Clark Gable unedited, 8th Air Force film stock
Clark Gable is just a two-bar Joe doing a job By Andrew A. Rooney, Stars and Stripes staff writer June 7, 1943 Herewith a report on Capt. Clark Gable: Last summer he quieted a rumor that he was going to accept a direct commission as a major by enlisting as a private in Los Angeles. On Oct. 28, after completing the air corps OCS at Miami. Fla., he was commissioned second lieutenant. He served at Tyndall Field, Fla., for a while, and later was shipped to a mid-West field. He came to England about seven weeks ago, has been on one raid, (Antwerp, May 4) and his job here is to make a training film for aerial gunners. He is 42 years old, six feet one inch tall, his hair is grey. He seems like an OK guy. With the possible exception of the German Army, no one is having a tougher time trying to fight this war than Capt. Clark Gable. They Want to Know A few hundred thousand relatives of privates in the infantry who have been fighting in North Africa want to know why Clark Gable isn't a private in the infantry fighting in North Africa. The fathers and mothers, sisters and friends of the staff sergeants on combat crews of B17s and B24s want to know why he is a captain instead of a staff sergeant. And some of the boys wonder. He is not a captain doing a staff sergeant's job. He is a captain doing a job that has been done by majors and better, and he went from a second lieutenant to a captain in less than six months, not because he had a direct pipeline to the commanding general, but <b>...</b>
Emulating old film stock
In this experiment, I've attached a jag35 35mm adapter to a canon vixia hv30. Shot in 30p. Normally I run the vibrating unit on the jag35 but tried something different this time - I didn't turn it on! I also usually use a canon 50mm lens with f/1.4 rather than what I used here, a sigma 24mm f/2.8. The difference is enormous. Looks way dirty. I must've done something wrong because there was some interlacing on a few frames, which doesn't make sense because I didn't shoot in 60i. Maybe it was the importing In addition, I've added nothing to this footage other than the matte to give it that "letterbox look". I'd say the biggest giveaway that this is definitely digital and not film is the whites are a little too sensitive and lack definition. I suppose on lo-fi film cameras this might happen too.
REAL 8mm Film Stock Footage & Download
I thought i could give this out to you guys to use and make your footage look like real 8mm film. just put it into your editing software and key out the gray, or set the blending mode to overlay. The 5 second clip will loop forever if need be. Download: rapidshare.com OR www.mediafire.com Twitter: twitter.com Facebook: www.facebook.com Email Me: justinsanityproductions.wordpress.com Courtesy of Andrew Kramer
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1960s women dancing compilation - mixed color film stock footage
1960s women dancing compilation, black & white film color film, Best Shot Stock Footage, 2 men with electric guitars, 1960s women in bikinis at different historic times and sceneries, 1960s hairstyle, 1960s bikini,
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In Person: Michael Pogorzelski on film stock vs. digital media
Academy Film Archive Director Michael Pogorzelski explains the merits of archiving on film rather than digital media. This programme is made possible in collaboration with the Academy of Motion Picture Arts and Sciences.
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Brad Rushing On Shooting Video on Film Stock vs. Digital
In this clip from www.artistshousemusic.org - In a seminar at Loyola University, New Orleans, cinematographer Brad Rushing discusses the advantages and shortcomings of shooting video on film versus on digital media, and describes the technical and aesthetic concerns that drive the decision to use one or the other on a specific project.
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$358.20 (Like, Film Stock is Really Expensive.)
An extended montage with outtakes from my thesis film The Comedian at The Friday. Stock, Process and transfer for this footage cost $358.20
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"Choices" Part One, "Blessed Virgin Mary" Film stock test
Music by Sergei Vasilievich Rachmaninoff. Starring Camilla Stenmark. A Film by Lukas Lukasik. In this interpretation of Virgin Mary's life and Nietzche's view of Christianity, visuals become the king of kings. The film explores the strongest three metamorphoses never mentioned about Madonna, who is just about to give birth to the son of God. In her God-like eyes, one sees the mother of all arts, the holy spirit, which seeks for revolution of time and space... only by remaining faithful to her choices. The purpose is to deface dogma which helps us realize the control mechanism in our lives. Choices.
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FILMSTOCK PROMO.mpg
Promo realizat in cadrul workshopului de la FilmStock (Stufstock 2010 Vama Veche). O productie Capricorn&Capricorn, cu sprijinul Videolink si 4k. Multumiri doamnei Ada Solomon, lui Adrian Sitaru si Catalin Saizescu. Regia: Serghei Chiviriga, imaginea: Dana Nicolaescu. Multumiri tuturor celor care au participat si ne-au ajutat la workshop!
