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Heaven 17 first live performance captured on The Tube in 1986. A fantastic funky track and perhaps one of the the finest songs they ever made! Introduced by the late Paula Yates. Originating from Sheffield, Ian Craig Marsh and Martyn Ware formed Heaven 17 with vocalists Glenn Gregory after they split from The Human League in 1980. Supporting vocals from Carol Kenyon.

Heaven 17 We are contenders The Tube The Human League Pleasure One Craig Marsh Martyn Ware Glenn Gregory Funky 1986 Paula Yates Carol Kenyon

Two sequencer lines are being sent from the Doepfer A 115 sequencer, to the Roland System 100 with the addition of one System 100 overdub for the space sound effects. This piece is dedicated to Martyn Ware, Ian Craig Marsh, Philip Oakey, Adrian Wright

Roland System 100 115 Sequencer. Doepfer Martyn Ware Ian Craig Marsh Philip Oakey Adrian Wright

HQ audio version: www.youtube.com Christmas Day, 1983: Temptation, Heaven 17. Top of the Pops, BBC1. Features Carol Kenyon on vocals. Reached no. 2 on the UK singles chart in May 1983, kept off number one by Spandau Ballet's hit True. Interestingly, the woman featured in the official Temptation promotional video is not Carol Kenyon. Trivia: when this track hit number two in the charts it displaced The Human League with (Keep Feeling) Fascination from that position, (also held off the number one spot by Spandau Ballet); Martyn Ware and Ian Craig Marsh (both playing keyboards here) used to be members of The Human League until 1980 when the group split. They then formed Heaven 17 with lead vocalist Glenn Gregory. TOTP presenters: Janice Long and Andy Peebles.

1983 80s 1980s eighties Heaven 17 Temptation Carol Kenyon Glenn Gregory Martyn Ware Ian Craig Marsh new wave Sheffield Luxury Gap BEF British Electric Foundation Janice Long Andy Peebles Top of the Pops Christmas Trainspotting

My c20xe corsa on the limiter in response to mortons redtop on the limiter

redtop red top c20 xe let 2.0 2.0l litre 16v valve mini corsa frome skyline love guru craig marsh

Top clip of the original line-up performing a song from the first album on some programme called "Mainstream". Repeated as part of the "Sounds of the Seventies" series, hence the daft bookending with Paul Darrow and Patrick Troughton.

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In June of 1977, Adi Newton, Martyn Ware and Ian Craig Marsh, formed a group called The Dead Daughters, their next incarnation was the Studs. The group which consisted of Adi Newton, Martyn Ware, Ian Craig Marsh (Future, The (3)), Glenn Gregory (Heaven 17), Richard H. Kirk, Stephen Mallinder, Chris Watson (Cabaret Voltaire), and Haydn Boyes-Weston (2.3). For a short period prior to forming Clock DVA, Adi Newton was one of the three members of the Future who later went on to form The Human League and later as Heaven 17. Shortly after their formation Adi Newton left and was replaced by Philip Oakey: the future ended as quickly as it had begun, they changed their name to The Human League and released "Being Boiled". Then, Adi Newton teamed up with his friend Stephen "Judd" James Turner and formed ClockDVA and recruited two additional members David James Hammond for guitar and Simon Mark Elliot Kemp for electronics. In May 1981 Paul Browse joined Clock DVA and remained a constant member until relocating to Berlin in 1989 where he began his Effective Force project for MFS.

Clock dva Lagowski system 01 Adi Newton Seti Throbbing Gristle TAGC cabaret voltaire Psychophysicist digital Soundtrack

Human League - Marianne 1980 1st released on the Holiday 80 EP Later added as a bonus track to the CD issue of the Travelogue album This song features the original League line-up; Phil Oakey Ian Craig Marsh Martyn Ware Adrian Wright Soon after this release in late 1980 Ian and Martyn left and started a project called the BEF (British Electric Foundation) and went on to form Heaven 17. Phil and Adrian continued with the Human League name and went on to huge commercial success with the Dare album. Heaven 17 also went on to have chart success, including a UK #2 hit with Temptation. Electro, Synthpop.

