Świetne-filmy.com

Here's a comprehensive demo of the Normal, Bright and Bridged channels along with some effects added (Dice Works Muff and Eventide TimeFactor) at the end. There are two other videos on my channel featuring the SA212, one featuring a Les Paul. These can be found at: www.youtube.com and www.youtube.com The HIWATT Custom 50 SA212 is my new amp of choice and I feel lucky to have it. Now I understand why some of my heroes have sworn by them for many years. The guitar in this video is a modded 2006 Fender Clapton Signature Series Stratocaster. The Noiseless pickups and circuitry has been removed and replaced with standard wiring and Mick Brierley's most excellent hand wound pickups. (See: www.brierleyguitarpickups.com.au/) If you like the sound of these pickups Mick can wind you a set, too. I used an SM57 and Pro Tools 9 to record this video. No extra EQ was added but I did use a Waves L3-16 Limiter to keep levels in check. Special thanks to Carole Johnston at CMC Music Australia. Cheers and thanks for watching.

HIWATT Custom 50 SA212 Brett Kingman Eventide Dice Works Muff Diver Finale Timefactor Stratocaster Burgerman 666

Guitarist extraordinaire Blues Saraceno demonstrates what the Studio Stage is all about.

hiwatt hi-watt saraceno studio/stage studio-stage ss212 ss-212 hiwattamplification

This is the Hi-Watt Hi-Gain 100 head being demoed. Fantastic amp with a lot of crunch, very classic crunch to be exact.

Hi-Watt Hiwatt Hi Watt Hi-Gain gain High-Gain 100 Amp Demo Demonstration lamusic Custom Guitars

www.iguitarmag.com Michael Casswell reviews and demos the Custon Hiwatt 50 signature series Amplifier for iGuitar mag. This is a hand built 50 watt combo amp built in the UK. Made from Birch Wood this 2 x 12 is a very reliable ampilfier. Michael demonstates each of the channels on the guitar amp and shows you all of the settings. For more on this Custom hiwatt 50 watt signiture series amp - head to http and take a look at the review section in issue 1.

custom hiwatt 50 watt signiture series amp amplifier demo demonstration review overview what does a hiwatt sound like free guitar guitar amp reviews guitar amp review interactive iguitar mag 2x12 combo michael casswell iguitarmag

2:43 - best clean tones a man can get. period.

hiwatt custom 50 100 dr103 dr504 clean Orange Rocker 30 rockerverb sword stoner low gain amp party high metal matamp tube amplifier guitar blues rock session gibson suhr quality hq solo riff green electric v14 mat mathias country pop tubetone RU

hiwatt higain 50 watt amp I owned one, and was highly disappointed. But this clip is good. Just goes to show you that you can't trust just some clip... A review with soundclip is here: www.musicradar.com

hiwatt higain fender tornado joplin atastymint

ARMAND AND HIWATT AMPS + TELECASTER + ROLAND RYTHM 77

69 SLOY HIWATT TELECASTER ROLAND RYTHM 77 armandgonzalez

Artist: Skinny Puppy Song: Rodent (Ken "Hiwatt" Marshall Remix) (DDT Mix) [7:12] Album: Remix Dystemper Released: Oct 20 1998

Skinny Puppy Remix Dystemper Ken 'hiwatt' Marshall Rodent Music electronic industrial Felix La Poubelle

www.wamplerpedals.com This is Brian Wampler's tip o' the hat to the mighty Soldano amps. It has two gain modes, three band EQ and a very hand Boost circuit that is independent of the gain circuit but also works great with it. This is going straight to my board for a week's worth of gigs and I have big doubts that I'll be removing it anytime soon. Highly recommended. - BK

Wampler Pedals slostortion Soldano Brett Kingman PRS Paul Reed Smith Studio High Gain Distortion HIWATT SA212 Custom 50 Combo Burgerman 666

www.nickbaracchi.com Nick Baracchi testing these three guitar amplifiers. HIWATT CUSTOM 100 DR103 with 2x12" DINO'S CABINET MARSHALL 1974x 1x12" 18w FENDER HOT ROD DEVILLE 4x10" 60w Stomp-boxes used T-REX Comp Nova PRO-CO Keeley RAT IBANEZ Keeley TS-9 IBANEZ CS-9 LINE 6 DL4

hiwatt custom 100 dr103 dr-103 marshall 1974x 1974 fender deville hot rod ibanez ts-0 ts9 pro-co rat keeley line6 dl4 nickbara