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apercu de nos modeles en destockages, neuf direct usines et lots d 'usines stock depot le neuf en direct Vous Gagnez 33 rue helene boucher 22190 Plerin bordure RN12 02.96.74.49.23
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Canon XH A1 Presets Test
Read the article: weblog.samsalek.net Presets: PRESET01.CPF "FACTORY" is simply the Canon factory default settings. PRESET02.CPF "AC PREF1" is Alister Chapman's prefered general setup. PRESET03.CPF "AVG FILM" is designed to emulate an average film stock, best used with 24F / 25F. PRESET04.CPF "5248FILM" is supposed to emulate Kodak 5248 film stock, best used with 24F / 25F. PRESET05.CPF "LOWLT12" is for shooting in low light with 12db gain. PRESET06.CPF "OPTICONT" is for optimum latitude, similar to AC PREF1. PRESET07.CPF "5296FILM" should be like Kodak 5296 film stock, best used with 24F / 25F. PRESET08.CPF "TERRA1" is a soft unsharpened image, shadows retain detail without looking washed out. PRESET09.CPF "TERRA2" is like TERRA1 but sharper, with coring turned down to keep noise levels at bay. PRESET10.CPF "DISJECTA" most resembles the colors Steven Dempsey used with his Panasonic DVX100. PRESET11.CPF "B&WJECTA" is B&W with detail in darks without blowing out lights, no diagonal stair-stepping. PRESET12.CPF "NOMAGENT" negates the Magenta bias that some Canon owners detect in factory settings. PRESET13.CPF "OUTSIDEN" gives the Canon a neutral image outdoors while managing bright whites. PRESET14.CPF "OLEGWARM" is warm and saturated and film-like when combined with Skin Detail: Middle. PRESET15.CPF "DVXMATCH" closely matches the Panasonic DVX100 at WB of 3200K; also try Knee: Auto. PRESET16.CPF "EOSPHOTO" is optimized for Canon EOS photo lenses; much brighter with more <b>...</b>
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Super 8 Film Cross Process Test
Super 8 Cross Process Test using Kodak Ektachrome 64T. Normal processing for this reversal film stock is E6. Cross processed using ECN-2 which is normally used for negative film stock.
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Big Issue Please (Part 1 of 2)
This film is based on a real life interaction between a Deli worker and a homeless man. This was my first ever experience directing with 16mm film stock - We had a very limited amount and ended up on a shooting ratio of around 1:2.5 WWW.ORCW.CO.UK All music composed by my father Richard Whitehouse.
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Memories in Limbo
This is my Final project in 284, beginning filmmaking at Minnesota State University. Shot on a Bolex 16 mm camera with black and white reversal film stock. I won "best editing" for this at the MSUM Juried film exhibiton, spring 2011. Tried experimenting with some double exposure and stuff. Worked out fairly well. Cast: Tom Andre Paulsen Simone LeClaire Crew: Ole Andre Bjølverud Andreas Føreid Kenneth Gudmundsrud
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The Church - B&W Reversal
This was the first time I shot on film and used an Arri-s. The editing was done via good ol' splicing. I could fix it up with FCP but I don't want to take away from the manual aspects of this film. The quality has also been compromised in order to upload. I figured it might serve as an example for people looking to use this film stock. This is the sans-sound version. The assignment: -explore a space/location -only use static shots -allowed one camera move -no people Film Stock: Kodak Tri-X Reversal Film 7266 Kodak Plus-X Reversal Film 7265 Camera: Arri-S
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Buying Film (Web Film School 17)
When making a Movie you buy 35mm Film Stock. The retail price for 100000 feet of Kodak or Fuji Film is approx $70000. View my Video (Never-Ever-Pay-Retail) and learn the secrets to purchasing it for $10000-$40000 and saving $30000-$60000...
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JUST DESERTER - WW2 short film
This is a short film shot on 16mm. It takes place in 1945 around the real life bombing of London near the end of WWII. It's more of a love story than a war film, but the slow pace really pays off in the climax. All wardrobe and props are actual WWII items, which coupled with the grainy film stock helps this film feel very vintage and authentic. It was shot with an ARRI BL16 camera in one weekend on a budget of $1000 for wardrobe, film stock and processing fees. check here for a better quality version: vimeo.com
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video 4 the final cut king 48 hour film challenge www.48FilmChallenge.com low angle-book-scarf shot in 2 hours, between 2 days edited in 3 hours, uploaded last min, edited using magix movie edit pro filmed with a panasonic dmc-Lz5 when i get around to it i'll finish editing the extended slightly more thought out directors cut of this (with at least a minute of additional footage!)
