Orson Welles Drunk Outtake


In these infamous Paul Masson outtakes, Orson tries to deliver his lines while totally tanked.


Orson Welles drunk Paul Masson commerical blooper ledzepp 461

The Red Bandana ~ Welles Crowther | ESPN Edward Burns


www.espn.com Ten years later: remembering the man who led over 12 people to safety after terrorists struck the World Trade Center on September 11th - a former Boston College lacrosse player whose trademark was a red bandanna


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Orson Welles - Frozen Peas


A recording of the infamous frozen peas commercial involving Orson Welles. Struggling to fathom the copy he's being directed to read, he loses his patience and finally walks out. (Please check out my buddy Sean's music: www.youtube.com


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Original Takes for Orson Welles Wine Commercial


These are some original takes for the legendary Orson Welles "We Will Sell No Wine Before Its Time" commercial, and show that working with the legendary Mr. Welles could be...memorable.


Orson Welles Paul Masson Wine Commercial Outtakes grimscribe 126

Orson Welles in F for Fake, Chartres


Welles' moving monologue on authorship and Chartres, in his final completed feature-length work, his 1976 experimental essay 'F for Fake'. With the authorship of Chartres remaining unknown, it would seem to belong to us all.


Chartres Orson Wells F for Fake legerdemain

Five Minutes Mr. Welles - Vincent D'Onofrio


Five Minutes Mr Welles is a short film by Vincent D'Onofrio. It debuted at the 2004 Venice Film Festival. Until now, it has never been available before outside of the film festival circuit. Enjoy!!!


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Me and Orson Welles US Official Trailer #2


Visit www.moviepi.com and subscribe. Follow us on Twitter http The second US Trailer for the Richard Linklater's directed film "Me and Orson Welles" starring Zac Efron, Claire Danes, Christian McKay, Ben Chaplin, Kelly Reilly, Eddie Marsan, Leo Bill, Imogen Poots and Aidan McArdle. The drama, set to open on November 25th, is a coming-of-age story set in the heady world of New York theatre. Efron plays a teenage student who lucks his way into a minor role in the 1937 Mercury Theatre production of "Julius Caesar," directed by 22-year-old genius Orson Welles. In the words of Kaplow's protagonist: "This is the story of one week in my life. I was seventeen. It was the week I slept in Orson Welles's pajamas. It was the week I fell in love. It was the week I fell out of love."


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Orson Welles' "Voodoo" Macbeth


Newsreel of Orson Welles' all-black adaptation of Macbeth. Produced by the Negro Theatre Unit of the Federal Theatre Project ( en.wikipedia.org ) of the Works Progress Administration ( en.wikipedia.org ). Jack Carter (he would later appear as Mephistopheles in Welles production of Dr. Faustus): Macbeth Edna Thomas: Lady Macbeth Canada Lee (he would later appear as Bigger Thomas in Welles production of Native Son and before the blacklist had a brief Hollywood career en.wikipedia.org & www.imdb.com ): Banquo Maurice Ellis: Macduff Eric Burroughs: Hecate drummers led by Asadata Dafora www.ibdb.com memory.loc.gov Production notebook, playscript, and related documents from the digital collection The New Deal Stage at the Library of Congress. To anyones knowledge has there ever been a revival? Well apparently there was in 1977, the Henry Street Settlement's New Federal Theatre revived the production, starring Lex Monson and Esther Rolle.


Orson Welles Shakespeare Macbeth Federal Theatre Project black 1930s Newsreel Kent Allard

Me and Orson Welles


High-schooler Richard Samuels lucks into a role in a daring Broadway production of Julius Caesar. Cues, staging, rehearsals, romance, rivalries: he has a lot to learn. And the first thing to learn is never upstage Mercury Theatre's genius director, 22-year-old Orson Welles. Zac Efron wins hearts and applause as Richard, the Me of this celebratory curtain call for when dreams -- and the theater -- were big. Christian McKay offers an uncanny Welles, the imposing, impetuous center of Richard's exciting new universe. Claire Danes is the enterprising stage assistant drawn into both men's lives. And Richard Linklater (Before Sunset, The School of Rock) directs with the vibrant spirit of those for whom all the world is a stage. Bravo! MPAA Rating: PG-13 For sexual references and smoking. © 2009 CinemaNX Films One Limited. © 2010 Warner Bros. Entertainment Inc. All rights reserved.