Human League Marianne Holiday 80 Heaven 17 Oakey Marsh Ware Wright

Heaven 17 are an English synthpop band originating from Sheffield in the early 1980s. The trio comprises Martyn Ware (keyboards), Ian Craig Marsh (keyboards) (both previously with The Human League) and Glenn Gregory (vocals). Although most of the band's music was recorded in the 1980s, they have occasionally reformed to record and perform since then, playing their first ever live concerts in 1997. In 1983 the band released "Temptation" (on which they were augmented by vocalist Carol Kenyon), which reached Number 2 on the UK Singles Chart in Spring 1983 and became their biggest hit. The song was taken from their second album, The Luxury Gap, which featured further chart hits "Come Live with Me" (UK Number 5) and "Crushed by the Wheels of Industry" (UK Number 17). The album itself charted at Number 4 in the UK Albums Chart, their highest ever position and was certified platinum by the BPI in 1984.

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Original video from 1983. Also available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] heaven17.com

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Produced by British Electric Foundation. Remixed by Chris Nelson. B-side of the US 12", released in 1982. facebook.com | facebook.com

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Taken from the album Penthouse and Pavement.... One of Heaven 17's finest.

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Original video from 1983. Also available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] heaven17.com

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Original video from 1981, available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] www.heaven17.com

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Produced by British Electric Foundation. Engineered by Pete Walsh. From the 12", released in 1981. facebook.com | facebook.com

1981 80s synth pop electronic disco-not-disco funk new romantic synth-pop synthpop new wave vinyl maxi-single virgin bef martyn ware ian craig marsh glenn gregory john wilson walsh buddha human league the future heaven 17 play to win penthouse pavement

Original video from 'Sunset Now', 1984. Available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] heaven17.com

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Taken from the album Penthouse And Pavement

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BEF "British Electronic Foundation" Music of Quality and Distinction Volume One (1982) Glenn Gregory sings "Wichita Lineman" BEF are: Ian Craig Marsh Martyn Ware Glenn Gregory

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Sheffields finest :-)

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The League's finest moment ?

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Recorded at BBC Maida Vale studios August 8 1978, tx on John Peel's Radio 1 show August 16. The League's cover of the Righteous Bros. 1964 hit, in their own inimitable minimal electronic style. The band later split in acrimony with Ian Marsh and Martyn Ware leaving to form British Electric Federation/Heaven 17. Oakey and Wright remained, and the rest is synthpop megabucks history. When recording the Dare sessions they demoed a cover of River Deep, Mountain High which was in truth probably a bridge too far and it fortunately never saw the light of day.

The Human League Sheffield electronic synthesizer synthpop new wave ABC Cabaret Voltaire Vice Versa Phil Oakey Ian Craig Marsh Martyn Ware Adrian Wright

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Morale, taken from the leagues first album, Reproduction, 1979

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In the series of HIDDEN GEMS a remarkable track from their much underrated 1988 album TEDDY BEAR, DUKE & PSYCHO (audio)

Martyn Ware glenn gregory ian craig-marsh heaven 17 electronic pop pioneers jm hidden gems series it's not my responsibility if You say love me from the much underrated 1988 album teddy bear duke and psycho 80s flashback really pain to type in these tags for 3rd time but hey some survivors may find it well worth effort

Original video from 1982. Also available on Sight & Sound: The Greatest Hits. Heaven 17 online: [w] heaven17.com

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"Just below the threshold of detection is something you can't touch, taste, see or hear." -audio-

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I have combined bits of a black and white 1973 soviet "slideshow", together with music from the Human League's 1979 four track concept EP about the soviet space programme. This one's for Yuri. No copyright infringement intended.

Yuri Gagarin soviet cosmonaut Юрий Гагарин flexi disc slideshow april 12 human league Созвездье Гагарина philip oakey ian craig marsh martyn ware part 1

Don't know if YouTube'll let me put this up, I had to share this version.

