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Firewire Audio Interface featuring two Focusrite preamps. For a closer look, visit here: bit.ly Like our video and click 'show more' for additional features and information. The Focusrite Saffire PRO 24 DSP is a 16 in / 8 out FireWire audio interface, featuring real-time DSP-powered tracking and mixing solutions tailor-made for the modern home studio environment. Alongside DSP-powered compression and EQ for ultra-low-latency tracking and 'comfort' reverb, is VRM; a Virtual Reference Monitoring technology that lets you hear your mix in different environments, through different speakers and from different positions, all just using headphones. Saffire PRO 24 DSP draws on twenty-five years of mic pre excellence. The two Focusrite preamps capture every subtle nuance of your sound whilst ensuring low noise and distortion. Meanwhile, high-quality digital conversion and JetPLL™ jitter reduction technology ensure pristine audio quality as your audio flows between the analogue and digital domains. This live recording session of The Travelling Band was made using a Saffire PRO 24 DSP audio interface. The track was created using Saffire MixControl and Pro Tools 9. Listen to the dry stems straight from the Saffire PRO 24 DSP here: snd.sc Music by The Travelling Band, you can check them out here: www.thetravellingband.com

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These solid, low latency interfaces offer Focusrite mic preamps and a useful software package for a great value. Focusrite Scarlett bit.ly

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USB Audio Interface featuring two Focusrite preamps. For a closer look, visit here: bit.ly Like our video and click 'show more' for additional features and information. The Scarlett 2i2 is a 2 in / 2 out USB recording interface featuring two award-winning Focusrite preamps. Housed in an attractive anodised aluminium unibody chassis, the interface not only sounds fantastic but looks great too. What's more it's solid enough to take on the road when you travel. The Scarlett 2i2 is much more than just a pretty metal box... Jono McCleery's song "Tomorrow" was recorded using the Focusrite Scarlett 2i2 and GarageBand. Jono's guitar was plugged directly into the 2i2, and a large diaphragm condenser microphone was used for his vocals. Scarlett Plug-in Suite was used to polish the mix.

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Video for the "Track in a Day" Remix // Rework competition, see below for details... Focusrite & Novation's Tim Harbour (aka Continuum) sets about the challenge of creating an original track in a day. To download the finished track for free or enter the Remix // Rework competition visit either: www.facebook.com/focusrite www.facebook.com/novationmusic

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Tutorial for the new Focusrite Saffire PRO 40 presented by Rob Jones - A professional 20 In / 20 Out Firewire interface with eight Focusrite Pre-amps

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Firewire Audio Interface featuring two Focusrite preamps. For a closer look, visit here: bit.ly Like our video and click 'show more' for additional features and information. The Focusrite Saffire PRO 24 is a 16 in / 8 out, bus-powered FireWire audio interface, featuring two high quality Focusrite Mic Preamps. It forms the basis of a high quality, incredibly portable professional recording system. Twenty-five years of mic preamp excellence form the foundation of this new interface, with two award-winning Focusrite preamps. These combine with the very latest in mix control software and Firewire interfacing technology to deliver seamless integration, excellent routing flexibility and rock-solid driver stability. This video features a live recording session with Myles Sanko, featuring the Focusrite Saffire PRO 24, KRK RP6 monitors and Blue Bluebird microphone. Pro Tools 9 is used alongside the Focusrite Midnight plugin suite, providing compression and EQ. Guitar: Andy Nash Keys: Owen Chambers Vocals: Myles Sanko You can check the band out here: www.facebook.com

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Firewire Audio Interface featuring two Focusrite preamps. For a closer look, visit here: bit.ly Like our video and click 'show moe' for additional features and information. The best sounding interface in its class. Focusrite's 25-year legacy forms the foundation of this interface, with two award-winning preamps. Features professional conversion and JetPLL™ jitter elimination technology, guaranteeing pristine audio quality and reliable synchronization. A host of I/O options are provided, including a unique Loopback facility for routing audio between software applications via Saffire MixControl. Provides an 18 x 6 DSP mixer with excellent routing flexibility, intuitive one-click configurations, and lower than 1.4ms latency (less than the time it takes sound to travel two feet through air!). This live recording session of Isaac's Aircraft was made using a Saffire PRO 14 audio interface. The track was created using Saffire MixControl, Ableton Live Lite, and the Focusrite Plug-in Suite which are all included in the box.