You won't find many amps that are better built from a commercial custom workshop. The HIWATT Custom 50 SA212 Combo is one of the cleanest, loudest, bell-like and most pedal friendly amps I've ever heard. Hence it has become my choice of amp for 2011 and beyond. I love it and now see why many of my heroes swear by them, too. Here I've teamed the amp up with my favourite Strat (loaded with Brierley Pickups), a Dice Works Muff Diver Finale (part of a custom Dice Works pedal I commissioned called 'The Overture') and an Eventide TimeFactor. I recorded it with an SM57 to ProTools 9 via an M-Audio ProFire 610. No extra EQ was added but a Waves L3-16 was used as a limiter on the master output. This is from a series of videos on the HIWATT Custom 50 Combo that I'll be uploading shortly. Many thanks to Carole Johnston at CMC Music P/L Australia for her assistance. Cheers, Burgs

HIWATT Custom 50 Stratocaster Eventide timefactor Dice Works Muff Diver Finale Brett Kingman Burgerman Burgerman666 666

www.bearfootfx.com This would have to be one of the most sought after OD's on the planet. After having experienced it for the last couple of weeks I can fully understand why. Bearfoot Guitar Effects is basically the great Don Rusk. BJFe, originators of the Honey Bee OD is one Bjorn Juhl. Together they have teamed up to boost production of the latter's legendary overdrive so that more of us can enjoy it. Here it is. Oh! You'll notice a lovely looking Dyna Red Distortion waiting patiently behind the HBOD; that video is coming next. Cheers, Burg.

Bearfoot Effects Don Rusk Donner Bjorn Juhl Bjf bjfe Honey Bee Overdrive OD PRS Studio Paul Reed Smith HIWATT SA212 Cust Burgerman 666

www.weehbo.com The HELLDRÏVE is classed by Eike at Weehbo as a low to medium gain dynamic overdrive. And compared to the Weehbo Morbid Drive, it is. However it has a lot of gain on tap and its potent combination of FIRE!, Balls, Input and 5 inner trimpots will give you plenty of scope to tailor your sound. The main thing is, though, that its fundamental sound is killer and the aforementioned controls just let you fine tune it. It's expensive, yes. But the HELLDRÏVE is also handmade in Germany with the attention to detail that is stereotypically expected from that country. The pedal is solid inside and out, looks great and sounds even better. Do I like the Weehbo pedals? Very much. All class and they sound great. Can't argue with that! The HELLDRÏVE is the first of four Weehbo demos that I'll be uploading. The others include the Plexdrive, Morbid Drive and JCM Drive. For this video I miked the HIWATT Custom 50 SA212 with a Violet Design 'The Amethyst' condenser, about 4 inches from the centre of the right speaker. The mic fed an M-Audio ProFire 610. Pro Tools 9 recorded it. On the channel strip I inserted a Waves CLA Guitars plug to bring to you what the mic cannot - thud and the feel of being in the same room as a cranked HIWATT. A Waves L3-16 Limiter was inserted over the Master Output to keep levels in check. That's it. Thanks for watching! BK2011

Weehbo Effekte Brett Kingman HIWATT SA212 Overdrive HELLDRÏVE Les Paul Booster Burgerman 666

www.stompbox.de Heiko over at OKKO in Germany makes some of Europe's (and the world's) best pedals. The Diablo is a classic example. It has tons of tone shaping capability, versatility, it's built well, has great looks and it's fundamental tone is killer. This one's a keeper for me and can compete easily with the higher end of other great drives I have in my possession. This video was made with a Larry Corsa modded Les Paul (Peter Green '59 Burst specs) and a HIWATT Custom 50 SA212 amp. A Shure SM57 handled the microphone duties and Pro Tools 9.02 did the recording honours via an M-Audio ProFire 610. Cheers, Brett K.

