Wynton Marsalis performing the Carnival Of Venice with the Boston Pops Orchestra. John Williams is conducting. This was performed as an encore. Prior to this, he played the Haydn Trumpet Concerto in Eb. After the Carnival of Venice he then played two jazz pieces with Sarah Vaughn.
Trombone Shorty vs. Wynton Marsalis House of Blues New Orleans, New Orleans, LA Fri, Apr 24, 2009 08:00 PM
This is Wynton Marsalis performing Duke Ellington's "Portrait of Louis Armstrong", originally done by Cootie Williams. This was performed in 2002 with the JLCO. Ignore that little center thing at the beginning, I had to use a free video converter and it put that up as an advertisement. Enjoy as Wynton screams this version of Portrait!
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Branford Marsalis - In the Crease Branford Marsalis - tenor sax Joe Calderazzo - piano Eric Revis - bass Justin Faulkner - drums Jazz sous les Pommiers 2009
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"Catching a Snake" is a 1985 documentary done by A & E. This 52 minute profile follows Wynton from his childhood home in New Orleans, through the jazz clubs of New York City to an orchestral recording in London.
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Wynton Marsalis - Trumpet Wes Anderson - Saxophone Wycliffe Gordon - Trombone Victor Goines - Clarinet Marcus Roberts - Piano Reginald Veal - Bass Herlin Riley - Drums
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As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight. Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the NO symphony brass quintet, the NO community concert band, NO youth orchestra, NO symphony and a popular local funk band called the Creators. In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had <b>...</b>
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From his 1984 album "Hot House Flowers". Wynton Learson Marsalis (born October 18, 1961 in New Orleans, Louisiana) is an American trumpeter and composer. He is among the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. He is also the Musical Director of Jazz at Lincoln Center. A compilation of his series of inspirational letters to a young jazz musical student, named Anthony, has been published as To a Young Jazz Musician. Marsalis has made his reputation with a combination of skill in jazz performance and composition, a sophisticated yet earthy and hip personal style, an impressive knowledge of jazz and jazz history, and skill as a virtuoso classical trumpeter. As of 2006, he has made sixteen classical and more than thirty jazz recordings, has been awarded nine Grammys between the genres, and has been awarded the Pulitzer Prize for Music for his epic oratorio, "Blood on the Fields", which is on the subject of slavery. The first time it has been awarded for a jazz recording.
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© 2011 WMG Rehearsal with Wynton Marsalis for Jazz at Lincoln Center Orchestra. Eric's new album "Wynton Marsalis & Eric Clapton Play The Blues - Live From Jazz At Lincoln Center" is available now on iTunes at: Connect with Eric at: www.ericclapton.com http www.facebook.com
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www.sundancechannel.com Wynton Marsalis answers the question: What is an Iconoclast? In the "Iconoclasts: Wynton Marsalis + John Besh" episode of "Iconoclasts," musician and Artistic Director of Jazz at Lincoln Center Wynton Marsalis and chef John Besh are New Orleans natives who share a passion for their hometown. Both are committed to preserving and enriching the city's distinct culture and flavor, especially since the devastation in the wake of Hurricane Katrina. Besh visits Marsalis in New York at Jazz at Lincoln Center and attends the Montreal Jazz Fest for Marsalis' performance of Congo Square. Then the two meet in New Orleans and visit Congo Square, the historic New Orleans gathering place that served as an inspiration for Wynton's music. They also survey the post-Katrina rebuilding effort and dine at Besh's restaurant La Provence. Directed by Bruce Sinofsky. ICONOCLASTS airs Thursdays at 10pm on Sundance Channel.
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Soundcheck footage from the album: From Billie Holiday to Edith Piaf - Live in Marciac (2008) www.wyntonmarsalis.org Wynton Marsalis (trumpet); Richard Galliano (accordion); Carlos Henriquez (bass); Ali Jackson (drums); Dan Nimmer (piano); Walter Blanding (sax)
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Branford Marsalis Quartet - Again Never - dope jazz music from a Spike Lee joint "Mo' Better Blues" Produced by Bill Lee Recording and Mix Engineer - Patrick Smith Branford Marsalis - Tenor Saxophone, Soprano Saxophone Kenny Kirkland - Piano Robert Hurst - Bass Jeff 'Tain' Watts - Drums Terence Blanchard - Trumpt
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On their premiere duo format album, Songs of Mirth and Melancholy, Branford Marsalis (saxophones) and Joey Calderazzo (piano) reveal an ever deepening musical relationship and illuminate a shared belief in the importance of musicality over technicality. Marsalis Music goes behind the scenes during the recording of Songs of Mirth and Melancholy and brings you interview footage of Branford and Joey explaining the beginnings of their duo performances and the ways in which they approach the duo format as a venue unique from other types of musical collaborations.
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Wynton Marsalis & Eric Clapton Play The Blues Live from Jazz at Lincoln Center Released September 13, 2011 New York City's premier jazz venue got the blues last April when Wynton Marsalis and Eric Clapton performed together in Rose Theater at Frederick P. Rose Hall, home of Jazz at Lincoln Center for two sold-out shows dedicated to vintage blues. The extraordinary collaboration, billed as Wynton Marsalis & Eric Clapton Play the Blues, paired these musical virtuosos with members of the Jazz at Lincoln Center Orchestra as they brought to life a repertoire of songs selected by Clapton and arranged by Marsalis. The event also included a special appearance by Taj Mahal. Reprise Records captures the magic of these unprecedented shows from earlier this year on CD and as a CD/DVD combo that both feature selections taken from the two public concerts (April 8-9), as well a special performance for Jazz at Lincoln Center's annual gala (April 7). CD and DVD Track Listing: 1. Ice Cream 2. Forty-Four 3. Joe Turner's Blues 4. The Last Time 5. Careless Love 6. Kidman Blues 7. Layla 8. Joliet Bound 9. Just A Closer Walk With Thee - Featuring Taj Mahal 10. Corrine, Corrina - Featuring Taj Mahal *bonus Track On DVD Only: Stagger Lee By Taj Mahal The band: Trumpet - Wynton Marsalis Guitar, Vocals - Eric Clapton Trumpet - Marcus Printup Trombone - Chris Crenshaw Clarinet - Victor Goines Piano - Dan Zimmer Bass - Carlos Henriquez Drums - Alan Jackson Keyboards - Chris Stainton Banjo - Don <b>...</b>
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© 2011 WMG Playing the Blues with Wynton Marsalis. Eric's new album "Wynton Marsalis & Eric Clapton Play The Blues - Live From Jazz At Lincoln Center" is available now on iTunes at: Connect with Eric at: www.ericclapton.com http www.facebook.com
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The National Anthem at the 1991 NBA All-Star game, performed by Branford Marsalis and Bruce Hornsby. IMHO one of the finest interpretations. I missed the first 10 seconds and there is also some German commentary at the end - sorry for that.
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Just when you thought Eric couldn't play a different arrangement of Layla! This version is probably the most different of all - the start sounds like a New Orleans funeral, which gives way to an arrangement stripped of riffs or signature licks. It still retains the raw power of the original song, and it sounds great. In Eric'c own words in the introduction, "in my humble opinion, it's the finest version yet". See if you agree...
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