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The ISA One microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a ground breaking price. This was filmed with a Leica D-Lux 3 Digital Camera. You can check out the audio demos recorded with this at www.brbvo.com and click on the DEMO page. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.) The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent DI channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent DI makes the ISA One ideal both for engineers wishing to blend a DId guitar signal with a micd guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals.

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Virtual Reference Monitoring (VRM) is a groundbreaking new technology that allows you to mix effectively on headphones. Gary Bromham explains how he uses Focusrite's VRM. Listen to the VRM podcast here: tinyurl.com

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Sound engineer Adrian Bushby has worked with Foo Fighters and Muse, among countless others, picking up numerous accolades along the way, including a GRAMMY in 2008 for recording the Foo Fighters album, 'Echoes, Silence, Patience, Grace' and then in 2011 for Muse's multi-platinum album 'Resistance'. Music by Karvel: www.myspace.com/karvelmusic

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This is a quick overview of Focusrite's newest audio interface. The Focusrite Saffire 6 USB is a 2 In / 4 Out USB audio interface. It uses the same award-winning Focusrite mic-pres as the rest of the Saffire range. This makes it the best value, and best sounding interface in its class. Its output configuration is also ideal for laptop DJs.

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Easily setup headphone mixes using the Saffire MixControl zero-latency mixer that comes with your Focusrite Saffire interface. Download my free eBook "The #1 Rule Of Home Recording" for more tips www.TheRecordingRevolution.com

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UPDATE! Now you can enter to win one of two copies of the Focusrite Scarlett Plugin Suite from Focusrite and SoundStud.io! Click here for details on how to enter: soundstud.io An overview of the plug-ins featured in the Scarlett Plug-In Suite from Focusrite. SoundStud.io Spotlights are clear and concise glimpses of gear focused on the form, features, and functionality of all the great hardware and software that the audio engineering industry has to offer. Additional information on this plug-in and all the great products from Focusrite available at www.focusrite.com.

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The ISA One Digital is Focusrite's classic microphone preamplifier and independent DI, which comes as standard with on-board 192kHz AD conversion. Terra Grimard appears in this video: www.terragrimard.com

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Spend 11:11 with Owen O'Malley and learn about the Focusrite VoiceMaster Pro vocal processor. There's a lot to take in, so if you'd rather take some psychoactives and see if this video matches up with Tool's 11:11 "Rosetta Stoned," feel free -- but allow me to make it easy for you. It doesn't. See more on Gearwire.com.

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Buy here... www.nevadamusic.co.uk The Focusrite Scarlett 18i6 is an 18 in / 6 out USB 2.0 audio interface designed to make home multitrack recording a breeze. The Focusrite Scarlett 18i6 features two award-winning Focusrite preamps and 16 additional inputs, allowing you to capture inspired takes, without having to constantly re-patch your studio. Scarlett 18i6 comes with the latest in mix control software to deliver seamless integration, excellent routing flexibility and rock-solid driver stability. Alongside the two Focusrite preamps, six high-quality analogue inputs allow you to simultaneously record guitar, bass, vocals and keys. You don't need to stop there either .. Pop in the ADAT optical cable from an outboard eight-channel mic pre unit such as the Focusrite OctoPre MkII and you can track the drums at the same time. Included with the Scarlett 18i6 is Scarlett MixControl, an 18 x 6 DSP mixer. Offering a superb level of flexibility, the MixControl software enables you to create six separate mixes with ultra-low-latency. Route any combination of input signals and sequencer outputs to any of the Scarlett 18i6 outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. Scarlett 18i6 comes with all of the additional tools needed to start making music straight away. Scarlett VST/AU/RTAS Plug-in Suite comes in the box, adding Focusrite compression, reverb, gating and EQ to your recording system. Focusrite's established Xcite+ bundle <b>...</b>

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Testing a dual Focusrite Octopre Dynamic 16 channel live recording rig that uses a Presonus Lightpipe as the interface for a Macbook Pro LOGIC Studio. This is to sync with our cameras for recording bands live with a mixable audio track in post.