OKKO DIABLO LES PAUL Brett Kingman Heiko Overdrive distortion Hiwatt Custom 50 SA212 Burgerman 666

www.tech21nyc.com What do I think of the Roto Choir? Well, I have one particularly high end Leslie sim at my disposal to compare it to and I have to say that the difference is marginal. This is a versatile, no-fuss and small-footprint solution that won't cost you an arm and a leg. I like it. A lot. From the Tech 21 website "No musician can deny the deep, swirling glory of a vintage rotating speaker cabinet, that uniquely lush, pulsing tone that brings any instrument to life. So, why doesn't everyone use one? Because they are the size and weight of a bulky refrigerator, cost big bucks and are more high-maintenance than a platinum diva. But, imagine getting all of that inspiringly rich modulation with cutting-edge features in a studio-quiet, road-worthy pedal. Just one little pedal. Now imagine you can use that pedal with guitar and to record direct. The Roto Choir recreates both the rotating lower speaker and the treble rotor horn --the only way to attain that complex, multi-dimensional tone. In fact, the Roto Choir utilizes a specifically formulated SansAmp technology to deliver the entire signal chain --from the original tube power amp to the speaker and high-frequency rotor horn, to the microphone used to capture it. This is HD, 3D emulation. The simple controls hide a wealth of options. Drive adds just the right amount of compression, harmonics and grit. Low and High sculpt the tube amp emulation with powerful EQ curves. The Fast/Slow footswitch allows users to ramp up <b>...</b>

Brett Kingman Tech 21 NYC Boost Chorus Vibe Rotovibe HIWATT SA112 PRS Studio Burgerman 666

This is using a backing track that I downloaded from Gilmourish.com. I am playing the lead guitar only. The lead guitar is improvised and sloppy at that. I will not be providing transcriptions. This recorded is PURE Hiwatt tone!!! The signal chain is as follows: Ibanez Artcore (with Dimarzio Humbuckers), Smart People Factory Ego Booster, Hiwatt DG-504, Hughes & Kettner 2x12 w/ Vintage 30's, SM57, Pro Tools. The reason I used a Booster pedal is because Hiwatts are notoriously clean amps and I wanted a little drive without coloring the amp. A booster pedal just sends more signal to the input of the amp and drives the amps own preamp section so you get natural tube drive. A lot of people that use Hiwatts and other amps use booster pedals. Clyde

Hiwatt David Gilmour Pete Townshend DG 504 DG 103 DR 103 DR 504 Ibanez Ego Booster Shure SM57 Pink Floyd Clyde 67

No Pedals used. www.myspace.com/allrightnowband My 1969 hiwatt being shown for those interested in the Balance cicuit. A touch of reverb added at mixdown. For those who cannot see the Balance control and Switch setting too clearly: We start with the Balance control full up and the switch disengaged. At 00.31 I turn the Balance to slightly less than half way. 00.43 sees the Balance at about 9 o'clock. 00.54 sees the Switch engaged, note the Balance control is now ineffective. 01.19 disengages the Switch. 01.25 Balance back up to full. 01.39 sees the Switch engaged again. 02.09 sees the Switch disengaged, Balance control is now operative again. 02.22 sees the Switch engaged again. 02.50 Switch disengaged. 03.05 Balance taken down to half. 03.08 Balance taken to 10 O'clock. 03.14 Balance back up to full. 03.21 Switch engaged again.

Hiwatt SAP Balance control Demo DR 201 1969 KT88 roy smith all right now skaboosh

www.fealabs.com A fuzz that is equally as good with guitar or bass. Check. A switchable Octave mode with its own level control. Check. A Dry blend knob to roll in natural tone and bottom end from your instrument. Check. 3 Band EQ. Check. Internal Dip Switches to further tailor filters and EQ options. Check. Built to withstand serious abuse. Check. Sounds excellent? Check. Brilliant. Check. Bass demo coming shortly. Check. Thanks for watching. BK2011.

FEA Labs Photon fuzz Octave guitar bass Appleton Glen Frank Brett Kingman HIWATT SA212 Custom 50 Telecaster Mick Brierle Burgerman 666

This is a demonstration of the 50 Watt Hiwatt clone I just finished building from a Weber 6H50 kit. I modified the stock circuit by replacing all the signal capacitors with higher grade Mallory caps. The amp has 4 12AX7 preamp tubes and 2 KT-66 power tubes. The amp is being played through a 4x12 Peavey 5150 cabinet loaded with Celestion G12T-75 speakers. The audio was recorded with an SM57 miking the cabinet and recorded directly into a MOTU Traveler interface. I used a PRS SE Singlecut on the bridge pickup to demonstrate the amp. Please excuse my playing. It's been a while, and I'm a bit rusty. Plus, the guitar does go out of tune in a few spots, so I apologize in advance.