Me and Orson Welles Ben Chaplin Claire Danes Zac Efron Zoe Kazan Eddie Marsan Kelly Reilly James Tupper Richard Linklater warnervod

Orson Welles on Cold Reading


Orson Welles discusses the nature of 'cold reading', a type of analysis used by many phony psychics and fortune tellers to trick their customers into thinking they indeed do have special powers, and how some can become so skilled at it that they actually trick themselves into believing they are truly psychic.


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Touch of Evil Opening Shot


The famous crane shot from Orson Welles' 1958 film, 'Touch of Evil.'


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The Third Man - Orson Welles' Great Cuckoo Clock Speech against Democracy, Peace & Brotherly Love


Harry Lime schools Holly aboard a Ferris Wheel


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Orson Welles in The Critic


Just put together some clips of how Maurice LaMarche portrays Orson Welles in this highly underrated show.


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Orson Welles Terrorizes Jim Henson and Frank Oz


Things take an unpleasant turn at the end of Orson Welles' interview with Jim Henson and Frank Oz... and stay tuned for Miss Angie Dickinson. ((more info)) Follow: twitter.com Many thanks to Kevin MacLeod for the use of his music and to the old Late Night show as well. And thanks to g4's Attack of the Show for making this their #1 video Around the Net for 4/13/2011.


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Rosebud Frozen Peas


This is a clip from the animated series 'The Critic' featuring Orson Welles (voiced by Maurice LaMarche) advertising Rosebud Frozen Peas. The title of this episode is "Eyes on the Prize".


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Orson shmoozes about Winston Churchill


Winston Churchill helped Orson get some movie-money from a financier.


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Orson Welles & Nikola Tesla - The Creative Process


In memory of Nikola Tesla 1856 - 1943, and his contribution to science. This rare film stars Orson Welles and features a dramatic recreation of a meeting between Nikola Tesla, Industrialist JP Morgan and Thomas Edison, that would decide the fate and future of today's Electric Power Industry in America and the world. Nikola Tesla is regarded as one of the most important inventors in history. He changed the world with the invention of the AC (alternating current) induction motor, making the universal transmission and distribution of electricity possible. So why is he virtually unknown to the general public? Nikola Tesla's contributions to science include the fields of Robotics, Ballistics, Computer Science, Nuclear Physics, and Theoretical Physics. In 1943, the Supreme Court of the United States credited him as being the inventor of the Radio. But what happened to Tesla? See the Movie! Now on DVD, Catalog #U662. Visit us online: www.UFOTV.com True and miraculous stories of the wildly strange and unexplained are featured here on UFOTV. Our vast library of suppressed and exotic news and information includes reports on UFOs & Aliens, Spirit Culture & The Paranormal, Shocking Political Controversy, Mystery & Wonder. Subscribers are automatically notified first as we add new videos on a regular bases. UFOTV - Your ultimate resource for suppressed and exotic, controversy, news and information. Visit us online www.UFOTV.com and at our other YouTube channel: UFOTVstudios


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Orson Wells Meets HG Wells


This a great rare audio clip of HG Wells being interviewed with Orson Wells.


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Orson Welles - Macbeth Intro


This is the opening from Orson Welles's film adaptation of Macbeth. Check more film stuff at pigscantfly.wordpress.com


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Orson Welles "F For Fake" Trailer


An abridged version of the nine minute trailer Orson Welles had made for his film "F For Fake" (using mostly footage that is never seen in the film) as introduced by Oja Kodar in the documentary "The One Man Band". First 30 seconds dubbed for German TV. Trailer has the famous quote "what if I came out and admitted that the Martian hoax was not exactly a hoax?" - enjoy!


Orson Welles For Fake Trailer Andreas Simon

Orson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast.


Orson Welles - War Of The Worlds - Radio Broadcast 1938 - Complete Broadcast. The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938 and aired over the Columbia Broadcasting System radio network. Directed and narrated by Orson Welles, the episode was an adaptation of HG Wells' novel The War of the Worlds. The first two thirds of the 60-minute broadcast were presented as a series of simulated "news bulletins", which suggested to many listeners that an actual alien invasion by Martians was currently in progress. Compounding the issue was the fact that the Mercury Theatre on the Air was a 'sustaining show' (it ran without commercial breaks), thus adding to the program's quality of realism. Although there were sensationalist accounts in the press about a supposed panic in response to the broadcast, the precise extent of listener response has been debated. In the days following the adaptation, however, there was widespread outrage. The program's news-bulletin format was decried as cruelly deceptive by some newspapers and public figures, leading to an outcry against the perpetrators of the broadcast, but the episode secured Orson Welles' fame.