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Ben Davis from Focusrite gives a full demonstration of the Focusrite Saffire Pro 24 DSP. Contact Nova Musik if you have any questions : novamusik.com - email: info@novamusik.com Ph. 414.270.1948 or Toll Free: 877.290.6682

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Buy here... www.nevadamusic.co.uk Focusrite was originally formed in 1985 as a company who manufactured microphone pre-amplifiers to use in conjunction with the SSL 4000 series mixing desk which at the time was the de-facto bees knees of mixing desks in professional recording studios. Over the past two and a half decades Focusrite has grown to become a much respected designer and manufacturer of studio equipment spanning from the state of the art digital broadcast studio to home recordists and project studios. The great advantage that Focusrite has is that it has products that provide audio solutions at every level of the market from entry-level USB interfaces to high end Mic Pre Emulation software ... So let's take a look at possibly the best selling product from the Focusrite Audio interface range - The Focusrite Saffire 6 USB - Those of you who have PC or Mac based recording solutions will know that if you wish to connect a musical instrument to a computer for the purpose of recording music you'll need to have an interface box - enter the Focusrite Saffire 6 USB. This is a neatly designed desktop box that provides a variety of features to help you get the best sound and performance from your computer recording session. Most of the connection interface ports are on the back of the unit apart from a couple of XLR/Jack inputs located to the far left side of the front facia, here is typically where you'd plug in your microphones or perhaps a couple of mono jack leads and <b>...</b>

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Focusrite launches its new audio interface at LIMS 2009: the Saffire Pro 24 features top-quality mic preamps, audio routing software and more ins and outs than you can shake a FireWire cable at.

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Sorry for the distorted audio at the end, mic on my camera and my shaky camera work sucks. What you will need: 2 Guitar Cables Overdrive Pedal Microphone w/Stand Mic Cable

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LISTEN WITH (good quality) HEADPHONES ! And try to compensate the quality loss caused by the audio/video compression with your imagination :)) I have not seen any VRM tests on youtube so I thought I'd make one. Audio recorded with a Line6 Toneport UX2 soundcard. (saffire line outputs 3-4 into the line inputs 1-2 of the toneport). You can read more about this soundcard and about VRM technology on the focusrite website: www.focusrite.com

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Singer/Songwriter Olivia Broadfield composes and records all her music from the confines of her home studio. At its heart is the Focusrite Saffire PRO 24. Olivia speaks to FocusriteTV about why she loves it so much. Music: 'The Boy Next Door' by Olivia Broadfield

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Shorn Rah checks out the new Focusrite Liquid Mix 16

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Russ talks to Focusrite about the new Scarlett 2i2 interface.

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Leonard from Kosmic Sound takes us through the new high quality yet affordable audio interface range from Focusrite. For more information or to purchase head to www.kosmic.com.au

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We've all burned CDs of our mixes so that we can listen to our latest creation on as many different systems as we can: the living room HiFi, the television, our friends' studio monitors and so on. We may not realise it but we are now 'reference mixing'. This is why most studios have multiple pairs of speakers; so the engineer can reference the mix on more than one monitor. For most of us this is tough, due to space or budget constraints. That is until now... Introducing: VRM Box from Focusrite - bit.ly Track: "Run" courtesy of Venice 2012

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Producer James Reynolds talks you through his vocal recoding techniques from a recent tracking session with UK pop artiste Pixie Lott.

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www.proaudiostar.com The Saffire PRO 14 is an 8 in / 6 out audio interface with legendary sonic performance and unmatched flexibility at a truly affordable price. The latest in Focusrite's new generation of FireWire audio interfaces, the Saffire PRO 14 is designed to make home studio recording and mixing easy without sacrificing audio quality. Twenty-five years of mic pre excellence form the foundation of this new interface, with two award-winning Focusrite preamps. Combined with a host of additional I/O options, the Saffire PRO 14 helps you get the tracks you want without having to constantly re-patch your studio. Alongside the two high quality mic preamps, two additional analogue inputs, four analogue outputs, S/PDIF and MIDI open the door to true multi-track recording. Two Hi-Z instrument inputs let you plug straight in without the need to buy additional DI boxes, and two virtual Loopback inputs are also available for routing digital audio between software applications - ideal for capturing online audio. Included with the PRO 14 is Saffire MixControl, an 18 x 6 DSP mixer. Offering a level of flexibility that is unparalleled at this price point, the MixControl software enables you to create six separate mixes without latency. Route any combination of input signals and sequencer outputs to any of Saffire PRO 14's outputs. Intuitive one-click configurations help you track, monitor and mix as quickly as possible. Saffire PRO 14 comes with all of the additional tools needed <b>...</b>

