FREE FALL: World champion freediver Guillaume Nery special dive at Dean's Blue Hole, the deepest blue hole in the world filmed entirely on breath hold by the french champion Julie Gautier. This video is a FICTION and an ARTISTIC PROJECT. Edited by BLUENERY (c). Music: ARCHIVE - you make me feel.
Guillaume Nery freediving freedive champion record monde apnea apnée base jump Julie Gautier Bluenery
The Sportlife Saga is about three elements of nature; water, ice and snow. The story of the element water is told by Guillaume Néry, world champion in freediving www.facebook.com www.sportlife.com Video production EyEFORcE Agency: Indie Amsterdam Sound design: Paraphrase Songs: Egadz -- Take your time Splendid -- Nobody move
Sportlife saga Guillaume nery freediving free diving world champion world record blackout dolphins
a Marion Cotillard and Guillaume Canet Interview from Love me if you dare they did for the Greek dvd version where they both speak english and talk about the dares that did to each other while filming...it is very funny and interesting!!!!No copyright infringement intended
Marion Cotillard and Guillaume Canet Interview love me if you dare jeux d'enfants DVD movie behind the scenes french
www.notsonoisy.com TETRIS played by real human-beings sitting in an auditorium: TETRIS is the 4th video performance of the GAME OVER Project, directed by the Swiss artist Guillaume REYMOND (NOTsoNOISY creative agency). This stop-motion video was shot and played for "LES URBAINES" festival www.urbaines.ch at the Palais de Rumine (Lausanne, Switzerland) on November 24th 2007. You can find more information and also SPACE INVADERS, PONG and POLE POSITION on our website http
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Beautiful vocal music from 600 years ago. Sung in Latin, it means: "Hail, star of the ocean". You will hear the first 2 "verses" of this piece. It starts with a chanted section followed by a section in stark harmonies. The images are of the sky, stars, moon and ocean. Performed by Pomerium, directed by Alexander Blachly
ave maris stella Dufay stars ocean Gregorian chant medieval vocal sky pomerium
L'Homme Arme was a monophonic melody with political and satirical strains. Dufay made one of the first versions of it in a polyphonic setting in his Missa L'Homme Arme. The beginning of the cycle is designed so that, in the absence of instrumental accompaniment, the cantus firmus is virtually indistinguishable until near the end of the Gloria. The tenor sings the cantus firmus, overlapped by the bass line and other voices that conceal the melody of L'Homme Arme. If this were played by instrumentalists, rather than vocalists, the tone quality of the varying instruments would serve to open up all the parts to the ear, thus illuminating the cantus firmus as well. This hidden quality of Missa L'Homme Arme suggests the playfulness of Dufay with his compositions.
Really awesome track from this Canadian music genius. Please support the Artist and buy the album! Guillaume Coutu Dumont has been unstoppable over the past three years. Since releasing his debut album, Face AL Est, on Montreals Musique RisquUe label in 2007, the Montreal-born Berliner has released a steady stream of EPs, remixes and compilation tracks for Circus Company, Musique Risquee, Oslo, Cocoon and many more. He has also kept up a nonstop touring schedule, wowing crowds the world over with a dynamic live show that never sounds the same twice. Throughout, he has developed one of the most distinctive styles in contemporary house music-a deep, powerful and original fusion of Afro-Latin percussion, instrumental melodies, soulful vocals, and intricate rhythm programming. Now, with his new album Breaking the Fourth Wall, he takes another big step forward. From dark-and-stormy basement jams to Ethiopian-tinged fantasias, from Afrobeat to ambient house, Breaking the Fourth Wall finds Guillaume venturing far beyond the limits of 4/4 boompty-boompty. He set himself the added challenge of making the album sound as much like the work of a live band as possible. Dave Aju recorded the vocals for On the Lips in his San Francisco studio. Switzerland/Zaires Dynamike, whom Guillaume met at the Montreux Jazz Festival, brings an Afro-beat feel to Radio Novela. Guillaumes longtime collaborators Marc-Andre Charbonneau, Sebastien- Arcand Tourigny and Nicolas Boucher all feature on <b>...</b>
Walking pattern Breaking the fourth wall Circus company Deep House Tech House Funky Groovy Afrobeat electronic music