Hiwatt 50 Watt Clone 4x12 Peavey 5150 PRS SE Singlecut Bridge Pickup Def Leppard The Who Classic Rock Vintage Tone Celestion G12T-75 DR-503 guitar amp demo Weber 6H50 kit Mallory capacitors hand wired handwired point to point diy imagimotion

www.skreddypedals.com A super-gorgeous phaser hybrid from the great Marc Ahlfs at Skreddy Pedals. Here 'tis with a PRS Studio to a HIWATT Custom 50 Combo (SA212). Swish...

skreddy pedals paradigm shift phaser vibe vibrato marc ahlfs brett kingman prs paul reed smith studio hiwatt sa212 custom 50 Burgerman 666

www.bearfootfx.com Four great pedals from BJFe - together. I decided to run them into the HIWATT with a Tele in an attempt to bring out just some of their many qualities. I hope it gives you an idea of what these fab stomps are capable of independently and together. Great work, Donner and Bjorn! Cheers, Brett K

Dyna Red Distortion modelh Honey Bee Overdrive Mini Mint Vibe Green Brett Kingman Don Rusk Donner bjfe BJF Pedals Guitar Burgerman 666

www.maxonfx.com http From the Maxon website: "This new RTC600 Compressor replaces the original Real Tube RCP660 Compressor. The RTC600 is a studio-grade Tube Compressor Preamp in a compact Stompbox format. The RTC600 uses a precision RMS level Detection circuit and high-performance VCA to create a warm yet bold compression sound with ultra-low noise floor. Its five controls can create a wide variety of effects, including "Brick Wall" limiting and "Soft Knee" compression. Every aspect of the RTC600 has been re-thought and redesigned to provide a lifetime of trouble-free performance. The tube position comes pre-compression, adding classic valve warmth without increasing the noise level. As soon as power is applied to the pedal, an In-Rush Current control begins heating the tube at a very low voltage (much like a tube amp standby switch) to dramatically extend tube life. The RTC600 features an internal charge pump circuit that bumps the incoming voltage up to 25 volts, providing massive headroom and full-range frequency response. The RTC600 is perfect for use with any instrument or application and can be sent into an amp's front end, placed in an effects loop, or used as an outboard processor for home recordings. The RTC600's Front-Panel Controls are as follows - THRESHOLD - variable between 0 dBu and 40 dBu, allows the user to select the dynamic level at which the compression kicks in. GAIN - +30 dB of clean Gain allows user to match effect and bypass levels or use RTC600 <b>...</b>

Maxon RTC600 Compressor Limiter PRS Studio HIWATT SA112 Paul Reed Smith Brett Kingman Burgerman Burgerman666 Godlyke 666

www.bearfootfx.com A classic in the making? The current buzz would certainly suggest so. There are quite a few HIWATT-type pedals on the market now. The Model H is hotter than most and has a distinctive cutting midrange to help you through the din of bass and drums on stage. Its clean-up qualities are exceptional, too. A sister video featuring a Les Paul will be uploaded soon. Enjoy! B.

Model HIWATT Custom Pete Townsend Brett Kingman Donner Bjorn Bearfoot FX Effects Overdrive Distortion Rusk Stratocaster Brierley pickups Burgerman 666

www.toyroomguitareffects.com This one comes from Sydney with love (and nastiness). Great fuzz action from Toyroom Effects. I'm not sure whether Tim has thought of an appropriate name for it yet. Sadie came up with "Tickled Onions Fuzz". Nice.

Tim Green Toyroom Effects Fuzz Brett Kingman Jazzmaster HIWATT SA212 Custom 50 Burgerman 666

www.myspace.com/allrightnowband Les Paul, bunch of pedals, same recording settings as the PARK 45 Top Mount video

Hiwatt DR201 SAP skaboosh

Guitarist extraordinaire Blues Saraceno demonstrates what the Studio Stage is all about.

hiwatt hi-watt saraceno studio/stage studio-stage hiwattamplification

www.freekishblues.com 27 June 2011 There is some controversy surrounding this pedal that many of you would be aware of. However, the videos that I've made for the Alpha Drive will remain up for everyone's reference, controversy or no. The hype surrounding this pedal is deserved in my opinion. In the short time that I've had the Alpha Drive it has become one of my top 5 drives. Here it is with a Telecaster to a very clean HIWATT SA212. The sweet 'Dumblish' bits are towards the end after I kick in the Eventide for some space. By the way, the Tele has Mick Brierley pickups in it and you can find them at www.brierleyguitarpickups.com.au Thanks also to Mark Lodge at HIWATT. See www.hiwatt.co.uk.