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Rafa Sardina is a Los Angeles-based musician, mixer, engineer and producer with a stellar client roster. Stevie Wonder, Beyoncé and Lady Gaga adorn his credits list, while his foothold in the Latin music market has seen him work with Luis Miguel, Rodrigo y Gabriela, Paco de Lucía and Alejandro Sanz. Rafa has been nominated for an impressive 25 GRAMMY awards, winning 11. His diverse work covers everything from pop to R&B, to classical recordings and movie soundtracks. Rafa is a lover of the Focusrite ISA range, and recently added an ISA828 to his rack. Here, he explains why... Music: Esthero 'Thank Heaven 4 You'

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Buy Here.. www.nevadamusic.co.uk Chris from Focusrite UK runs us through the Saffire Pro 14, 24 and 24DSP audio/midi firewire interfaces. The Focusrite Saffire Pro 24 DSP is physically almost the same as the previous sibling model - The Saffire Pro 24, the only hardware difference being an extra headphone input over the standard model Pro 24. However the real star features of the Pro 24 come from the added software functionality that the DSP (Digital Signal Processing) has added to this already popular Firewire Audio interface ... So having established that the only physical difference on the Pro 24 DSP is an additional headphone input let's move straight on to the DSP features, firstly Focusrite have added something called VRM (Virtual Room Monitoring) - this will be a godsend for all those of you who are forced to mix down your latest musical masterpiece on headphones... VRM emulates a variety of speaker characteristics AND it also emulates different room scenarios, in fact Focusrite offer 100 differnt monitoring scenarios including different brands of monitor, different rooms sizes and different listening positions ... However, there are a few more tricks up the sleeve of the Pro 24 DSP aside from the VRM functionality, for example there's also DSP-powered Compression and EQ with all of the appropriate adjustment parameters and along with this you have the addition of "Comfort Reverb" which is DSP generated reverb that can be added to enhance the tracking and mixing <b>...</b>

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www.macmixing.com - Mixing it up with Apple. The Focusrite Scarlett 2i2 is an awesome affordable audio interface. This works perfect with many DAWs including Pro Tools 9 & 10. The Scarlett 2i2 has awesome Focusrite pres built-in and sounds awesome. Along with an awesome interface you also get an awesome Scarlett plugin pack featuring Reverb, Compression, EQ, and more. I found the setup process easy and painless. You can pretty much just plug it in and get up and running on a mac. Pro Tools 10 had no problem recognizing the device and I was up and tracking within minutes. The Scarlett 2i2 retails at $149.99 and is worth every penny. Check it out! Thanks again guys! Find me on www.twitter.com www.facebook.com macmixing.tumblr.com www.youtube.com

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I give you the low down on this interesting little box that promises to solve all of your mixing environment problems. Final verdict for home and project studio users at the end. Download my free eBook "The #1 Rule Of Home Recording" for more tips www.TheRecordingRevolution.com

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This tutorial shows you how to configure Cubase for use with your Saffire interface.

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Virtual Reference Monitoring

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Buy here... www.nevadamusic.co.uk Chris from Focusrite UK runs through the VRM technology at Nevada Music. The Focusrite VRM Box functions as a high-quality 24-bit/48kHz USB audio playback interface and uses Focusrite's Virtual Monitoring Technology to re-create the sound and mixing experience of your own studio into vuirtually any location. The VRM Box also features a digital (S/PDIF) input, which supports sample rates up to 192kHz. This allows you to run it in conjunction with a Pro Tools HD system, or any other interface with an S/PDIF output VRM Box is literally one of those any time, any place, anywhere mixing opportunities using any monitoring headphones. The accompanying Focusrite VRM software lets you choose your mixing environment and the virtual speakers you wish to monitor on, then processes the audio before feeding it in real time to the hardware. Built into Focusrite's VRM technology are precise models of a variety of industry standard studio monitors, including the Genelec 1031A, KRKs VXT8, the Auratone 5C and the ubiquitous Yamaha NS10M. There are also models of speakers commonly found in domestic environments, so you can check your mixes on a variety of virtual systems. Additionally, VRM processing can be bypassed, an LED on the hardware box illuminates when it's active. Boasting a dynamic range of 108dB, its headphone amplifier provides a sound that's more precise, with lower distortion, than other low-cost audio interfaces, and far superior to built-in <b>...</b>

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Pro Tools Expert Russ Hughes takes a look at the Focusrite Scarlett 8i6 USB audio interface and gives you his take on it.