www.notsonoisy.com PAC-MAN was played by real human-beings sitting in a cinema it's the 5th video performance of the GAME OVER Project from the French-Swiss artist Guillaume Reymond. This stop-motion video was shot and played for the new ProHelvetia's programme GameCulture www.gameculture.ch at the Trafo cinema (Baden, Switzerland) on August 28th 2010. This giant game was played by 111 human pixels that has moved from seat to seat during more than 4 hours... You can find more information and also TETRIS, SPACE INVADERS, PONG and POLE POSITION on our website http // CREDITS // Realisation NOTsoNOISY / Vevey / www.notsonoisy.com Conception, direction and capture GUILLAUME REYMOND Technique & video ANTONIO MARMOLEJO - MARTINE ZOSSO Organisation GAMECULTURE ProHelvetia / www.gameculture.ch SYLVAIN GARDEL - ELISABETH HASLER - SOPHIE LAMPARTER CHRISTINE MATTHEY - AIDA SULJICIC Festival FANTOCHE / Baden / www.fantoche.ch ANDREA FREUND - DUSCHA KISTLER Cinema STERK CINE AG / Baden / www.sterk.ch FRANZISKA STERK KUENG - DEJAN MELLIGER Video solution BARANDAY / Zürich / www.baranday.ch GERONIMO SOMMER - NICOLA VOTTA Additional lights TMS / Forel (Lavaux) / www.tms-online.ch MARC BRIDEL Video & sound editing NOTsoNOISY / Vevey / www.notsonoisy.com GUILLAUME REYMOND
pac-man play real people human live seat chair sit bleachers art interactive performance stop motion animation video game notsonoisy guillaume reymond gameover pacman project cinema baden pro helvetia game culture jeu
With "Guillaume Tell" Rossini finally offered Parisian audiences an original opera in French, though the public wouldn't be too excited by Rossini's experiment with the genre and the opera; coldly received at the premiere, not often performed after, never truly forgotten, but not a popular favorite, the work has only recently went through a veritable Renaissance on the wave of reappraisal belcanto has enjoyed for the past fifty years and it absolutely deserves our reevaluation. Into its historical panorama based on the play by Schiller Rossini wove pastoral elements, patriotic deeds and superbly drawn characters. He responded imaginatively to the challenge of creating a work for the French Opera without abandoning his Italian roots, integrating the belcanto lyricism and formal refinement of Italian opera (mostly evident in the lovers' music) with the declamatory immediacy and scenic splendor (particularly in the extensive choruses and ballets) of French opera. Carefully written, harmonically daring, purged of melodic ornamentation, orchestrally opulent, "Guillaume Tell" represents a final purification of Rossini's style, possibly his best creation. When I first listened through it, I couldn't believe just how ideal it was: the whole opera is composed on one breath, there are virtually no self-borrowings, as Rossini usually did, moreover, each piece has its' logical place in the whole opera, making for a thoroughly delightful experience; the story is exciting and, though <b>...</b>
Rossini Guglielmo Tell Guillaume Overture classical belcanto
Guillaume de Machaut, a leading French composer and poet of the 14th century, was born in Rheims, were he spent the greater part of his life, after earlier employment in the service of John of Luxemburg, King of Bohemia. He was employed subsequently by various members of the nobility, including the future Charles V of France. He held various church benefices and as a musician was pre-eminent in the period in the history of music known as the Ars nova, when composers created music of increased rhythmic complexity. Machaut was a prolific composer of secular vocal music, in the contemporary metrical and musical forms of lais, virelais, ballades and rondeaux.
Hey guys. Follow me: twitter.com I don't come from france, so if I've wrote anything wrong; I'm sorry. I hope you like it. I love french songs :DD I DON'T OWN THIS SONG !
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"The firm grooves of the original version of Letting Go holds the dancers in a tight grip, allowing the gracious sounds to detach from the rhythmical structure of the track, charmingly drifting away. Beloved Canadian house artist Guillaume & the Coutu Dumonts fuses these contrasting energies into on immersive impulse. The complex percussions create a gracefully built grid; adorable chords take the dancers on their enchanting wave." Out At Beatport: www.beatport.com Artist: Ernesto Ferreyra Title: Letting Go (Guillaume & The Coutu Dumonts Remix) Label: Cadenza Release Date: January 31, 2011 Genre: Tech House
Ernesto Ferreyra Letting Go Guillaume & The Coutu Dumonts Remix music luciano Los Domingos Vuelo A Casa tech house 2011 cadenza minimalmelodies
Interpretation of the song Outnumbered by The Devil Wears Prada. Video by Alexandre Charron, Photoshoot (that can be seen on facebook) by Patricia C. Garwood, drums are done by myself for sure! Tattoos by Alexandre Dumas @ Dumas Tattoos. Drums we're recorded by myself & Gabriel Lapalme at my rehearsal space/ home studio. All that with 1 camera.