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Produced & engineered by The Human League & Richard Manwaring. From the album Travelogue, released in 1980. Played in zyron.c64.org www.facebook.com | www.facebook.com

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New Version from 1983 and B-Side from "Come live with me" 12" also features "Song with no name" as a new version too. Vinyl-Copy British Electric Foundation Producer BEF Greg Walsh

Glenn Gregory Martyn Ware Ian Craig Marsh Wave Pop 80s Rare Electronic Synth Electronic Music

"You know... HISTORY!" (Audio) Stop for a minute - if You like - to revisit this pure and true late 80s gem, even if the song title may demand otherwise...

heaven 17 teddy bear duke and psycho 1988 levitating tune brilliant piano solo stellar strings most of all show me another yuppie anthem that contradicts itself elegant in the end martyn ware glenn gregory ian craig-marsh remember music? jm tribute 2010!

The incredible post-punk Sheffield scene of the late-70s and early 80s spawned some of the best and most influential electronic/new wave music ever released, and Clock DVA were a major part of it. In June 1977, Adi Newton, Martyn Ware and Ian Craig Marsh formed a group called The Dead Daughters, to perform at a private party held in bar in the University of Sheffield for one performance only. Their next incarnation was the legendary and mythological Studs, consisting of Adi Newton, Martyn Ware, Ian Craig Marsh (The Future), Glenn Gregory (Heaven 17), Richard H Kirk, Stephen Mallinder, Chris Watson ( Cabaret Voltaire), and Hayden Boyes-Weston (2.3). For a short period prior to forming Clock DVA Adi Newton was one of the three members of The Future - who later went on to become The Human League and later still Heaven 17, a name taken from the Music Chart listing in the film A Clockwork Orange. The Future's music explored the boundaries of experimental electronics which was fuelled by their mutual infatuation with futurisism in all its varied forms. The band produced a number of recordings including versions of Almost Medieval, Blank Clocks, Dancevision, Looking for the Black Haired Girls and Future Religion. Shortly after their formation Adi Newton departed due to a conflict of ideas. The Future was based purely in electronic music with no acoustics, and Newton felt restrictions placed by this doctrine would limit possibilities he wanted to explore. He was replaced by Phil <b>...</b>

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Heaven 17 online: [w] heaven17.com Glenn and Ian on UK Saturday morning show Get Fresh, fronted by Gareth "Gaz Top" Jones and Gilbert, the green alien. Performances of 'The Ballad of Go Go Brown' and 'Train of Love In Motion'. [Apologies for the poor VHS quality]

heaven 17 the ballad go brown train of love in motion glenn gregory ian craig marsh get fresh 1988

The Human League - Don't You Want Me (1981) Virgin. Album: The Human League - Dare (1981) Virgin.

The Human League Don't You Want Me 1981 video new wave new romantic synth-pop Philip Oakey Susan Ann Sulley Joanne Catherall Martyn Ware Ian Craig Marsh Philip Adrian Wright

Heaven 17 vs Lonely Goatherd - "Gonna Make You", white label remix from 2006. Based on the track "I'm Gonna Make You Fall In Love With Me" from the 2005 album "Before / After". Hear it in full technicolour at: www.lonelygoatherdmusic.com

Heaven 17 H17 Lonely Goatherd Gonna Make You Remix Club Trance Before After Martyn Ware Glenn Gregory Ian Craig Marsh

Heaven 17 live at the Corn Exchange, Brighton, 30-11-2010 Ok, ready, let's do it

Heaven 17 Being Boiled Glenn Gregory Martyn Ware Human League Philip Oakey Ian Craig Marsh Adrian Wright Buddha Silkworms