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Video Promo for the new Focusrite Saffire PRO 40 - A professional 20 In / 20 Out Firewire interface with eight Focusrite Pre-amps

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The Focusrite Liquid Channel enables you to apply the characteristics of the most iconic and sought-after mic preamps and compressors in the history of music recording. It's been winning awards since we released it in 2003, and for the past two years running, it was voted 'Best Microphone Preamplifier' by readers of Sound On Sound magazine. But we're aware that some people still aren't aware of the power and potential of Liquid Channel, so we decided to put it through the ultimate test: a shootout and blind test; and film the process. We enlisted the help of Guy Massey and Marco Pasquariello at Snap! Studios, London, and Liquid Channel did amazingly well. Check out this documentary of what went down on the day. For more information about the shootout and the blind test, head to the Focusrite website. Special thanks to: Theoretical Girl soundcloud.com Snap! Studios www.snapstudios.co.uk Assistant engineer: Ben Mclusky

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OverviewBack topThe ISA 430 MkII represents the pinnacle of Focusrites analogue channel strip technology, bringing together all the classic designs in one comprehensive production tool. Augmented with additional features and flavours, alongside unmatched internal routing and connectivity, the ISA 430 MkII enables todays recording professional to enjoy the unique sonic contribution of these heritage designs within one extremely versatile processor. With the Producer Pack, Focusrites iconic status as the leading manufacturer of channel strips remains unrivalled. From mic impedance switching and mic air effect (a wire-wound inductor for increased spaciousness), to three compressor options (VCA, Vintage Opto and Opto Limit) combined with the compressed/uncompressed Blend feature, the ISA430 MkII delivers a impressive variety of processing sounds. Routing and monitoring flexibility has also received a booster. The unique Listen feature (allowing you to hone in on the frequency you wish to affect) is now available on compressor, gate, and expander circuits as well as the ISA 430 MkIIs unique phase cancellation-based de-esser circuit. In addition, monitoring and inserts are available at a variety of points along the signal chain. Finally, the ISA 430 MkII features an optional 24bit-192kHz high performance (122dB A-weighted with jitter below 20 pico seconds) stereo AD converter, allowing you to retain every nuance of your analogue signal as you flow seamlessly into the digital <b>...</b>

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USB headphone interface with Speaker models for checking mixes. Full text: bit.ly

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There's some good information in this video. Even if you're not usually interested in unboxings, check it out! === MAI LINKS === rhinofeed.com scr.im //like rhino.im //follow twitter.com //plus rhino.im

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This tutorial made by Focusrite guides you through how to tune your Windows Vista for audio recording and playback using a FireWire interface as described in the 'Optimising your PC for audio on Windows Vista' article found here: www.focusrite.com

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This tutorial shows you how to configure Live for use with your Saffire interface.

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This USB headphone amplifier simulates various monitors and room environments to give you a better idea of how your mixes will translate. Focusrite VRM Box bit.ly

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The Focusrite Saffire is a new breed of Firewire interface with onboard DSP and 24-bit/192kHz processing. Saffire fuses state-of-the-art hardware with highly integrated software to take audio interfacing one giant step closer to the professional studio experience. More Info: www.samash.com

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Buy the KRK Rokit RP10 3 www.djkit.com Buy the KRK 12sHO www.djkit.com The KRK Rokit RP10-3 Active Studio Monitor is a Mid-field 3-way monitor system in a compact form factor and at a breakthrough price that delivers loud and accurate sound reproduction to satisfy professional needs. The KRK Rokit RP10-3 will suit commercial facilities in need of more capable mid-fields as well as space and budget conscious private studios. The "pro-studio" appearance of this monitor will visually impress and the high SPL output makes it capable of handling challenging high dynamic tracks for all genres of music. With space and placement of Mid-fields virtually always a concern in recording, mobile and broadcast facilities, the KRK Rokit RP10-3 offers location flexibility by placing the tweeter and midrange in a unique rotatable housing. Whether they are vertical, placed on their side or wall mounted, the proper orientation of the acoustic axis can be maintained!

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