Guillaume Tanguay Zombie EP The Devil Wears Prada Outbreak Survive Invasion Outnumbered Drums Field Cover Interpretation Ferret Records widescreen anime music devil may horror may cry resident resident evil
Google I/O 2009 - Groovy and Grails in App Engine Guillaume Laforge In this session, Guillaume Laforge, Groovy project manager, will walk you through a rapid introduction to Groovy, to get you up-to-speed with this popular JVM language. Then, he will guide you throughout demos on how to build some Web 2.0 mashups in a few lines of Groovy code, as well as how to deploy Grails application in the cloud. He'll then close the session showing you various ways you can leverage Groovy to even further streamline and simplify the development of App Engine applications, thanks to several tips and tricks only a dynamic language like Groovy can provide. Out of the session, you'll know: - enough of Groovy to get you started with the language - how to setup and configure a new App Engine application to use Groovy - how to write your first Groovy applications - how to deploy Grails applications on App Engine - how you can leverage the Groovy dynamic language to simplify the development of App Engine Groovy-powered applications For presentation slides and all I/O sessions, please go to: code.google.com/events/io/sessions.html
googleio2009 google Google I/O developer conference Java Enterprise App Engine Groovy Grails
Deuxième clip de Guillaume CANTILLON tiré de son album Des ballons rouges en duo avec Dorian (chanteur-producteur Bordelais)
a performance realized by GUILLAUME REYMOND with 1'200 human-beings drawing a giant animated logo for the Swiss national radio COULEUR3 // Logo Humain Géant Couleur3 // COULEUR3 et l'artiste GUILLAUME REYMOND ont mobilisé 1'200 auditeurs dans une performance exceptionnelle pour réaliser un gigantesque logo humain vivant! Directed NOTsoNOISY www.notsonoisy.com Concept and direction GUILLAUME REYMOND / Support DOROTHEA CHUARD, OLIVIER CHUARD, JEAN-LOUIS REYMOND and MARTINE ZOSSO / Video captation ANTONIO MARMOLEJO and ALAIN WIRTH /----------/ Event and communication COULEUR3 www.couleur3.ch YVES DEMAY, DAVID LAMON and URS WENGER Logistics and coordination TRIVIAL MASS www.trivialmass.ch ROMAINE DELALOYE and FLORIAN SCHMIED Music CHRISTOPHE CALPINI /----------(c) 2010 NOTsoNOISY
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part de 2007 filmé par Yohan Taillandier pour la marque Redsand.
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Qui n'a jamais voulu peter un cable contre ces numéros surtaxés qui nous pompe un fric de malade ?! facebook.com Nos super t-shirts : leclubird.spreadshirt.fr Cette vidéo t'a plu et tu veux la faire découvrir à tous tes copains sur facebook ? Clic ici www.facebook.com Abonne - toi au Clubird : www.youtube.com Abonne toi à la chaine personnelle de Guillaume : www.youtube.com Nous Suivre : facebook.com twitter.com www.leclubird.com
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Gioacchino Rossini (1792-1868): Guillaume Tell Overture (Abertura de Guilherme Tell) Herbert von Karajan e Orquestra Filarmônica de Berlim no Concerto de Ano Novo de 1983 No Berlin Concert Hall. Gioacchino Rossini (1792-1868): Guillaume Tell Overture (William Tell Overture) Herbert von Karajan and Berlin Philharmonic Orchestra on New Year's Eve Concert 1983. At Berlin Concert Hall. Visite: www.clas-sicos.blogspot.com
Overture Berlin Philharmonic Herbert Von Karajan Classical Rossini Guillaume Tell Guilherme William Gioacchino Karajan Gioachino Rossini William Tell (opera) Opera
Je n'aime que toi (L) J&J 42 (L) Je t'aime On aimerait bien courir après cette couleur bleue On a la perspective mais d'la merde dans les yeux On aimerait bien entendre le fou rire des enfants Attraper les nuages, sourire plus souvent On aimerait bien aussi nager au creux des vagues Regarder le soleil, trouver tout formidable On aimerait bien... entendre la musique dans son coeur Et pas toute cette merde que crachent les hauts parleurs On aimerait tout oublier souvent Et partir comme ça sans raison Et tout laisser le pire le bon On aimerait pouvoir courir au vent Lâcher les brides, juste cavaler Ne plus sentir toutes ces années On pourrait bien aussi se sentir libéré Ne plus jeter au loin ces cailloux, ces pavés On pourrait dire aussi qu'au fond c'est formidable Vingt mètres carrés pour six Rien à dire c'est pas mal On penserait très fort un ciel sans nuage Comme quand j'étais petit allongé sur la plage C'était Berck ou Dunkerque, mais on y était bien Pas besoin d'Ibiza quand on est qu'un gamin On aimerait tout oublier souvent Et partir comme ça sans raison Et tout laisser le pire le bon On aimerait pouvoir courir au vent Lâcher les brides, juste cavaler Ne plus sentir toutes ces années Mais moi naturellement, je me laisserais emporter J'irai au fil du vent, par-delà les cyprès Mais moi tout simplement, je me laisserais balader J'irai au fil du temps, par-delà mes années J'aimerais t'entendre dire qu'j'ai pas tout à fait tort Qu'on pourrait voir plus loin s'arracher de <b>...</b>
On aimerait bien guillaume cantillon des ballons rouges Kaolin Partons Vite