Freekish Blues Alpha Drive Brett Kingman Thaddeus Hogarth overdrive dumble hiwatt brierley mick sa212 Burgerman 666

www.PenfarFX.com Impeccable work inside and out with a sound to match, the PenfarFX Fat Foot is definitely worth checking out before you splash out on your next fuzz. My friend Eric down in Kentucky calls it a, "very, very, great build" and I agree with him wholeheartedly. Chad, thanks. I'd wish you good luck but I don't think you'll need it because you're already in front. BK2011.

Penfar FX Brett Kingman Chad Leavitt Fat Foot Silicon Fuzz Telecaster HIWATT SA212 Burgerman 666

www.stompbox.de Heiko over at OKKO in Germany makes some of Europe's (and the world's) best pedals. The Diablo is a classic example. It has tons of tone shaping capability, versatility, it's built well, has great looks and it's fundamental tone is killer. This one's a keeper for me and can compete easily with the higher end of other great drives I have in my possession. The Diablo can operate in two modes LO and HI. In HI mode you get a less compressed, more dynamic (and louder) sound. This is what you're hearing here. LO mode is great for more distortion due to its extra compression. LO mode may also be better for 'bedroom' level playing whereas HI mode will enable you to roar on stage. I'll take HI, thanks. :) This video was made with a 2006 Clapton Strat fitted with Mick Brierley 'Burgs' Hand Wound Pickups (see: www.brierleyguitarpickups.com.au) and a HIWATT Custom 50 SA212 amp. A Shure SM57 handled the microphone duties and Pro Tools 9.02 did the recording honours via an M-Audio ProFire 610.

OKKO DIABLO Stratocaster Mick Brierley Hand Wound Pickups Brett Kingman Heiko Overdrive distortion Hiwatt Custom 50 SA212 Burgerman 666

www.basicaudio.net Are you looking for a crossover overdrive with serious tone shaping facilities? You may have just found what you're looking for.. John Lyons of Basic Audio is renowned in the boutique pedal world for his top shelf circuit and enclosure design. There are no compromises, only attention to detail and super high quality. Check them out. Cheers, BK

Futureman Les Paul fuzz overdrive Basic Audio John Lyons Brett Kingman Burgerman666 Burgerman Larry Corsa HIWATT Custom SA212 666

www.bearfootfx.com This is a very tasty dirt box. It cleans up beautifully when I roll the guitar's volume back and snarls when I dig in. The 'amp-like' description is justified in my opinion. Another winner from BJFe/Bearfoot Effects. From the website: "The Dyna Red is a classic distortion that immediatley sounds familiar. What sets the DRD apart is that it also manages to mimic the FEEL of a healthy plexibasketweaver. While it is known for its crunchy classic rock distortion - it also has a very tasty just above driven sound that really shows off its dynamic abilities. The DRD can be safely used between 5 and 15 v. BearFoot is a collaboration between BJFelectronics and DonnerBox to produce some of Bjorn Juhl's best designs in greater numbers and at lower prices. All BearFoot products are designed by Bjorn and handmade by Donnerbox in St. Louis, MO. USA."

bearfootfx Effects Dyna Red Distortion Brett Kingman Bjorn Juhl Don Rusk Donner Donnerbox HIWATT SA212 Custom 50 PRS Studio Paul Reed Smith Honey Bee Overdrive Burgerman 666

Paul Reed Smith Standard 24 Sennheiser EW172 wireless ISP Technologies Decimator noise reduction pedal Rolls/RFX RP-93S MIDI switcher Hiwatt Series 2000 PRE-1 preamp Mesa/Boogie Rectifier recording preamp Mesa/Boogie Studio preamp Soldano SP-77 series II preamp Lexicon MPX-G2 FX Lexicon MPX-R1 MIDI footcontroller Randall RT2/50 power amp Randall R212CS 2x12" cabinet w/ Celestion Classic Lead 80's Randall RA412XLT 4x12" cabinet w/ Celestion Vintage 30's George Ls vintage red cable Monster Power 900 power conditioner

gearacquisitionsyndrome bduersch

www.clinchfx.com This video shows how EP+ works with a clean guitar (PRS Studio) and then goes on to demo it with a Catalinbread Silverkiss MKII and Subdecay Echobox.