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The Orson Welles Sketchbook Episode 1- Part 1


khalatnost.tumblr.com More info: www.guardian.co.uk


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Orson Welles Battle Hymn of the Republic


Orson Welles introduces the historical creation of the Battle Hymn of the Republic


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Orson Welles bitches about Harry Cohn


Harry Cohn ruined a scene by inserting music into it.


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Citizen Kane - The Theatrical Trailer


The trailer for Citizen Kane, Orson Welles' masterpiece, as it was screened prior to its release, in 1940-1941.


Orson Welles citizen kane trailer cgarofani

Chimes At Midnight (Orson Welles) Part 1


Chimes at Midnight (aka Falstaff) is a 1965 film directed by Orson Welles based around the character of Sir John Falstaff in Shakespeare. The script contains text from five Shakespeare plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II, Henry V, and The Merry Wives of Windsor. The film's narration, spoken by Ralph Richardson, is taken from the chronicler Holinshed. The film was nominated (in 1968) for a BAFTA film award for Welles as Best Foreign Actor. At the Cannes Film Festival Welles was nominated (in 1966) for the Golden Palm Award and won the 20th Anniversary Prize and the Technical Grand Prize. In Spain it won (in 1966) the Citizens Writers Circle Award for Best Film. Welles held this film in high regard and considered it along with The Trial his best work, he said in 1982 "If I wanted to get into heaven on the basis of one movie, that's the one I'd offer up". Many critics, including Peter Bogdanovich and Jonathan Rosenbaum, also consider it Welles's finest work. The scene depicting the Battle of Shrewsbury has been particularly admired, serving as an inspiration for movies like Braveheart and Saving Private Ryan. Due to complications concerning the film's ownership, Chimes at Midnight remains unavailable in the United States. It is most readily available as an import DVD from Brazil.


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Orson Welles praises Harry Cohn


Harry saved Orson's hiney with a fast loan.


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Orson Welles-I know what it is to be young


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Orson Welles on the Basque Country - Part 1 of 6


In 1955 the BBC asked Orson Welles to complete a quaint series of documentaries which were labeled "Around the World with Orson Welles. This is an extract from one of the programmes on France, and although being mainly focused on the northern side of the Pyrenees it makes for a fascinating watch for any Euskalover. Sare, Ascain, Ciboure, Dancharia, SJDL, Toro del Fuego, it's all there. Some may even recognise some much younger familiar faces at school's out in Ciboure, or the estudiantina on its way to Socoa. Enjoy!


Basque Country Euskadi Euskal Herria Orson Welles BBC soulprawn

Orson Welles on performers working an audience (1979)


Wells theories on how performers win over an audience


Orson Welles Diana Shore Real Agent Of SHIELD

Orson Welles - The Trial (Intro Story)


"Before the law, there stands a guard. A man comes from the country, begging admittance to the law. But the guard cannot admit him. Can he hope to enter at a later time? "That is possible," says the guard. The man tries to peer through the entrance. He had been taught that the law should be accessible to every man. "Do not attempt to enter without my permission," says the guard. "I am very powerful. Yet I am the least of all the guards. From hall to hall, door after door, each guard is more powerful than the last." By the guard's permission, the man sits down by the side of the door, and there he waits. For years, he waits. Everything he has, he gives away in the hope of bribing the guard, who never fails to say to him, "I take what you give me only so that you will not feel that you have left something undone." Keeping his watch during the long years, the man has learned to know even the fleas in the guard's fur collar. The man growing childish in old age, he begs the very fleas to persuade the guard to change his mind and allow him to enter. His sight has dimmed, but in the darkness he perceives a radiance streaming immortally from the door of the law. And now, before he dies, all he's experienced condenses into one question, a question he's never asked. He beckons to the guard. Says the guard, "You are insatiable! What is it now?" Says the man, "Every man strives to attain the law. How is it then that in all these years, no one else has ever come here, seeking <b>...</b>


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L'infernale Quinlan (inizio) - Orson Welles


INIZIO De "L'infernale Quinlan"


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Rime of the Ancient Mariner - Orson Welles, Larry Jordan Part 1


Larry Jordan's 1977 experimental film - using animated engravings of Gustave Dore with Orson Welles reading the timeless Samuel Taylor Coleridge poem.


Orson Welles Gustave Dore Samuel Taylor Coleridge poem film animation vanzetti

Orson Welles' Lifetime Achievement Award


Orson Welles' remarks at the AFI lifetime achievement award ceremony in his honor.


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Orson Welles as Clarence Darrow in Compulsion


Welles delivers a stirring plea for the lives of Leopold and Loeb in the climax of the 1959 film Compulsion. The final summation is taken directly from the transcript of the real trial. As good an oration against the death penalty as you'll ever hear.