Human League began in the late 1970s as the brainchild of two computer operators, Ian Craig Marsh and Martyn Ware, from Sheffield, England. They tried a number of names including the Dead Daughters and the Future until settling upon the Human League after former hospital porter, Philip Oakey, joined the group. Adrian Wright joined shortly thereafter to prepare slide shows for projection during the group's live performances. The first single, Being Boiled, was released in 1978, but the group did not make the charts in the UK until the release of Holiday 80 in the spring of 1980. As a result the Human League's second album Travelogue made the UK Top 20. By 1980 the Human League began to feel strain between the pop music favored by Philip Oakey and Adrian Wright and the more austere electronic sounds favored by Ian Craig Marsh and Martyn Ware. In October 1980 the group split in half. Ware and Marsh left to begin a project called the British Electric Foundation whose first spinoff was the group Heaven 17 and their hit (We Don't Need This) Fascist Groove Thang. Of the remaining Human League pair, only Philip Oakey was a performer. With determination to complete a European tour, Adrian Wright began learning to play synthesizer and two female singers, Susan Ann Sulley and Joanne Catherall, were recruited from among the dancers at Sheffield's Crazy Daisy disco. Bassist Ian Burden was also added as a temporary group member. Early in 1981 the new Human League hooked up with <b>...</b>

Human League Don't You Want Me live classic video videoclips videomusic clip music musica song retro 80 80s

1983) The original Heaven 17 video, directed by Steve Barron featured the band dressed in black, in drab, grey surroundings in a style of German expressionism and had segments of (what looks like) an abstract office interview of some kind between vocalists Glenn Gregory and a Carol Kenyon lookalike interspersed throughout. Kenyon herself does not feature in the video. ________________________________ Taking their name from the Anthony Burgess novel A Clockwork Orange, the UK techno-pop trio Heaven 17 grew out of the experimental dance project the British Electric Foundation, itself an offshoot of the electro-pop outfit Human League. The core of Heaven 17 was comprised of Martyn Ware and Ian Craig Marsh, a pair of onetime computer operators who first teamed in 1977 as the Dead Daughters, a duo which integrated synthesizer patterns with a heavy reliance on tape loops. Soon, Ware and Marsh were joined by Philip Oakey and Adi Newton and changed their name to the Human League, where they remained before exiting together in 1980. As a means of establishing the synthesizer as an expressive, human instrument, Marsh and Ware formed the British Electric Foundation, a production project which employed a variety of musicians and singers including Tina Turner, Sandie Shaw, and Gary Glitter. The BEF's debut, 1980's Music of Quality and Distinction, Vol. 1, also included vocalist Glenn Gregory, a former photographer whom Ware and Marsh met at a Sheffield drama center; in 1981, the duo <b>...</b>

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Penthouse and Pavement is the debut album by the English synthpop group Heaven 17, released in 1981. The first single, "(We Don't Need This) Fascist Groove Thang", best demonstrates the left-wing outlook of the lyrics, criticising certain aspects of Britain at the beginning of the 1980s which was under the leadership of Prime Minister Margaret Thatcher. The song was famously banned by Radio 1 disc jockey Mike Read (himself a Conservative and follower of Thatcher) for being overtly political. Other themes explored include nuclear war, religious extremism, American influence in the world and the rise of the Yuppie. Heaven 17 drew on R&B and funk to create pop-friendly, danceable hooks. The album charted at No. 14 and remained in the Top 75 for 76 weeks. The album was played live in its entirety by the band in a series of concerts throughout 2010, one of which (in Sheffield) was filmed and shown on BBC Two on 16 May 2010. A documentary about the making of the album was screened the following night. This album is featured in the book 1001 Albums You Must Hear Before You Die. Original Personnel: Glenn Gregory - Vocals Ian Craig Marsh - Synthesisers, Saxophone, Percussion Martyn Ware - Synthesisers, Piano, Percussion and Backing Vocals ... and: Malcolm Veale - Synthesisers, Saxophone Josie James - Vocals on Penthouse and Pavement Steve Travell - Piano on Soul Warfare The Boys of Buddha - Synthetic Horns John Wilson - Bass guitar, Guitar and Guitar Synthesisers on Pavement side <b>...</b>

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Recorded in Sheffield in the late 70's by Philip Oakey -- Vocals & synthesizer Martyn Ware -- Vocals & synthesizer Ian Craig Marsh -- Synthesizer & devices. Released in 2002 on the album The Golden Hour of the Future.

The Human League Once Upon A Time In The West Electronic Music