that of Dvorák. Suk's harmonic language is a little more modern, something like that of the pre-Impressionist French composers such as Chabrier and Fauré. Nor was Suk as interested in evoking Czech musical folklore in his music. The work is in the typical scherzo rhythm of dotted triple-time groups, rather close in spirit to Dukas' Sorcerer's Apprentice. It has less of the grotesquerie, mostly being good-spirited. The closest thing to it in mood among Dvorák's works is the Carnival <b>...</b>

Josef Suk Fantastic Scherzo Fantastique

San Francisco Symphony's Keeping Score series on PBS-TV and DVD includes an episode on composer Hector Berlioz and his masterwork "Symphonie fantastique." In this 3 minute trailer, San Francisco Symphony Music Director and host Michael Tilson Thomas introduces the power and emotion of Berlioz' musical love letter.

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Notre cerveau si fantastique, Sonia Lupien, Ph.D. (cours) École Mini Psy 2007 (en français). • L'anatomie et le fonctionnement du cerveau • Les neurotransmetteurs • La psychiatrie et la psychologie : Deux approches complémentaires de l'étude du fonctionnement du système nerveux (neurobiologie) www.douglas.qc.ca/mini-psych ***SOIGNER. DÉCOUVRIR. ENSEIGNER. *** Le Douglas est un institut de classe mondiale situé à Montréal (Canada), affilié à l'Université McGill, qui soigne les personnes souffrant de maladies mentales et leur offre espoir et guérison. Ses équipes de spécialistes et chercheurs font constamment évoluer les connaissances scientifiques, les intègrent aux soins offerts à leurs patients et les partagent avec la communauté pour la sensibiliser et éliminer les préjugés entourant la maladie mentale. *** CARING.DISCOVERING.TEACHING. *** The Douglas is a world-class institute located in Montreal (Canada), affiliated with McGill University and the World Health Organization, which treats people suffering from mental illness and offers them hope and cure. Its teams of specialists and researchers continually advance scientific knowledge, integrate it into patient care, and share it with the community to increase awareness and thereby eliminate stigma around mental illness.

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We explore the circumstances surrounding the creation of one of the 19th Century's greatest works of art.

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Paylist: www.youtube.com Leonard Bernstein conducts the "Orchestre National de France" in Berlioz's Symphonie Fantastique 5th Movement:Larghetto, Allegro (Songe d'une nuit de Sabbat) Paris, 1976

Berlioz Leonard Bernstein Symphonie Fantastique

Paylist: www.youtube.com Leonard Bernstein conducts the "Orchestre National de France" in Berlioz's Symphonie Fantastique 4th Movement: Allegretto non troppo (Marche au supplice) Paris, 1976

Berlioz Bernstein Symphonie Phantastique

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Passing Through: www.youtube.com - Friends, Please visit my Poet friend "Passing Through's" YouTube channel: www.youtube.com , and support him - Thanks :) Josef Suk (January 4, 1874 -- May 29, 1935) was a Czech composer and violinist. Suk was born in Křečovice. He studied at Prague Conservatory from 1885 to 1892, where he was a pupil of Antonín Dvořák. In 1898, he married Dvořák's eldest daughter, Otilie Dvořáková (1878--1905), affectionately known as Otilka. He formed the Czech Quartet with three of his fellow students — Suk played second violin with them for most of his life. From 1922 he taught at the Prague Conservatory where his pupils included Bohuslav Martinů and Rudolf Firkušný. He died in Benešov. From the evidence of the Fantastic Scherzo, Opus 25, Josef Suk would seem to have been destined to follow an artistic path much like that of his father-in-law and teacher, Antonín Dvorák. It is a 15-minute work, brilliantly scored for full Romantic orchestra. Its style is not that close to that of Dvorák. Suk's harmonic language is a little more modern, something like that of the pre-Impressionist French composers such as Chabrier and Fauré. Nor was Suk as interested in evoking Czech musical folklore in his music. The work is in the typical scherzo rhythm of dotted triple-time groups, rather close in spirit to Dukas' Sorcerer's Apprentice. It has less of the grotesquerie, mostly being good-spirited. The closest thing to it in mood among Dvorák's works is the Carnival <b>...</b>