Compulsion 1959 Orson Welles Leopold and Loeb Courtroom drama Death Penalty Dean Stockwell Darrow jmd 26

Orson Welles last interview (on the Merv Griffin Show) - 1985


Orson Walles talks with Merv Griffin. 1985. He died two hours after the taping on this interview at the age of 70 years old.


Merv Griffin Show Orson Welles alechorseman

War Of The Worlds Radio Broadcast Part 1


The original War Of The Worlds radio broadcast, as read by Orson Wells.


entertainment news radio classic scifi Cityscape Pictures 08

Orson Welles' MACBETH (1948)--the assassination sequence


a 10 minutes long take, a tour de force of typical Wellsian screen direction and among the longest shot ever done on film in film history--almost as long as the length of the reel in a 35mm camera.


Cinema Orson Welles Shakespeare long take tfujiwara 01

The Third Man (1949) - If one of those dots stopped moving forever


The Ferris wheel scene in the Orson Welles film noir classic set in postwar Vienna, "The Third Man." Wells is a cynical dealer of counterfeit drugs tells his pursuer to look down at the people below and says: "Victims? Don't be melodramatic.... Would you really feel any pity if one of those dots stopped moving forever?" "No one thinks in terms of human beings".


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Chimes At Midnight (Orson Welles) Part 2


Chimes at Midnight (aka Falstaff) is a 1965 film directed by Orson Welles based around the character of Sir John Falstaff in Shakespeare. The script contains text from five Shakespeare plays: primarily Henry IV, Part 1 and Henry IV, Part 2, but also Richard II, Henry V, and The Merry Wives of Windsor. The film's narration, spoken by Ralph Richardson, is taken from the chronicler Holinshed. The film was nominated (in 1968) for a BAFTA film award for Welles as Best Foreign Actor. At the Cannes Film Festival Welles was nominated (in 1966) for the Golden Palm Award and won the 20th Anniversary Prize and the Technical Grand Prize. In Spain it won (in 1966) the Citizens Writers Circle Award for Best Film. Welles held this film in high regard and considered it along with The Trial his best work, he said in 1982 "If I wanted to get into heaven on the basis of one movie, that's the one I'd offer up". Many critics, including Peter Bogdanovich and Jonathan Rosenbaum, also consider it Welles's finest work. The scene depicting the Battle of Shrewsbury has been particularly admired, serving as an inspiration for movies like Braveheart and Saving Private Ryan. Due to complications concerning the film's ownership, Chimes at Midnight remains unavailable in the United States. It is most readily available as an import DVD from Brazil.


chimes at midnight orson welles falstaff shakespeare Vom Bear

Freedom River


Concentrating on an area of growing concern in our society--the indifference that makes people blind to the injustices around them--this animated parable traces how the erosion of freedom, like the pollution of natural resources, can occur so gradually that both evade the attention of a busy and preoccupied nation. (Narrated by Orson Welles)


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Orson Welles on Falstaff


Orson Welles on Falstaff from Chimes at Midnight, from a BBC interview, Stories of a Life in Film


Orson Welles Falstaff Shakespear Chimes at Midnight Two Munchu

Othello as directed by Orson Welles


Othello's final speech, as directed by Orson Welles. Actors include Orson Welles, Micheál MacLiammóir, Suzanne Cloutier, Robert Coote. 1952


Othello William Shakespeare Orson Welles Micheál macliammóir Suzanne Cloutier ILLANUNINE

Orson Welles in "The Third Man" - '49 - HQ


This is ALL the footage of Awesome Orson (apart from the chase round the sewers at the end - and half of that used doubles) in the film. His total on-screen time is less than ten minutes. And yet it is a measure of the man that if you ask any film-fan who starred in The Third Man, almost all will answer "Orson Welles" - despite the fact that during its one hundred and four minutes (97 in the US version) Joseph Cotten was in nearly every shot! Shame!!! Oh and anecdotally, this uploader has RIDDEN that big wheel. Four were made, for assorted expositions, but only the Vienna one survives. It took heavy damage during WW2, but since it was to the Viennese what the Eiffel Tower is to Parisians - it was restored. You get a great view from the top. [two footnotes (if you've reached this far!): Orson improvised the "cuckoo-clock" tag - Graham Greene was on set and approved it. In fact, he said he wished HE'D thought of it! And notice Mr Welles' trademark Overlapping Dialogue, Rare in those days - and even now.]


Joseph Cotten Vienna Big Wheel morpheusatloppers