Clinch FX clinchfx EP-Pre EP+ Booster Boost Clean Brett Kingman Burgerman Echoplex Catalinbread Subdecay Silver Kiss II Echobox HIWATT PRS Paul Reed Smith Studio SA212 Custom 50 666

Guitarist extraordinaire Blues Saraceno demonstrates what the Studio Stage is all about.

hiwatt hi-watt saraceno sarraceno seraceno serraceno studio stage hiwattamplification

Bobby Devito demo Catalinbread WIIO distortion Hiwatt pedal -- the new distortion pedal from Catalinbread, that attempts to get the HIWATT sound in a box, and does a pretty darn good job of it too!

Bobby Devito demo Catalinbread WIIO distortion Hiwatt pedal Nolatone 22 Tango Mad Professor Deep Blue Delay roccotanto

www.stompbox.de Here's a very quick, no frills demo of the mighty OKKO Dominator. The Dominator is made for serious rock and has great attack, gain and EQ versatility. It's not made for low-gain or medium gain; it's made to crush. In fact, you might notice the picture 'shaking'. This was caused by the sound pressure level in the room when I was recording. It was seriously loud. (Sorry, neighbours!) You'll hear a heap of mid shaping possibilities, helped greatly by the three-way mid frequency rocker switch on the top face between the jacks (very important). Watch the demo just for that bit. I'm using a Charvel Music Zoo Custom Shop Koa H (2010) with an SH-5 in the bridge position and a '59n in the neck position. The amp is a HIWATT Custom Shop SA212, I've miked it with an SM57 and a Violet Design The Amethyst (left and right respectively with light panning.) The guitar is in standard tuning because most videos featuring this pedal feature dropped tuning or 7 strings. I will, however, feature a video soon with the ESP T7 tuned to B (with EMG's). Rock on. -Burgs.

Brett Kingman OKKO Dominator high gain distortion HIWATT SA212 Charvel KOA Burgerman 666

www.weehbo.com Looking for a well built and very convincing Plexi in a box? Well folks, perhaps you've found it. I give you the Weehbo Plexdrive. BK

Weehbo Effekte Plexdrive Charvel San Dimas HIWATT Custom 50 SA212 Brett Kingman Burgerman Burgerman666 Plexi 666

Just got a Hiwatt this week, a Biacrown from 1981. I changed the resistors on the input jacks to 33k, it was brighter than I like with the 1 megs. I also removed the OL circuit to bring it closer to early 70s specs. I am loving the amp! With a Tele ( Squier Classic Vibe) it is still very crisp, great clarity and punch. The cam mic exaggerates the top end, as it is much fuller sounding than the clip, but you still get the idea. ... Using a Weber Mass 200, into a 2/12 cab loaded with an Emi Swamp Thang and an old Emi GB12. A combo I really love.....

HIWATT DR 504 Custom 50 Squier Tele Telecaster Classic Vibe Kevin Schafer Invasion From Planet K Kevlar3000 The Who kevlar 3000

Part 1 of my dual demonstration of my Maton MS503 and Hiwatt Custom 20. This part shows clean, and slighty overdiven tones. Maton has been heavily modified to the best of its potential. Lots of tasty upgrades, which I will list below. Hiwatt is handwired in the UK out of their custom shop. All class A, point to point. That is going through a 2x12 Hiwatt cabinet, loaded with 12" Fane speakers. Just a heads up! The first 2 & 1/2 minutes of this video is talking. Just a spiel about the modifications done to the guitar, details about the amp, and recording set up. So if you are one of those who doesnt like talking at the start of demo's - you have been duly warned! =) If you wanna just see the playing, skip to 2:28 Also, the reason why I detail the recording set up, is I myself dont like watching video demos and not knowing how they are recorded - for lots of reasons. And im sure im not alone! Oh, and Ill be the first to admit, Im not a gun guitar player, and this demo isnt about my playing, its all about the tone! So on that note, think twice before verbally abusing my bad playing, etc =) Other than that, enjoy the demo and look up Maton guitars - they are an amazing Australian guitar manufacturer who make world class guitars! Cheers! Upgrades are as follows; - A set of Seymour Duncan SP90-1 Vintage Soapbar pickups - Gotoh Bridge and lightweight tailpeice - Custom cut pickguard - CTS pots - Mallory Capacitors - Switchcraft Jack - Upgraded wiring - Nickel Vintage Telecaster <b>...</b>

Maton Mastersound MS503 Hiwatt Custom 20 Fane 2x12 Gibson Guitar Demo Amp Marshall Messiah EBG808 Alesis i02 Express DBX Shure SM57 Gotoh Seymour Duncan CTS Grover ryanofconway