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Kurt Kren - Asyl 31/75
"The structural films of the Austrian avant-garde filmmaker Kurt Kren are each based around a single technical conceit to which the film rigidly coheres, and around which it is structured. For Kren and the structuralists he inspired, the technical craft of cinema is in fact the whole of the cinema, and the themes and ideas in his films arise directly and solely from the methods of their contruction. Asyl is one of Kren's most formally ambitious works, an experiment in time lapse photography, multiple exposures, and segmented images. When he moved to a home in the country, Kren set up a static camera nearby, and over the course of 21 non-consecutive days, he fed the same strip of film stock through the camera once per day. In front of the lens, Kren also placed a masking board with holes in it, the placement of which was varied daily so that each time the film stock went through the camera, different areas of the image were exposed. The result is a film in which, within a single frame, time and space are made to overlap and coexist in unusual ways, creating impossible landscapes composed from footage shot on different days throughout the year. Sometimes, most of the film is exposed and the image becomes a collaged landscape, in which a snowbank runs directly into a grassy springtime meadow, or in which rain falls through the top half of the frame only to disappear when in reaches the bright sunshine of the lower half. At other times, the image is more pointillist, with <b>...</b>
The Run
This is a action/comedy short film that I wrote, directed, produced, shot and edited called "The Run". "The Run" screened at 25 major film festivals around the world including the 2007 Venice International Film Festival, The Los Angeles International Short Film Festival, Fantastic Fest, The Rhode Island International Film Festival, The Fort Lauderdale International Film Festival, The Chicago International Children's Film Festival, The Los Angeles International Children's Film Festival and The Oldenburg Film Festival. It was shot on 35mm Kodak Vision2 500T 5218 film stock and edited on final cut pro. The titles were made using Live Type. I shot the film on a 35mm Arri IIC camera. It was filmed on location at Cal State Long Beach. The visual look was accomplished by shooting Tungsten balanced film stock with daylight and not using an 85 color correction filter on the camera. In the color grade suite, I brought up the contrast and the blues. You can rate "The Run" at its imdb page here: www.us.imdb.com Thanks for taking a look.
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Deer Blinded
This project was shot on super 16mm. Starring Mark Scheibmeir as The Deputy and TR Brunson as The Hunter. It's an adaptation of a scene from Jim Thompson's "Bad Boy." For film nerds, the film stock used was Kodak Vision 2 50D. Enjoy.
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Studio Feature vs. Independent Film Part 2 (Web Film School 57)
FILMMAKING TIP #57: STUDIO FEATURE vs INDEPENDENT FILM (Part 2): 35MM FILM STOCK! Save $20000 to $50000 when buying Kodak or Fuji 35mm Movie Film Stock at 30% to 70% discounts for your shoot. FILM BUYING SECRETS! - Let Dov SS Simens teach you how.
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3rd year cinematography exercise
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16MM FILM STUFF
This is a compilation of stuff that I shot on 16mm film. The first two little skits were shot back in 1999 in a film class that I was taking. They were shot with a Bolex camera and Tri-X film stock. The middle portion stuff with the dogs was shot about 2 years ago with a Krasnogorsk-3 camera and Plus-X stock. The color stuff at the end was also shot 2 years ago with a K-3 camera. The film stock was Ektachrome 100D. All footage was transfered to minidv at Debenham Media Group in Pennsylvania.
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Sign Spinning Preparatory Academy
A non-3D mockumentary about a preparatory academy for sign spinners. www.facebook.com -Winner, Second Prize, Filmstock Film Festival Revolver Challenge "A hilarious mockumentary of the cruel, competitive, cut-throat confines of the nations top sign-spinning preparatory academy." -William Pierce, Phoenix Indie Films Examiner www.examiner.com Writers/Directors: Rock Schroeter and Laurie Bell Cast: Jim Gradillas, Stephen Gutekanst, Connor Sample, Joshua Mayo, Corina Gradillas, Morgan Migliorisi, Mike Peters, Courtney Smith Editor: Marcus A. Stricklin Cinematographer: JW Lee Filmed at: Creative Stages Youth Theatre, Peoria, Arizona
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I want! I want!
Inspired by William Blake, "Gates Of Paradise: I want", engraving, 1793. B&W. A film by Andrea Piovano. Music and Sound Design by Morgan Quaintance. I want! I want! has been screened at Filmstock International Film festival, London, UK; Arcipelago International Film Festival; Rome, Italy, Moonfest, Silver Spring, MD, USA, Fresh Film Festival, Karlovy Vary, Czech Republic, Opening Screening, in White Chapel Contemporary Art Gallery, London, Uk, Kaos Films Screening Room www.kaosfilms.co.uk. Turin Film Festival, Turin, Italy, Dulwich Festival, London, Uk, www.dulwichfestival.co.uk
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Bar Tab
Shot on Kodak Vision 3 200T Super 8mm film stock. Camera: Canon 1014 X-LS Audio: Tascam Dr-1 Film stock, processing and HD transfer by Pro8mm.
Chris Hoover Hoover Studios Cutting Horse Productions Bar Tab Lindsay Brasington Stephen Fisher Canon 1014 Tascam Super 8 8mm Kodak Vision 3 Sync Sound chriswh