Josef Suk Fantastic Scherzo Fantastique

Hector Berlioz (1803-1869) Symphonie fantastique op.14 Riccardo Muti Wiener Philharmoniker Festspielhaus, Salzburg, 12 8/2007

Classical Berlioz Symphonie fantastique Muti Wiener Philharmoniker Vienna Philharmonic Orchestra クラシック ベルリオーズ 幻想交響曲 ムーティ ウィーン・フィルハーモニー管弦楽団

Schoolyard, a song from the forthcoming debut album of la Boutique Fantastique

Schoolyard la boutique fantastique

THE USE OF ANY COPYRIGHTED MATERIAL IS USED UNDER THE GUIDELINES OF "FAIR USE" IN TITLE 17 § 107 OF THE UNITED STATES CODE. SUCH MATERIAL REMAINS THE COPYRIGHT OF THE ORIGINAL HOLDER AND IS USED HERE FOR THE PURPOSES OF EDUCATION, COMPARISON, AND CRITICISM ONLY. Berlioz: Symphony Fantastique Boston Symphony Orchestra Charles Munch, conductor A WBGH Live Telecast from Sanders Theatre Harvard University April 17, 1962 www.vaimusic.com

Berlioz Symphony Fantastique Boston Orchestra Charles Munch conductor concert Берлиоз Мюнш Фантастическая симфония

BBC - Proms - 21 August 2009 Royal Albert Hall London West Eastern Divan Orchestra Daniel Barenboim

fantastic symphony Symphonie fantastique hector berlioz Op 14 Rêveries Passions Daydreams Un bal ball Scène aux champs Scene in the country Marche au supplice March to scaffold Songe d'une nuit de sabbat Dream of witches Sabbath West Eastern Divan Orchestra Daniel Barenboim

Reed est accusé d'avoir volontairement exposé Susan, Johnny et Ben aux rayons cosmiques qui les ont transformés : l'union de l'équipe est donc mise en péril. Mais, alors que Susan, Johnny et Ben se demandent si Reed est capable d'une telle trahison, ils sont attaqués par le cerveau à l'origine du complot -- le Docteur Fatalis ! L'équipe doit s'échapper des prisons conçues par Fatalis pour sauver Reed et empêcher leur ennemi de plonger la ville de New York dans la Zone Négative.

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Hector Berlioz (1803-1869) Symphonie fantastique, Op. 14 V. Songe d'une nuit de sabbat Seiji Ozawa, conductor Toronto SymphonyWritten in 1830. Recorded in 1967. ClassicalRecords is a Youtube channel where I upload some excellent performances from the LPs in my collection. I'm uploading these LPs because they are either not available on CD, out of print on CD, or just difficult to find.

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Georges Méliès, magicien de profession, décida de devenir réalisateur suite à la découverte du cinématographe. Cependant, si ses premiers court-métrages n'étaient que des imitation des films des frères Lumière, Méliès, suite à son installation au studio de Montreuil, commença à réaliser des films véritablement uniques. www.histoire-fr.com

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The National Symphony Orchestra of Ukraine, Arkady Leytush, live Performance, March 29, 2006 at Lysenko Hall, Kiev

Arkady Leytush Berlioz Symphonie Fantastique The National Symphony Orchestra of Ukraine Lysenko Hall Kiev

Ben est enlevé par L'Homme Taupe -- tout comme la moitié de la ville de New York ! L'Homme Taupe essaie de le convaincre de se joindre à lui pour créer un paradis souterrain : un endroit où personne ne serait jugé sur son physique. Lorsque le Baxter Building est, lui aussi, attiré sous terre, Susan, Johnny et Reed doivent se défendre contre les monstres de l'Homme Taupe.

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Liszt's piano transcription of the final movement of Berlioz's Symphonie Fantastique S. 470 (1834).

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Clarinet Concerto Concert Fantastique by composer Rolf Martinsson. Performed by Martin Fröst and Malmö Symphony Orchestra and conductor Shi-Yeon Sung. Meet the composer and the performer in this short video. Published by Gehrmans Musikförlag, www.gehrmans.se Video by Tord Martinsson, www.powerecstudio.com

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Philadelphia Orchestra Riccardo Muti Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. -Berlioz

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Klarinettisten Martin Fröst spelar Martinssons Concert Fantastique tillsammans med Kungliga Filharmonikerna under dirigent Marin Alsop. Royal Stockholm Philharmonic Orchestra with soloist Martin Frost clarinet, conducted by Marin Alsop.

Concert RSPO Royal Stockholm Philharmonics Kungliga Filharmonikerna klarinett musik klassisk musik Martinsson Live

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no copyright infringement intended Orchestre de la Société des Concerts du Conservatoire André Cluytens (Was conducted in Japan, live recording)

Berlioz Symphonie fantastique André Cluytens Live Symphony classical orchestra ベルリオーズ 幻想交響曲 クリュイタンス

We're walking in the air نمشي على الهواء We're floating in the moonlit sky نعوم على ضوء القمر The people far below are sleeping as we fly الناس في الاسفل نيام بينما نحن نطير We're holding very tight نتشبث بقوة I'm...

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BBC - Proms - 21 August 2009 Royal Albert Hall London West Eastern Divan Orchestra Daniel Barenboim

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Georges Méliès, magicien de profession, décida de devenir réalisateur suite à la découverte du cinématographe. Cependant, si ses premiers court-métrages n'étaient que des imitation des films des frères Lumière, Méliès, suite à son installation au studio de Montreuil, commença à réaliser des films véritablement uniques. Comme souvent dans ses court-métrages, Méliès tient ici le rôle principal. www.histoire-fr.com

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Par l'une de ses manipulations maléfiques, le Dr Fatalis transfère son esprit dans le corps de Reed Richards! Désormais, pris au piège dans le corps de Fatalis à l'ambassade de Latverie, Reed doit essayer de rejoindre ses amis avant que Fatalis ne transforme le Baxter en une arme... une arme qui pourrait anéantir les Quatre Fantastiques ainsi que la moitié de la ville. Lorsque Reed arrive au Baxter, et que son corps est celui de Fatalis, les autres Fantastiques doivent décider qui croire ...nous verrons à quel point ils connaissent Reed Richards.

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Berlioz=Liszt: Symphonie fantastique 4th movement:March au Supplice (Leslie Howard plays)

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"In which an old street performer reminices on his career..." - The Red and Silver Fantastique and the Libretto of the Insipid Minstrel: One "I drag my right arm through the sawdust... he hasn't opened his eyes in months. He was a small dog. He lost his hat and he never made a very convincing primate. I was painted red and silver. Now I'm lonely, lost my dollar, and my dog, he rots." Two "There were children calling my name. They spat upon my paper shoes... I touched their ice cream. I sang through cardboard. I stared at shadows. I don't know who watched... perhaps they hate me. I was painted red and silver. Now I'm ugly, lost my flower, and I'm seeing spots."

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Playlist:www.youtube.com Leonard Bernstein conducts the "Orchestre National de France" in Berlioz's Symphonie Fantastique 2nd movement: Valse: Allegro non troppo (Un bal) Paris, 1976

Berlioz Leonard Bernstein Symphonie Fantastique

Quality 320K Bitrate

L'Île Fantastique

Playlist: www.youtube.com Leonard Bernstein conducts the "Orchestre National de France" in Berlioz's Symphonie Fantastique 1st movement: part 1: Largo (Rêveries) Paris, 1976

Berlioz Leonard Bernstein Symphonie Fantastique

Johnny est jugé pour crime contre l'Empire Kree par Ronan l'Accusateur. On lui reproche d'avoir détruit une Sentinelle Kree dernier cri : un robot extra-terrestre qui observait les Quatre Fantastiques. Après que Johnny ait désigné Reed comme avocat, Ben et Susan sont appelés à la barre pour témoigner en sa faveur. Mais défendre le comportement irresponsable de Johnny s'avère plus difficile qu'ils ne le pensaient, spécialement lorsque l'accusé est présumé coupable avant même que le procès ne démarre, et que la sentence n'est autre que l'exécution.

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